From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style (original) (raw)

Terrorism in Popular Media: How Hollywood Represent Muslim Terrorist

Social Science Research Network, 2020

Movie has significant function not only as an entertainment but more importantly it also functions to document the historical events, to negotiate or even challenge the existing norms in the society. This paper discusses how Hollywood movies represent the discourse of Muslim terrorist. The movies share similar theme of Muslim terrorism; they are “The Siege” (1998) and “Syriana”(2005). The question presented here is how the movies represent the discourse of Muslim terrorism. This question critically addresses the issue of different faces of “Muslim terrorist” represented in the Hollywood films and the ideas or ideology underlied. The films are analysed through the lenses of critical discourse analysis (CDA). Fairclough’s CDA discover the discourse through three levels of analysis, micro, meso and macro analysis. It aims to unravel how the Muslim terrorist is constructed by a particular group with a definite interest. Each of the movies has different causes, but they share similar use...

Examining the Critical Role American Popular Film Continues to Play in Maintaining the Muslim Terrorist Image, Post 9/11

Journal of Religion and Film, 2016

The "truth" of Islam in the way it is portrayed and distributed through popular movies is flawed in that it offers a homogeneous and monolithic understanding, essentializing the discourse on religion. This rhetoric of normativity becomes even more problematic when trying to understand a religion in a multicultural context. Rather than resigning oneself to the fact that it may be impossible to teach what Islam is through film, or pondering whether the term exists, one might be able to use alternative and competing narratives in film to emphasize cleavages in authoritative knowledge. Religious essentialism can be also questioned in the context of immigration - new worlds within the story-world of "Islam". Instead of focusing on one general or "mainstream" understanding about the authenticity of Islam, multicultural perspectives on Islam allow for a multiplicity of narratives about the intertextual understanding of what Islam is (or is not) and what a Musl...

Shifting Enemies Face: Representation of Terrorism by Hollywood

5th International Conference in Communication and Media Studies "Think Peace, Talk Peace, Cultivate Peace" , 2018

In the age of rapid technological and mass media proliferation, fewer people engage the world of literature – let alone actually analyze literary contents and absorb the hidden arts. Today scrip writers, filmmakers, directors, and producers are the ones who form a popular culture of the country. Giant media industries like Hollywood (Disney, Paramount, Metro Goldwyn Mayer, Warner Brothers, 20th Century Fox) are the main source of standardizing culture and public perception. In time, Hollywood has constantly used its cultural imperialism power to produce faulty representation and stereotyping of different races, religions and foreign cultures. According to the time and American foreign policies, such faulty representations has shifted from communist Russia to the Muslim Arabs; and nowadays to Iranians. Almost all box office top hit action movies in the past decade had Muslim or Middle Eastern roots of the antagonist character in the movie. While the representation of Arab Muslims as terrorists has been discussed and studied from different angles, anti-Iranian agenda of Hollywood or Iranophobia representations has not been discussed yet. This paper will focus on Hollywood movies which represent Iran and Iranians as the new face of the terrorism in the world. Researcher theoretical framework will be drawing on critical media studies and critical textual analysis (emphasizing the question of representation and ideology) in order to reveal the underline ideological tensions in the text. Methodologically researcher will select Hollywood films which were released from (2002-2017) and represent Iran and Iranians as a new face of terrorism in the world.

Hollywood Movies Stamping of Islam and Muslims: An Analysis of Representation

Journal of Journalism, Media Science & Creative Arts

The majority of countries in the globe have huge Hollywood film audiences, and residents of these nations frequently watch Hollywood blockbusters for enjoyment. Hollywood film imagery has the potential and influence to inspire audiences to consider various social, political, or ideological topics and to form opinions. Hollywood frequently misrepresents and mocks Islam, the second-largest religion in the world, and Muslims, who number more than 1.5 billion. The goal of the current study was to examine how different Muslim communities are portrayed in Hollywood films. The study also looked at how Islamic nations were portrayed in popular culture to see how people perceived Islam. The research design for this study included a qualitative content analysis. Three Hollywood films from 2012 onwards were chosen for examination using the purposive sampling methodology. The findings showed that all Muslim groups were portrayed as being anti-Western. All five of the Islamic nations were portra...

