original ) (raw )The sky rained with millet and the ghosts wailed in the night : an anthropological study of Chinese calligraphy
Yuehping Yen
2000
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Chapter 4: Taoist Calligraphy (from Change and Continuity: the Influences of Taoist Philosophy and Cultural Practices on Contemporary Art Practice)
Bonita Ely
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Lines in Translation: Cross-Cultural Encounters in Modernist Calligraphy, Early 1980s–Early 1990s
Shao-Lan Hertel (何小蘭)
Yishu: Journal of Contemporary Chinese Art, vol. 15, no. 4 (July/August 2016), 6–28.
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Like One Witnessed the Creation: Rethinking the Aesthetic Appreciation of Chinese Calligraphy
Xiongbo Shi
Philosophy East and West, 2019
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Zhang Yinlin: A Preface to Chinese Calligraphy Criticism (1931). A translation with an introduction by the translator. Journal of Art Historiography. December 2015
Xiongbo Shi
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What is ‘Chinese Modern Calligraphy? An exploration of the critical debate on modern calligraphy in contemporary China.
Adriana Iezzi
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Nu Shu GPS: 25°21’00.5N, 111°27’17.7E—An Interdisciplinary Cooperation between Dance, Calligraphy, and the Body in Multimedia Performance
Fiona Cheng , Yun-Ju Chen
Body, Space & Technology, 2018
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Contemporary Chinese Calligraphy between Tradition and Innovation.
Adriana Iezzi
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"Chinese Modern Calligraphy" as a Reflection of Chinese Contemporary Culture: a Comparison between Modernism (Wang Dongling) and Avant-garde (Xu Bing)
Adriana Iezzi
Italian Association for Chinese Studies. Selected Papers 1, 2016, 2016
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Chinese Calligraphy as "Force-Form"
Xiongbo Shi
Journal of Aesthetic Education, 2019
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Moral and Philosophical Implications of Chinese Calligraphy
Peimin Ni
Grand Valley Review, 1999
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Deterritorializing Chinese Calligraphy: Wang Dongling and Martin Wehmer's Visual Dialogue (2010)
Shao-Lan Hertel (何小蘭)
The Journal of Transcultural Studies, 11, no. 2 (Winter 2020), 2020
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The Inner Workings of Brush-and-Ink: A Study on Huang Binhong (1865–1955) as Calligrapher, with Special Respect to the Concept of Interior Beauty (neimei).
Shao-Lan Hertel (何小蘭)
Diss. Freie Universität Berlin [online], 2017.
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The Writing of Art -Inspired by calligraphy (exhibition review, first published IBRAAZ, Nov 2017) Calligraphy's contemporary meanings and power in art
rozemin keshvani
IBRAAZ, 2017
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Entexted Heritage: Calligraphy and the (re)Making of a Tradition in Contemporary China
Lia Wei
China Perspectives, 2021
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Eclecticism in Chinese Modern Calligraphy, Analysis on Foo Yong Kong’s Painting
Ira Adriati
Arts and Design Studies, 2020
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Whither the Methods of the Ancients? Huang Binhong’s 黃賓虹 (1865–1955) Clerical-Scripted Painting [論隸體畫圖] as a Response to the "Harmonious Uniting of Red-and-Green and Ink" [丹青水墨合壁]
Shao-Lan Hertel (何小蘭)
Annegret Bergmann/Jeong-hee Lee-Kalisch (eds.): Transcultural Intertwinements in East Asian Art and Culture, 1920s-1950s. Studies of East Asian Art History vol. 5 / Studien zur Ostasiatischen Kunstgeschichte Bd. 5. Weimar: VDG, Verlagsgruppe arts + science weimar, 2018, 101–127.
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The Line Between Calligraphy and Painting: A View from Post-War Japan
Eugenia Bogdanova-Kummer
The Power of Line (Munich: Hirmer, 2015), 2015
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English translation of Chinese calligraphic aesthetics
Ge Song
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Chinese Calligraphy in the Digital Realm: Aesthetic Perfection and Remediation of the Authentic
Laura Vermeeren
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Reading And Writing Between The Lines of Art History: Challenges and Potentials of Chinese Calligraphy Discourse, A Perspective from Tsinghua University Art Museum / 艺术史之间的阅读和写作: 从清华大学艺术博物馆看中国书法话语的挑战与潜能
Shao-Lan Hertel (何小蘭)
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Calligraphy in Context: Three Works by Dong Qichang
Celia Carrington Riely
In: Out of Character: Decoding Chinese Calligraphy, Asian Art Museum, San Francisco, 2012
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REFLECTION ON CALLIGRAPHY ii
Tahar Boukerroui
2013
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Tankei-Maruyama-on-Modern-Japanese-Calligraphy
Marcelo Guimarães Lima , J. R. Osborn
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Creating New Forms of" Visualised" Words: An Anthropological Study of Contemporary Japanese Calligraphy
Fuyubi Nakamura
2006
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Brushed in Light: Calligraphy in East Asian Cinema by Markus Nornes (review)
Ann Lyuwenyu Zhang
Film & History: An Interdisciplinary Journal, 2022
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CH. 6: XU BING'S BOOK FROM THE SKY - TIANSHU from Change and Continuity: the Influences of Taoist Philosophy and Cultural Practices on Contemporary Art Practice
Bonita Ely
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Dynamic Inheritance: Representative Works and the Authoring of Tradition in Chinese Dance
Emily Wilcox 魏美玲
Journal of Folklore Research, 2018
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Recovering the Movement of Calligraphy in Animation
Andi Spark
2018
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For the Love of Calligraphy: A Letter by a Chinese Calligrapher
Lik Hang Tsui
Manuscript of the Month, Centre for the Study of Manuscript Cultures, University of Hamburg, 2014
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“Somaesthetics and Self-Cultivation in Chinese Art,” in Transformative Aesthetics
Richard Shusterman
Routledge, 2017
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Of the Use of Calligraphy in Sino-Javanese Communities (18th-Early 21st
Claudine Salmon
Archipel, 2020
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Chinese Characters as Concept and the International Language of Visual Art
Jean M Ippolito
The International Journal of New Media, Technology and the Arts, 2018
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CHAPTER 2: A HISTORY OF DISCOURSE – EAST WEST AND BACK AGAIN (from Continuity and Change: the influences of Taoist philosophy and cultural practices on contemporary art practice. 2009, PhD thesis).
Bonita Ely
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Time-Space Alterations: A New Media Abstraction of Traditional Chinese Painting and Calligraphy Aesthetics
Hung Keung
Leonardo: Journal of the International Society for the Arts, Sciences and Technology, 2020
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