original ) (raw )Printed books of polyphony at Barcelona, Biblioteca Universitaria: new unknown editions by Giovanni Pierluigi da Palestrina and Gioseppe Caimo, at Medieval and Renaissance Music Conference 2016 (University of Sheffield, 5-8 July 2016)
Andrea Puentes-Blanco
Medieval and Renaissance Music Conference 2016 (University of Sheffield, 5-8 July 2016)
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The Codex J.II.9, Torino, Biblioteca Nazionale Universitaria: Facsimile Edition. Introductory study by Isabella Data and Karl Kügle. Ars Nova 4. Lucca: Libreria Musicale Italiana, 1999. 448 pp. ISBN 88 7096 158 3
Daniel Leech-Wilkinson
Plainsong and Medieval Music, 2001
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First Biennial Euro-Mediterranean Music Conference
Kenneth Owen Smith
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Medieval and Renaissance International Music Conference (Med&Ren 2017) (Prague, Convent of St. Agnes of Bohemia, 4-8 July 2017) [Final program]
Andrea Puentes-Blanco , Ascensión Mazuela-Anguita , Javier Marín-López
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CONFERENCE PROGRAM-IMSB International Musicological Society-National Music of Bucharest, September 2019
Tanya Karamanos
2019
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Mikhail Lopatin, review on: Antonio Calvia and Maria Sofia Lannutti, eds, Musica e poesia nel trecento italiano (Florence, 2015), published in PMM 26/2, 2017, p. 198-206
Mikhail Lopatin
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International Musicological Society: Eighth congress. Program
Emanuel Winternitz
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Barocco Padano 6, Atti del XIV Convegno internazionale sulla musica nei secoli XVII-XVIII, Brescia 16-18 luglio 2007, a cura di A. Colzani, A. Luppi, M. Padoan, A.M.I.S., Como 2010, pp. 700
Alberto Colzani
2010
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Conference "Collecting Music in Europe in the Second Half of the Seventeenth Century," Faculté des Lettres, Université de Fribourg, SNSF project "L’opera italiana oltre le Alpi: la collezione di partiture e libretti di Leopoldo I a Vienna (1640-1705) (2021-2023, n. 100016_197560)
Norbert Dubowy , CONTI Valeria , Nicola Usula , Andrea Garavaglia , Angela Fiore
Collecting Music in Europe in the Second Half of the Seventeenth Century, 2023
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Garcia-Ventura - Tavolieri - Verderame, The Study of Musical Performance in Antiquity, 2018
Lorenzo Verderame
Agnès Garcia-Ventura, Claudia Tavolieri, Lorenzo Verderame, The Study of Musical Performance in Antiquity: Archaeology and Written Sources, Cambridge Scholars Publishing, Newcastle upon Tyne, 2018, 2018
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47th Medieval and Renaissance Music Conference, Basel, Schola Cantorum Basiliensis, 2019, Programme
Agnese Pavanello
2019
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'Paul Dukas's Le Sang de Méduse: the Rediscovery of a Lost Scenario', Annual Meeting of the American Musicological Society (San Francisco, 10 November 2011).
Laura Watson
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Review of: E. Rocconi, Le parole delle Muse. La formazione del lessico tecnico musicale nella Grecia antica
Angelo Meriani
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Ana Lombardía: Text for the CD Musica Scotica by Orpheus Musicus (dir. Sergio Suárez). Madrid, La Tirana/ Lindoro NL-3064, 2023.
Ana Lombardía
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Franciscan music across the Mediterranean
Lucia Marchi
Medieval and Renaissance Music Conference, Lisbon 2021
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AAVV. Music and Sounds in Ancient Europe. Contributions from the European Music Archaeology Project. 2018. Ed. by Stefano De Angeli, Arnd Adje Both, Stefan Hagel, Peter Holmes, Raquel Jiménez Pasalodos, Cajsa S. Lund
Raquel Jiménez Pasalodos , Stefano De Angeli , Cajsa S Lund
2018
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The Byzantine musical manuscripts of the Veneto region: overview of a current research project. One example (Bassan. gr. 34B19), in Cantus Planus. IMS Study Group Papers read at the XVII meeting Venice, Italy, 28 July – 1 August 2014, James Borders cur., Venezia, Fondazione Ugo e Olga Levi 2020
Silvia Tessari
Fondazione Ugo e Olga Levi, 2020
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Anderson 1994 Music and musicians in Ancient Greece
Patricius Coamceuvensis
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The 13th International Conference of Students of Systematic Musicology (SysMus20)
Landon S L Peck
Music & Science, 2020
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[9 May 2019] 'IT SOUNDS GREEK TO ME': GREEK ART MUSIC SINCE THE NINETEENTH CENTURY Workshop Programme
Katy Romanou
2019
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Studies on Trecento Italian Music in the 21st Century: Some Observations on Present Directions of Research
Maria Caraci Vela
2016
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Musical Receptions of Greek Antiquity: From the Romantic Era to Modernism, edited by Katerina Levidou, Katy Romanou and George Vlastos (2016)
Katy Romanou
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The 12th International Conference of Students of Systematic Musicology (SysMus19)
Zachary Bresler
Music & Science
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Music in the Western Mediterranean: Thoughts on the opening day of the first AVAMUS congress
Marcello Messina
2014
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Berglund, Circulation of Carissimi's Sacred Music (2024)
Lars Berglund
Translatio Musicae: Circulation and Use of Music in Early Modern Europe (edited by Lars Berglund and Maria Schildt), 2024
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De musica disserenda IX/1-2
Katarina Ster , Czagány Zsuzsa , Robert Bernagiewicz , Stefan Engels , Roman Hankeln
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"'Quasi industre giardiniero': Giovanni Stefani's Amorosi Anthologies and Their Concordant Sources," Journal of Musicology 33/4 (Fall 2016): 522-568
Cory M. Gavito
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Strumenti musicali e oggetti sonori nell'Italia meridionale e in Sicilia (VI-III sec. a.C.). Funzioni rituali e contesti, Lucca, Libreria Musicale Italiana, 2012, in «Klankbord», XIII, 2012, p. 2.
Angela Bellia
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The Vicentini sound archive of the Arena di Verona Foundation: A preservation and restoration project
Sergio Canazza
2009
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Barocco Padano 6: Atti del XIV Convegno internazionale sulla musica italiana nei secoli XVII-XVIII (Brescia, 16-18 luglio 2007). Ed. by Alberto Colzani, Andrea Luppi, and Maurizio Padoan
Michael Eisenberg
Music and Letters, 2012
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Reconsidering cori spezzati, Acta Musicologica (2013)
Valerio Morucci
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James Haar, ed., European Music, 1520–1640
Alexander J Fisher
2007
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Music and Sound in Ancient Europe: Contributions from the European Music Archaeology Project
Cajsa S Lund , Stefan Hagel
2018
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Publications of the ICTM Study Group on Music Archaeology, vols. 1-3 (2013-2020)
Ekho Verlag
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Nikos Maliaras, Some Western European Musical Instruments and Their Byzantine Origin, in: Nika-Samson et al. (eds.), Crossroads. Greece as an intercultural pole of musical thought and creativity (Intern. Conference Thessaloniki 2011), Thessaloniki 2013, 533-543
Nikos Maliaras
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