Brushed in Light: Calligraphy in East Asian Cinema by Markus Nornes (review) (original) (raw)

Lines in Translation: Cross-Cultural Encounters in Modernist Calligraphy, Early 1980s–Early 1990s

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Yishu: Journal of Contemporary Chinese Art, vol. 15, no. 4 (July/August 2016), 6–28.

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What is ‘Chinese Modern Calligraphy? An exploration of the critical debate on modern calligraphy in contemporary China.

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The Line Between Calligraphy and Painting: A View from Post-War Japan

Eugenia Bogdanova-Kummer

The Power of Line (Munich: Hirmer, 2015), 2015

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Like One Witnessed the Creation: Rethinking the Aesthetic Appreciation of Chinese Calligraphy

Xiongbo Shi

Philosophy East and West, 2019

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Contemporary Chinese Calligraphy between Tradition and Innovation.

Adriana Iezzi

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Entexted Heritage: Calligraphy and the (re)Making of a Tradition in Contemporary China

Lia Wei

China Perspectives, 2021

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Chinese Calligraphy as "Force-Form"

Xiongbo Shi

Journal of Aesthetic Education, 2019

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"Chinese Modern Calligraphy" as a Reflection of Chinese Contemporary Culture: a Comparison between Modernism (Wang Dongling) and Avant-garde (Xu Bing)

Adriana Iezzi

Italian Association for Chinese Studies. Selected Papers 1, 2016, 2016

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Zhang Yinlin: A Preface to Chinese Calligraphy Criticism (1931). A translation with an introduction by the translator. Journal of Art Historiography. December 2015

Xiongbo Shi

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Deterritorializing Chinese Calligraphy: Wang Dongling and Martin Wehmer's Visual Dialogue (2010)

Shao-Lan Hertel (何小蘭)

The Journal of Transcultural Studies, 11, no. 2 (Winter 2020), 2020

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Chinese Calligraphy in the Digital Realm: Aesthetic Perfection and Remediation of the Authentic

Laura Vermeeren

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Japanese Literati Painting and Calligraphy

patricia graham

Art History, 2021

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English translation of Chinese calligraphic aesthetics

Ge Song

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Chapter 4: Taoist Calligraphy (from Change and Continuity: the Influences of Taoist Philosophy and Cultural Practices on Contemporary Art Practice)

Bonita Ely

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Chinese Characters as Concept and the International Language of Visual Art

Jean M Ippolito

The International Journal of New Media, Technology and the Arts, 2018

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Calligraphy, Aesthetics, and Character in The Tale of Genji

Tomoko Sakomura

2019

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Creating New Forms of" Visualised" Words: An Anthropological Study of Contemporary Japanese Calligraphy

Fuyubi Nakamura

2006

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The sky rained with millet and the ghosts wailed in the night : an anthropological study of Chinese calligraphy

Yuehping Yen

2000

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Modernized Differently: Avant-Garde Calligraphy and Art in Postwar Japan

Kenji Kajiya

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Negotiating with the Past: The Art of Calligraphy in Post-Mao China

li-hua ying

ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts

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Tankei-Maruyama-on-Modern-Japanese-Calligraphy

Marcelo Guimarães Lima, J. R. Osborn

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Contemporary Japanese calligraphy as seen through the categories in major calligraphy exhibitions

Anna Zalewska

The Artistic Traditions of Non-European Cultures, 2024

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Calligraphy in Context: Three Works by Dong Qichang

Celia Carrington Riely

In: Out of Character: Decoding Chinese Calligraphy, Asian Art Museum, San Francisco, 2012

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Chinese writing and calligraphy

Soohyung Jung

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Time-Space Alterations: A New Media Abstraction of Traditional Chinese Painting and Calligraphy Aesthetics

Hung Keung

Leonardo: Journal of the International Society for the Arts, Sciences and Technology, 2020

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The Inner Workings of Brush-and-Ink: A Study on Huang Binhong (1865–1955) as Calligrapher, with Special Respect to the Concept of Interior Beauty (neimei).

Shao-Lan Hertel (何小蘭)

Diss. Freie Universität Berlin [online], 2017.

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Of the Use of Calligraphy in Sino-Javanese Communities (18th-Early 21st

Claudine Salmon

Archipel, 2020

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Curving Lines and Morphing Marks: On the Problems of Comparing Chinese Ink-Brush Writing with Dancing

Alexander H Schwan

The Power of Line, ed. by Marzia Faietti and Gerhard Wolf, pp.128–141., 2015

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Tradition versus Modernity in Chinese Ink-wash Animation

Ann/y Leung

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Japanese Typographic Design and the Art of Letterforms

Gennifer Weisenfeld

Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, 2011

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How do digital technologies affect the aesthetics of Japanese calligraphy art and culture

Hua-Chun Fan

Master of Arts Thesis

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Reading And Writing Between The Lines of Art History: Challenges and Potentials of Chinese Calligraphy Discourse, A Perspective from Tsinghua University Art Museum / 艺术史之间的阅读和写作: 从清华大学艺术博物馆看中国书法话语的挑战与潜能

Shao-Lan Hertel (何小蘭)

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Film and Contemporary Chinese Art: Mediums and Remediation

Eugene Y Wang

The Oxford Handbook of Chinese Cinemas, 2013

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Eclecticism in Chinese Modern Calligraphy, Analysis on Foo Yong Kong’s Painting

Ira Adriati

Arts and Design Studies, 2020

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Moral and Philosophical Implications of Chinese Calligraphy

Peimin Ni

Grand Valley Review, 1999

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