Building an Engaging Zoom World: Lessons from Dramaturging a Digital Love’s Labour’s Lost (original) (raw)
Drama and the Digital Revolution
Tamsen Wolff
The Harold Pinter Review, 2018
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Issues of Participatory Digital Theatre. Reflections on Three Forms Developed during the Pandemic
Eliane Beaufils
Itinera, 2021
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Tweetre: What role can technology play in contemporary theatre?
Dave Carolan
2017
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Zoom: A case study
Tyrone Grima
Body, Space & Technology, 2021
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Permission/ Seduction/ Indulgence. Integrating Digital Media in the Theatre Making Process. Skene. Vol. 7 No. 1 (2021): Virtual Theatre.
Avra Sidiropoulou
Skenè. Journal of Theatre and Drama Studies, 2021
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Old Plays, New Narratives: Fan Production of New Media Texts from Broadcast Theatre
Daisy Abbott
Interactive film and media journal, 2014
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Holding the digital mirror up to nature - a practice-as-research project exploring digital media techniques in live theatre
Ross Brannigan
2009
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Theatre in Times of Crisis: Redefining Liveness in the Transition to Virtual Theatre Presentations During COVID-19
nagaraju pejjai
2024
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Prospecting Space for Popular Theatre through the Virtual Environment
Rwang Elisha
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Theatre and Technology: Battling with the Box
Christie Carson
Digital Creativity, 1999
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New Forms of Communities? The Constitution and Performance of Audiences in Digital Theater during the COVID-19 Pandemic
Kai Padberg
Pamiętnik Teatralny
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Digital-Born Theatre and Enactive Social Sense-Making (unpublished Notes)
Alfonsina Scarinzi
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The Three D's: Dazzling Digital Drama
Isabel Pinto
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The Changing Position of the Theatergoer in the Changing Space of Online Performances
Otília Fülöp
Zeszyty Prasoznawcze
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Distributed Theatre: Connecting (with) Remote Audiences
Doug Williams
2015
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VR and the Dramatic Theatre: are they fellow creatures
Magnus Moar
International Journal of Performance Arts and Digital Media, 2018
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Decoding the Political Implications of Immersive Theatre
Jenny Roche
Performance Research, 2017
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How can new immersive technologies be used as a narrative tool in Performing Arts to enhance storytelling?
Enrique Munoz
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Issues on Acting in Digital Dramas
Robert J. Wierzbicki
Ambient, Social and Gaming Media, 2012
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Theatre without theatres: Investigating access barriers to mediatized theatre and digital liveness during the covid-19 pandemic
Laura Gemini, Francesca Giuliani
Brilli S., Gemini L., Giuliani F., 2023
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Meaningful connections: Exploring the uses of telematic technology in theatre and performance
Elena Pérez Rodríguez
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"Connections": A Virtual Theatre Experiment in a Medieval Village
Simona Brunetti
Skenè. Journal of Theatre and Drama Studies, n. 7:1 (2021), pp. 61-81, 2021
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Theatre Dispositif and the Challenge of Covid-19: Mediatisation, Liveness and Audiences
Laura Gemini
Mediascapes Journal, 2020
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‘What Country, Friends, Is This?’ Using Immersive Theatre Practice to Inform the Design of Audience Experience in Estate 360°
Scott D Palmer
Lecture Notes in Computer Science, 2018
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Liveness for Contemporary Audiences: Developing online-togetherness in metaverse theatre audiences
Rory Trevethan
Electronic Workshops in Computing
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Digital R&D Fund for the Arts BETWEEN WORLDS REPORT FOR NESTA ON MIT/PUNCHDRUNK THEATRE SLEEP NO MORE DIGITAL R&D PROJECT
paul Egglestone
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'Multimedia as a Prosthesis': Mingling Live Theatrical Arts and Virtuality
eric joris
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Crossing Over: Theatre Beyond Borders / Telematic Performance
Dr. Kathleen Irwin
Theatre Research in Canada, 2011
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Analogue and Digital Immersive Experiences: What should digital creators learn from live theatre makers
Bakk Agnes
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Making Community in the Age of Migration: What Is the Role of Social Media in Contemporary Theatre
Janne Cleveland
2020
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Quaranscenes of Philippine University Theatre: Reflections on Spatializing Online Theatre Performances of DLSU Harlequin Theatre Guild during the COVID-19 Pandemic.
Elijah Gabriel Flores
2nd ASEAN University Network on Culture and Arts, Dialogues Research Conference, 2021
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Suppositions (as in uncertain beliefs) on the current place of theatre
Matthew Causey
Theatre Research International, 2010
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Contemporary Theatre Review Attention Please! Changing Modes of Engagement in Device-Enabled One-to-One Performance Encounters
Eirini Nedelkopoulou
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Virtual theater: Theory and practice
Marco Catalão
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Editorial: Presence and Precarity in (Post-)Pandemic Theatre and Performance
Monika Pietrzak-Franger
Theatre Research International
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