Composing the Spectacle: Colonial Portraiture and and the Coronation Durbars of British India, c.1877-1911 (original) (raw)

Hermione de Almeida, George H. Gilpin. Indian Renaissance: British Romantic Art and the Prospect of India

Valdas Jaskunas

Acta Orientalia Vilnensia, 2008

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Moving Pictures: Imagining the Past Through Courtly Photographs of British India

Mira Hashmi

2016

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Art and womanhood in colonial society : the iconography of women in the service of politics in the British Empire in India.

Dorota Kamińska-Jones

Art, design and society, global perspectives / eds. Anupa Pande, Savita Kumari, New Delhi, National Museum Institute of History of Art, Conservation and Museology Ministry of Culture, Macmillan Press : 2021, s. 111-118, il.

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Mimesis across empires: artworks and networks in India, 1765–1860, by Natasha Eaton

Michael W Meister

South Asian History and Culture, 2015

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Portraits and Types: Reinscribing Forms in Nineteenth-Century India and Europe

Holly Shaffer

Ars Orientalis, 2021

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The Photographic Portrait in The British Raj: A Study of the Representation of the Begums of Bhopal

Sophie Balfour-Lynn

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Costume Dramas: British Art at the Court of the Marathas

Douglas Fordham

Representations, 2008

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Conjuring Images of India In Nineteenth-Century Britain

Crispin Bates

Social History, 2007

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Aesthetic Bodies: Posing on Sites of Violence in India, c.1857-1900

Sean Willcock

History of Photography, 2015

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Captive And/Or Captivating Bodies: The Collapse of the Aesthetic and the Political in 'The People of India'

Dr. Sonali Pattnaik

Word Image Text: Studies in Literary and Visual Cultures Ed. Shormishtha Panja et al, 2009

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Jean-Baptiste Gentil’s “Mughalesque” Albums: A Study in the Visual Nodes and Aesthetic Modes of Firanghi Paintings in Eighteenth-Century India

Mrinalini Sil

2023

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Adapting the Eye: An Archive of the British in India, 1770-1830 (October 11 - December 31, 2011)

Holly Shaffer

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Ironies of mimicry: The art collection of Sayaji Rao III Gaekwad, Maharaja of Baroda, and the cultural politics of early modern India

Julie Codell

Journal of the History of Collections, 2003

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Focusing the Backdrop: Understanding the Constituents of Aristocratic Portraiture in Mysore Princely State (19th and 20th century)

Chandan S K Kashyap

Chitrolekha Journal on Art and Design

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A Knowing Look Appropriation and Subversion of the Mughal Idiom in Rajput Paintings of the Eighteenth Century

Kavita Singh

Indian Painting: Themes, Histories, Interpretations Essays in Honour of B. N. Goswamy, 2013

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Arts of Contradiction: Gaganendranath Tagore and the Caricatural Aesthetic of Colonial India

Sanjukta Sunderason

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History of Popular Picture Production in Colonial India: Art and Politics of the ‘God-Prints’ And The Formation of a ‘new’ Hindu Imagery

Biswadeep Chakraborty, Ph.D.

Navajyoti, International Journal of Multi-Disciplinary Research Volume 4, Issue 2, February 2020, ISSN: 2456–3781, 2020

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Mughal Art and Imperial Ideology: Collected Essays

nuzhat kazmi

Indian Historical Review, 2006

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Picturing the West India regiments : race, empire, and photography, c.1850-1914

Melissa Bennett

2018

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Portraiture in Early India: Between Transience and Eternity. By Vincent Lefèvre. Leiden; Boston: Brill, 2011. xix, 219 pp. $135.00 (cloth)

Michael W Meister

The Journal of Asian Studies, 2012

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It Matters What You Call a Thing: How Illustration During the Indian Mutiny Shaped the Visual Culture of Victorian England

Josh Corson

2017

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Review of Princes and Painters in Mughal Delhi, 1707–1857, eds. William Dalrymple and Yuthika Sharma, exh. cat. New York and New Haven: Asia Society Museum in association with Yale University Press, 2012. 224 pp.; 150 color ills. Cloth $60.00

Yael Rice

caa.reviews, 2013

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"Picturing Indian kingship: The photographic practices of Maharaja Sayaji Rao III of Baroda"

Teresa Segura-Garcia

Visual histories of South Asia, ed. by Annamaria Motrescu-Mayes and Marcus Banks, foreword by Christopher Pinney. New Delhi: Primus Books, 2018

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Subjects and Sovereigns: The Husbands and Wives who Ruled British India, 1774-1925

Christina Casey

2017

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8 Indian crafts and imperial policy: hybridity, purification, and imperial subjectivities

Julie Codell

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"All that Glitters: Diamonds and Constructions of Nabobery in British Portraits (1600-1800)." In The Uses of Excess in Visual and Material Culture, 1700-2010. Ed. Julia Skelly. London: Ashgate, 2014, 19-40.

Romita Ray

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Aesthetics in the Services of Colonialism. The Picturesque in the Indian Context

Dorota Kamińska-Jones

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Dohmen, Renate (2012) ‘Memsahibs and the “Sunny East”: Representations of British India by Millicent Douglas Pilkington and Beryl White.’, Victorian Literature and Culture, 40 (1), 153-177.

Renate Dohmen

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The Story of our Experiments with London: The Victorian City in Indian Imagination (1870-1900)

Arup K Chatterjee

2020

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Into the Indian Mind: An Insight through Portraits, Battles and Epics in Indian Painting, Francesca Galloway, London, 2015

Jeremiah Losty

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Jahangir as Publius Scipio Maior: The Commensurability of Mughal Political Portraiture

Ebba Koch

Portraiture in South Asia since the Mughals: art, representation, and history, edited by Crispin Branfoot, 2018

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‘Indian Painting from 1730-1825’ in Beach, M.C., Fischer, E., and Goswamy, B.N., Masters of Indian Painting, Artibus Asiae, Zurich, 2011, pp. 579-94

Jeremiah Losty

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Revisiting Seven Indian Painters [Proof/Uncorrected]

Joel Robinson

Asian Art News, 2018

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Exploring Indigenous Artistic Identity during the Colonial Period in India

Dr. Neeparanya Guha

ISSN Print - 2583-0422 and ISSN Online - 2583-0120, 2019

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The Indian Portrait VIII: Paintings from the Royal courts of Rajasthan

sonika soni

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