original ) (raw )Martyrdoms of the Apostles of Hagia Sophia at Ohrid: The Painted Cycle in the Parekklēsion above the Diaconicon, Dumbarton Oaks Papers 78 (2024) 189–235.
Marka Tomić
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Out of Necessity comes Virtue: A preliminary Index of "hagiographical Icons" in the Byzantine and Medieval Wall-Painting in Southern Italy
Lorenzo Riccardi
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“Emblematic Narratives in the Sancta Sanctorum,” Studies in Iconography, 34 (2013), 1-46.
Marius Hauknes
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Placing Martyrs in the Apse: Visual Strategies for the Promotion of Saints in Late Antiquity, in Interacting with Saints in the Late Antique and Medieval Worlds, ed. by Robert Wiśniewski, Raymond Van Dam and Bryan Ward-Perkins (Turnhout: Brepols, 2023), pp. 47-78..
Maria Lidova
2023
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The Imperial Theotokos: Revealing the Concept of Early Christian Imagery in Santa Maria Maggiore in Rome, Convivium II/2 (2015), pp. 60-81.
Maria Lidova
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The Iconographical Programme of the Sant Apollinare Nuovo Basilica in Ravenna: an Early Byzantine Palimpsest
Vladimir Creţulescu
Revista de artă şi istoria artei, 2018
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(3rd Year) The Justinian and Theodora Mosaics of San Vitale; Medieval Propaganda of a Christian Empire? An Analysis of the Stylistic and Thematic Qualities of the Artwork in the Context of the 6th-Century CE and the later Middle Ages
Sean B Queenan
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Animae Pulchrae: Depiction of Saintly Images in Byzantine Mural Painting
Elizabeta Dimitrova
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F. Dell’Acqua, C. Gantner, Resenting Iconoclasm. Its Early Reception in Italy through an Inscription from Corteolona, in ‘Medieval Worlds’, 9.1 (2019), 160–86. (The final publication is available at Medieval Worlds via http://dx.doi.org/10.1553/medievalworlds_no9_2019s160. )
Francesca Dell'Acqua, Associate Prof., History of Medieval and Byzantine Art
Medieval Worlds 9, 2019
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The Mosaic Panels of Emperor Justinian and Empress Theodora, in the Church of San Vitale, Ravenna: Between Imperial and Ecclesiastical Propaganda
Vladimir Creţulescu
Images de l’Invisible. De l’Antiquitétardive à la fin du Moyen Âge, 2020
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“Beyond Art History: Graffiti on Frescoes.” In Understanding Graffiti. Ed. Troy Lovata and Elizabeth Olton. Walnut Creek: Left Coast Press, 2015. 45–57.
Véronique Plesch
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Painting in Rome in the Time of Paschal I: Santa Prassede all'Esquilino and Santa Cecilia in Trastevere
Carles Mancho
SVMMA: Revista de Cultures Medievals, 2017
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The Mural Polyptych of Sienese School in St. John the Baptist Church in Farnetella: Elements of Commission, Iconography, and Attribution
OMAR NAPPINI
2021
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Schismatic (Re)Visions: Sant’Elia near Nepi and Sta. Maria in Trastevere in Rome, 1120–1143 [Gesta 55/2, 2016] -- Awarded the Medieval Academy of America's 2018 Van Courtlandt Elliott Prize
Alison L Perchuk
Gesta, 2016
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Saints’ Worship Promotion through the Images of the Roman Catacombs: Private and Ecclesiastical Commission
Agnese Pergola
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Embedding Byzantine Icons in Post-Tridentine and Baroque Splendor. Reception and Celebration of Eastern Cult Images in the Republic of Genoa in 16th-18th Centuries (Ikon 9, 2016)
Laura Stagno
Ikon, 2016
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Byzantine Iconoclasm and the Defenders of Icons, John of Damascus and Theodore the Studite
Iakovos Menelaou
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Imago Dei: The Byzantine Apologia for Icons. By Jaroslav Pelikan. The A. W. Mellon Lectures in the Fine Arts, 1987. Bollingen Series XXXV.36. Princeton, New Jersey: Princeton University Press, 1990. xii + 196 pp. $39.95
Joseph Trigg
Church History, 1994
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Revealing the Sacred: the Icon of Christ in the Sancta Sanctorum, Rome
Kirstin Noreen
Word & Image, 2006
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G. BORDI, C. MANCHO, V. VALENTINI, Painting in Rome in the Time of Paschal I: Santa Prassede all’Esquilino and Santa Cecilia in Trastevere, in Summa. Revista de Cultures Medievals, Spring 2017, n. 9, pp. 29-46. http://revistes.ub.edu/index.php/SVMMA/issue/view/Spring%202017/showToc
Giulia Bordi
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“St. Francis, the Apocalypse and the True Cross: The Decoration of the Cappella Maggiore of Santa Croce in Florence,” Gesta XLIII/1 (2004): 61-79.