Muslims and Islam: Freeze Framed Discourses in Hollywood during 1978-2013

Global Regional Review, 2019

Hollywood movies have revealed dramatic and varying status of Islam and Muslims, calling them as magical carpet to mummified leadership and ultimately global bastion of terrorism. Various researchers consider hollywood film industry as reflection to construct public opinion in the cenima industry and it creates crucial slots that rely on emotive and evacoative imagination adjustable to stereotype approach. Many other researchers belive that such stereotypical conception ags inst Arabs (Muslims) roles in US Movies later 9/11 attacks prove demiging depictions, notorious recognition of Arabic ethnicity and Islamic religion like harming ideology contrary to past perceptions. However majority of these researchers stress mistly on the movie narritive and could not get triumph or understanding or evaluating the audience or their reactions to it. Moreover, majority of researchers stress mere the Arabic identity at suitable time to analyse the representation of Islam in movies, neglecting other notions where, islam is being followed.

FILMS AND DISCOURSE OF TERRORISM A REVIEW OF SELECTED HOLLYWOOD

Maiduguri Journal of Arts and Social Sciences (MAJASS), 2019

The paper reviewed the discourse and portrayal of terrorism on media with reference to films and how they impacted the counter-terrorism campaign. A background was laid on how schools of thoughts viewed the spread of terrorism in the 21st century as it oppose what is obtained two or three decades back. The paper reviewed historical evolution and gestation of the act of terrorism from a threat to remote communities to becoming global affair. The paper stood on three objectives which are: to review the global view of the concept of terrorism before and after 9/11 attack; to review global counter terrorism efforts and strategies and to review some notable Hollywood and Bollywood films produced on terrorism The result of the review revealed number of counter-terrorism efforts in policy and strategy at individual countries, alliances, regional collaborations and global stride; some films produced by Hollywood and Bollywood on terrorism and terrorists activities were also reviewed. It was concluded that the mobilization of military might have been recognised as not enough to curb the fast surge and spread of terrorism, thus deploying media apparatus such as films to complement the force. Number of recommendation was made to engage media especially films in the global counter-terrorism fight. It was also recommended that African film industries should be fully encouraged and supported to participate in the fight against terrorism.

Trends and Patterns of Muslims’ Depictions in Western Films

MEDIACIONES, 2018

Films have the potential to play an active role in determining when and how to evoke certain realities depending on which issues are selected, what discourses are highlighted, how observations are framed, what associations (positive and negative) are established, which symbols are selected for representation, and in what ways thecontent is treated. Many studies conclude that Muslims and Islam have been receiving a negative treatment in films. This study evaluates major propositions and findings of recent research on trends and patterns of Muslims’ depictions in fiction films. The literature is evaluated for six themes, namely clash of civilization or arbitration,stereotyping as deficient or efficient information processing, framing as the “other,” marginalization and/or prominence, representative and referential, and market driven and/or popular taste.

'DEATH TO THE INFIDEL’: A critical analysis of Muslim/Arab characters In Hollywood pre and post 9/11.

Mohamed Ali Semlali. Muslims are frequently stereotyped across different media outlets in saliently negative ways. This thesis takes particular concern with the medium of film specifically those from Hollywood. Given that films are the dominant medium of today, this is a legitimate means to understanding Arab-Muslim representations. A discourse exists on the topic; the most prominent scholars being Jack G Shaheen (2001) and Edward Said (2003).These scholars have written extensively on the topic of Muslim representations. Both of their writings are of tremendous value to this thesis, however, they both have notable flaws. Shaheen examines Muslim representations in Hollywood but uses little character analysis; as well this he does not consider reasons for why Muslims are represented in negative ways. Conversely, Said focuses on why Muslims were historically stereotyped during the colonial era, although he takes concern with the printed word (colonial literature) a medium of no relevance to this thesis (nor the current digital era). Therefore, this thesis is intended to situate within both of these scholars work; to examine Muslim characters in Hollywood films before and after 9/11. This will enable a perspective on how social events affect Muslim representation, which will aid with the second aim; to simultaneously examine why films depicts Muslims in either good or bad manners. This is of course different for each film, of which six are analyzed all between 1993-2007. Thus this thesis will discover if Muslims characters have changed after 9/11.