original ) (raw )The (un)Natural Baroque: Giambattista Marino and Monteverdi's Late Madrigals
Roseen Giles
2016
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'Paul Dukas's Le Sang de Méduse: the Rediscovery of a Lost Scenario', Annual Meeting of the American Musicological Society (San Francisco, 10 November 2011).
Laura Watson
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"The Urtext’s Death in Early Modern Spain (and Johannes Wreede’s Pange lingua)" International Conference Making Musical Works in Early Modern Europe, 1500-1800. Royal Holloway University of London. Institute of Musical Research. University of Valladolid. London: 27 June 2019.
David Lee , Dr Manuel Gómez del Sol
2019
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Musical Classicisms in Italy before the Madrigal
Tim Shephard
Music and Letters, 2020
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Il suono dell’eterno. Tracce di repertori musicali perpetui a Venezia. – European Sacred Music, 1550–1800 : New Approaches. University of Fribourg (Switzerland), 9–12 June 2010
Luigi Collarile
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When Musicology Goes Cultural: On 'A Cultural History of Western Music in the Renaissance'
Nicolò Ferrari
Muzyka, 2024
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Monteverdi and Seconda Pratica: Music Should be at the Ser-vice of the Word
Eva Dolinsek
Socratic Lectures 7, 2022
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Music in the Baroque World: History, Culture and, Performance, written by Susan Lewis
Dr. Peter N K Leech
Journal of Jesuit Studies, 2017
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Monteverdi, the 1610 Vespers and the Beginnings of the Modern Musical Work
John Butt
Journal of the Royal Musical Association, 2018
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Review of M. Boyd y J. J. Carreras (eds): Music in Spain during the eighteenth century
Miguel Angel Marin
2000
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The sight of sound : resonances between music and painting in seventeenth-century Italy
Charlotte Poulton
2009
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1492. The Renaissance of Music
Paolo Emilio Carapezza
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A review of "Monteverdi's Unruly Women: The Power of Song in Early Modern Italy" by Bonnie Gordon
Andrew H. Weaver
2007
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Music in the Art of Renaissance Italy 1420-1540
Laura Stefanescu , Tim Shephard , Serenella Sessini , Sanna Raninen
Music in the Art of Renaissance Italy 1420-1540 (London: Harvey Miller), 2020
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'Dis-playing Musical Instruments in Renaissance and Early Modern Culture: Crossing the Borders of Materiality and Immateriality in Music', The 18th Biennial International Conference on Baroque Music, Cremona, 2018
Emanuela Vai
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Review: Marcello de Angelis, Melodramma, spettacolo e musica nella Firenze dei Lorena; Robert Lamar Weaver, A Chronology of Music in the Florentine Theater, 1751–1800
John A Rice
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The music of the Italian Renaissance as a national myth
Marco Di Pasquale
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Music, magic and humanism in late sixteenth-century Venice: Fabio Paolini and the heritage of Vicentino, Zarlino and Ficino
Grantley McDonald
Journal of the Alamire Foundation 4 (2012): 52–78
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From Italy to England, the instrumental arrangements of Italian arias in London (1700-1750)
Ludovic Piffaut
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USING THE MUSIC: MUSICAL MATERIALS AND EXPERT SINGERS' PRACTICES IN MONTEVERDI'S TIME
Richard Wistreich
2010
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Twenty-Fifth Annual Conference of the Society for Seventeenth-Century Music
Christine Jeanneret
2017
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Beyond the Courtier: Music and Lifestyle Literature in Italy 1480-1530
Oliver Doyle
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S. Luigi dei Francesi in the Seventeenth Century: A Laboratory for Music, Liturgy and Identity
Galliano Ciliberti
Music and the Identity Process. The National Churches of Rome and their Networks in the Early Modern Period, edited by Michela Berti and Emilie Corswaren, with the collaboration of Jorge Morales, Turnhout, Brepols, pp. 160-192, 2019
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Considerations about the Two Beginnings of the European Musical Culture (in: Lucrări de muzicologie, vol. XXIX.1/2014, Cluj-Napoca, Academia de Muzică "Gheorghe Dima")
Oleg Garaz
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Music, Spectacle and Cultural Brokerage in Early Modern Italy, 2 vols.
Janie Cole
Florence: Olschki, 2011
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Review: Gary Tomlinson, Music in Renaissance Magic: Toward a Historiography of Others
Blake Wilson
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Trovatore amante spia: Otto secoli di cronache intorno al celebre favorito che salvò Re Riccardo . By Davide Daolmi . pp. viii + 381. (Libreria Musicale Italiana, Lucca, 2015). Music and Letters, vol. 98, issue 1, February 2017, pp. 128-130.
Siel Agugliaro
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How to Deal with Music and the Arts, c. 1670–1750? Some Introductory Remarks
Ina Knoth
Music and the Arts in England, c. 1670–1750, 2020
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Conference "Collecting Music in Europe in the Second Half of the Seventeenth Century," Faculté des Lettres, Université de Fribourg, SNSF project "L’opera italiana oltre le Alpi: la collezione di partiture e libretti di Leopoldo I a Vienna (1640-1705) (2021-2023, n. 100016_197560)
Norbert Dubowy , CONTI Valeria , Nicola Usula , Andrea Garavaglia , Angela Fiore
Collecting Music in Europe in the Second Half of the Seventeenth Century, 2023
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Emma Dillon, Medieval Music-Making and the . (New Perspectives in Music History and Criticism.) Cambridge: Cambridge University Press, 2002. xiii, 304 pp. ISBN 0 521 81371 9
Maureen B.M. Boulton
Plainsong and Medieval Music, 2005
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Daniele Barbaro, Nicola Vicentino, and Vitruvian Music Theory in Sixteenth-Century Italy
Daniel K . S . Walden
Daniele Barbaro: Vénitien, patricien, humaniste. Ed. by P. Caye, F. Lemerle, L. Moretti, and V. Zara (Brepols), 2018
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The Concept of the Baroque/Italy, iii: 1600–1640
Tim Carter
European Music 1520–1640, 2006
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The Inaudible Music of the Renaissance: From Marsilio Ficino to Robert Fludd
Roseen Giles
Renaissance and Reformation
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The Eighteenth-Century Reception of Tartini’s Music in Sweden, International conference “Giuseppe Tartini (1692-1770) European Paths, Networks, Legacy”, Department of Arts and Musicology, University of Graz, 12-14 December 2023
Federico Lanzellotti
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Musical Theory in the Renaissance, edited by Cristle Collins Judd (Book Review), Brio: Journal of the UK branch of the International association of music libraries, Volume 52/1, pp 38-40.
Vassilis Vavoulis (Βασίλης Βαβούλης)
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