Nancy Thompson
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Per l’iconografia della Madonna Liberatrice di Santa Maria libera nos a poenis inferni al Foro Romano e per il suo culto in Italia e in Spagna tra XVI e XVII secolo
Giovanni Russo
Iconographica, 2021
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The icon of Santa Maria Maggiore, Rome: an image and its afterlife
Kirstin Noreen
Renaissance Studies, 2005
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"The Origins of the Icon: Pilgrimage, Religion and Visual Culture in the Roman East as "Resistance" to the Centre", in S.E.Alcock (ed.), The Roman Empire in the East, Oxford (Oxbow Books), 1997, pp. 178-199
Jas Elsner
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Saint Sebastian: the martyr from Milan in post-Byzantine wall-paintings of the sixteenth and seventeenth centuries and the influences from Western painting
Xanthi Proestaki
Byzantine and Modern Greek Studies, 2010
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Saving Church, City, and Soul: Sanctuary Mosaics at S. Prassede, S. Cecilia in Trastereve and S. Maria in Domnica in Rome
Alice Beretta
2010
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Rome and Constantinople about the year 700: the significance of the recently uncovered mural in the narthex of Santa Sabina
John Osborne
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The contribution of the "greek" Rome to the formation of post-iconoclastic iconography
Caillet Jean-Pierre
Essays in honour of Olga Popova, 2021
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The Fresco Cycle of St. Francis in Constantinople
Sebnem Donbekci
Trends and Turning-Points: Constructing the Late Antique and Byzantine World (c. 300 - c. 1500), Oxford, 26-27 February 2016, 2016
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Et Verbum caro factum est – Iconographic and Iconological Interpretation of the Mosaics of Euphrasian Basilica in Poreč in the Context of a Final Confrontation with Arian Heresy
Ivan Josipović
MENS ACRIS IN CORPORE COMMODO - zbornik povodom sedamdesetog rođendana Ivana Matejčića / Festschrift in Honour of the 70th Birthday of Ivan Matejčić, (eds.) Marijan Bradanović, Miljenko Jurković, Međunarodni istraživački centar za kasnu antiku i srednji vijek Sveučilišta u Zagrebu, Zagreb - Motovun, 2021
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Roman Spectacle Buildings as a Setting for Martyrdom and its consequences in the Christian architecture (Cluj-Napoca, 2014)
Jordina Sales-Carbonell
Journal of Ancient History and Archaeology, 2014
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Assaf Pinkus and Michal Ozeri, “From Body to Icon: The Life of Sts. Peter and Paul in the Murals of S. Piero a S. Piero a Grado,” Convivium 2 (2014): 1–21.
Assaf Pinkus
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Distinctive features attributed to an infidel. The political propaganda, religious enemies and the iconography of visual narratives in the Renaissance Venice. // IL CAPITALE CULTURALE. Studies on the Value of Cultural Heritage. 06 (2017) ; 107-134
ivana capeta rakic
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Two Graffiti Drawings in the Church of Hagia Sophia, Constantinople
Christina Savova , Thomas Thomov
Bulgaria Mediaevalis (in memoriam Paul Canart), 2018
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THE EVOLUTION OF CHRISTIAN ICONOGRAPHY IN THE VI-VII CENTURIES
Cristian Gagu
Icoana Credinței, 2024
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