Prehistoric figurines in Albania: A review (original) (raw)

Southeast European Neolithic figurines: beyond context, interpretation, and meaning (2017)

Doug Bailey

Published in In T. Insoll (ed.) The Oxford Handbook of Prehistoric Figurines, pp. 823-50. Oxford: Oxford University Press., 2017

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review of: Douglass Bailey, Andrew Cochrane and Jean Zambelli, Unearthed: a Comparative Study of Jōmon Dogū and Neolithic Figurines. Norwich 2010: Sainsbury Institute for the Study of Japanese Arts and Culture.

Miloš Spasić

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The Neolithic Figurines from Ulucak Höyük - Reconsideration of the Figurine Issue by Contextual Evidence.pdf

Eşref Abay

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Palaguta I.V., Mitina M.N. On the problem of interpretation of the Neolithic anthropomorphic clay sculpture: figurine sets — their structure, functions and analogies // Anthropomorphism and symbolic behaviour in the Neolithic and Copper Age communities of S-E Europe. Suceava, 2014. P. 275–301

Maria Mitina

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Figuring Out the Figurines: Towards the Interpretation of Neolithic Corporeality in the Republic of Macedonia

Goce Naumov

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A Study Of Anthropomorphic Figurines In The Neolithic Of Southwest Asia And Southeastern Europe

Carl Feagans

2013

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Book Review: Douglass W. Bailey, Prehistoric Figurines: Representation and Corporeality in the Neolithic. (London and New York: Routledge, 2005, xx + 243 pp., 64 + 5 figs, ISBN hbk 0 415 33151 X, pbk 0 415 33152 8

Christina Marangou

European Journal of Archaeology, 2008

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Prehistoric Figurines: Representation and Corporeality in the Neolithic (2005)

Doug Bailey

Full text of the volume published in London by Routledge., 2005

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Anthropomorphic figurines and miniature beads from the Early Neolithic settlement of Ilindentsi, southwest Bulgaria

Petar Zidarov, Maria GUROVA

Bulgarian e-Journal of Archaeology, 2021

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Prehistoric Figurines in Italy

Robin Skeates

Oxford Handbooks Online, 2017

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Neolithic Figurines in Southwest Asia and Europe

Svend Hansen

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The Châine Opératoire Approach to Prehistoric Figurines: an Example from Dolnoslav, Bulgaria

Bisserka Gaydarska

Image and Imagination

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The World of Figurines in the Neolithic and Chalcolithic Aegean: The case of Uğurlu Höyük on Gökçeada (Imbros)

Cigdem Atakuman

B A R International Series 3 0 2 1, 2021

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Kreiter, A., Riebe, D.J.; Parkinson, W.A.; Pető, Á.; Tóth, M., Pánczél, P.; Bánffy, E.: Unique in its chaîne opératoire, unique in its symbolism: undressing a figurine from the 6th Millennium BC Körös culture, Hungary. Journal of Archaeological Science 44 (2014) 136-147

Eszter Banffy

2014

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Neolithic Figurines in Anatolia

Svend Hansen

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Çınar, S., ‘Features of Anatolian Ceramic Figurines from the Neolithic Period and Their Contemporary Artistic Interpretations’, Terra Artis. Art and Design, no. 4, 2022, pp. 114–120

TERRA ARTIS. Art and Design. Scientific Journal

2022

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K. Zeman-Wiśniewska, 2015. A Portable Goddess. On Performative and Experiental Aspects of Figures and Figurines, in: S. Cappel, U. Günkel-Maschek and D. Panagiotopoulos (eds.), Minoan Archaeology Perspectives for the 21st Century. Louvain: Presses universitaires de Louvain

Katarzyna Zeman-Wisniewska

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Neolithic Ceramic Figurines in the Shape of a Woman – House from the Republic of Macedonia

Nikos Chausidis

Anthropomorphic and Zoomorphic Miniature Figures in Eurasia, Africa and Meso-America. Morphology, materiality, technology, function and context , BAR International Series 2138, Oxford, 2010, 25-35

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Eastern and Central Europe - The Oxford Handbook of Prehistoric Figurines (Ed.: T. Insoll) OUP, Oxford: 709-728

Eszter Banffy

2017

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Prehistoric Figurines in Anatolia (Turkey).

Ellen Belcher

Chapter 20 in, Insoll, T (ed.), The Oxford Handbook of Prehistoric Figurines. Oxford: Oxford Univ. Press, 2017

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Early Neolithic Figurines in Aşağı Pınar, Turkish Thrace

Svend Hansen

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Figurines, Fertility, and the Emergence of Complex Society in Prehistoric Cyprus

Diane Bolger

Current Anthropology, 1996

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Ambiguous symbols: why there were no figurines in Neolithic Britain (2005)

Julian Thomas

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Unique in its chaîne opératoire, unique in its symbolism: undressing a figurine from the 6th Millennium BC Körös culture, Hungary - Attila Kreiter, Danielle J. Riebe, William A. Parkinson, Ákos Pető, Mária Tóth, Péter Pánczél, Eszter Bánffy

Mária Tóth

Journal of Archaeological Science, 44 (2014) 136-147

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The Social Lives of Figurines: Recontextualizing the Third-Millennium-BC Terracotta Figurines from Harappa

Sharri Clark

Les Carnets de l'ACoSt

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Notes on an anthropomorphic figurine from the multilayered site of Bilcze-Złote (Ukraine) and the development of a specific type of figurines in Southeast Europe

Stanislav Terna, Senica Țurcanu

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FEATURES OF ANATOLIAN CERAMIC FIGURINES FROM THE NEOLITHIC PERIOD AND THEIR CONTEMPORARY ARTISTIC INTERPRETATIONS

Selim ÇINAR

Terra Astis. Art and Design Scholarly Journal, 2022

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Bersani M., Pedrotti A. 2018, Neolithic art in Italy: the representation of human figure on vase

Monica Bersani Pancheri

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Prehistoric Figurines: Representation and Corporeality in the Neolithic. 2005. London: Routledge. (Introductory Chapter only)

Doug Bailey

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Unearthed: A Comparative Study of Jomon Dogu and Neolithic Figurines (2010)

Doug Bailey

First 21 pages of the volume published by the Sainsbury Centre for the Study of Visual Arts., 2010

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NEWLY-UNEARTHED TYPES OF PLASTIC FIGURINES FROM THE LATE NEOLITHIC PIT SANCTUARY AT KAPITAN ANDREEVO IN SOUTHEAST BULGARIA

Vassil Nikolov

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Unique in its chaîne opératoire, unique in its symbolism: undressing a figurine from the 6th Millennium BC Körös culture, Hungary

Attila Kreiter

Journal of Archaeological Science 44 (2014) 136-147

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BREAK OR CONTINUITY? BRONZE AGE FIGURINES IN SOUTHEASTERN EUROPE BEYOND THE ŽUTO BRDO – GÂRLA MARE CULTURE

Oliver Dietrich

Dacia, 2024

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Neolithic ceramic figurines. Several approaches to analytical study of the ceramic artefacts perceived as cultural heritage

Vojtěch Nosek

Archeologické rozhledy, 2020

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ADIYAMAN MÜZESİ'NDEN NEOLİTİK DÖNEME AİT BİR KADIN HEYKELCİĞİ A FEMALE FIGURINE FROM NEOLITHIC PERIOD AT ADIYAMAN MUSEUM ЖЕНСКАЯ СКУЛЬПТУРА ЭПОХИ НЕОЛИТА В МУЗЕЕ АДЫЯМАНА

Bahattin CELIK

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