Art Propaganda: The Many Lives of Picasso's Guernica (original) (raw)

Publicizing atrocity and legitimizing outrage: Picasso’s Guernica

Jordi Xifra

Public Relations Review, 2018

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Understanding Propaganda: The Epistemic Merit Model and Its Application to Art

Sheryl Tuttle Ross

Journal of Aesthetic Education, 2002

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Art. Democratism. Propaganda.

Jonas Staal

e-flux journal, #52, 2014

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Committed art and propaganda

Anastasia Veneti

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Art is Inherently Propagandistic

Aiko O Z Alvarez-Gibson

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The Problem of 'Mere Propaganda'

Dominic Chiu

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Art as a Means of Propaganda: Accounting for a Hierarchical Set

Kazım Tolga Gürel

Scopus, ISSN 1988-0847, 2009

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Picasso's Guernica as a Weak Weapon against Oppression

Rene G . Cepeda

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Paintings as Propaganda: Blending Patriotism with Art

Antonia Dapena-Tretter

Lincoln Humanities Journal, 2016

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Understanding Propaganda: The Epistemic Merit Model and Its Application to Art Author(s): Sheryl

Sheryl Tuttle Ross

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Propaganda, Aesthetics & Contemporary Art: Languages and Rehearsals of Power

Salvador Miranda

Piet Zwart Institute, 2019

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Art Propaganda and Politics: Goshka Macuga

Didem Yazici

RES Art World / World Art, 2010

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Art of the Spanish Civil War: Political Propaganda and the Modernist Avant-Garde

Kacper Grass

DailyArt Magazine, 2019

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From Brushstrokes to Pixels: Analyzing the Evolution of Political Propaganda in Visual Media

Ala B E S H A N K Ahmed

From Brushstrokes to Pixels: Analyzing the Evolution of Political Propaganda in Visual Media, 2023

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Imagining Terror: Propaganda Art Today

Jonas Staal

Para-Platforms: On the Spatial Politics of Right-Wing Populism, Sternberg Press, Berlin, 2018

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The art of propaganda

Harriet Atkinson

Futurum Careers, 2021

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The appropriation of an icon: Guernica, remade

Alister Wedderburn

International Feminist Journal of Politics, 2019

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Art as Political Discourse

Vid Simoniti

British Journal of Aesthetics, 2021

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'Propaganda and the Role of Artists from Revolution to Empire'. S.Matthiesson

Sophie Matthiesson

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Picasso’s Guernica: The Creation of an Icon

Laura López Paniagua

Backstage II: Ozarichi, März 1944 und Gernika: 26. April 1937, 2017

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" GUERNICA " : AN ICON SUBJECT TO INTERNATIONAL RELATIONS GROUP 7

Irene Alvarez

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Representations of Contentious History Through Art: The Collective Trauma of Guernica

Borislava Manojlovic

Journal of Cultural and Religious Studies

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Thirteen Propositions about Propaganda

Russ Castronovo

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Propaganda Assignment

Edith Wasserfall

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¿Por qué luchamos?: La antropología política del documental norteamericano de propaganda bélica

Carmen Ors

2013

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Precis of How Propaganda Works

jason stanley

THEORIA. An International Journal for Theory, History and Foundations of Science, 2016

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Ideological Role of Political Art

Valeria Barvinska

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BG Logics of Propaganda. Part I.pdf

Dimitar Vatsov

Critique & Humanism, 2017

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Beyond Guernica and the Guggenheim: Art and Politics from a Comparative Perspective

ISMAEL MANTEROLA

2015

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Glittering Generalities: Reconsidering the Institute for Propaganda Analysis

A.J. Bauer

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Art as a Political Witness

Lenore Metrick-Chen

2019

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Picasso, a Political Enemy of Francoist Spain

Genoveva Tusell

The Burlington Magazine, no. 1320, Vol. CLV, 2013

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