Review of Lily E. Hirsch. A Jewish Orchestra in Nazi Germany: Musical Politics and the Berlin Jewish Culture League (original) (raw)

Shirli Gilbert, Music in the Holocaust (Oxford: Clarendon, 2005) and Ken Shuldman, Jazz Survivor. The Story of Louis Bannet, Horn Player of Auschwitz (London: Vallentine Mitchell, 2005) in Jewish Culture and History 10, 1 (2008): 131–135.

Lars Fischer

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Review: Music in the Holocaust: Confronting Life in the Nazi Ghettos and Camps

Barbara Milewski

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Music and Politics after the Holocaust: Menuhin's Berlin Concerts of 1947 and Their Aftermath

Tina Frühauf

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“No One Can Serve Our Cause Better Than You”: Wagner’s Jewish Collaborators After 1869

Hilan Warshaw

Wagner Spectrum: Judischer Wagnerianer (Würzburg: Königshausen & Neumann, 2013), 2013

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Creating Beauty Out of Darkness: An Exploration into the Artistic Resistance of Jewish Music of the Holocaust

Brittany Weinstock

2021

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Musical Expressions of Incarcerated Jewish Composers during the Holocaust

Galit Gertsenzon

Gvanim, 2020

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Neglected Muse: Nazi Music Policy

Martin Rempe

BRILL eBooks, 2023

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The Nazi War on Modern Music

David Dennis

2011

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Rovit Rebecca The Jewish Kulturbund Theatre Company in Nazi Berlin Iowa: University of Iowa Press, 2012. 287 p. £33.20. ISBN: 978-1-60938-124-0

Anselm Heinrich

New Theatre Quarterly, 2013

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" It was never a Nazi Orchestra " : The American Re-education of the Berlin Philharmonic

Abby Anderton

2013

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Review of Knittel, K.M. Seeing Mahler: Music and the Language of Antisemitism in Fin-de-Siecle Vienna.

Judith S Pinnolis

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Review of Pamela M. Potter, Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler’s Reich (New Haven and London: Yale University Press, 1998)

David Dennis

German Studies Review, 2000

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Seeing Mahler: Music and the Language of Antisemitism in Fin-de-Siecle Vienna

mark berry

German History, 2012

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Music in the Nazi Ghettos and Camps

Shirli Gilbert

The Routledge History of the Holocaust, 2007

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The Day of the Orchestral Musician: Ascent and Exit in West Germany

Martin Rempe

BRILL eBooks, 2023

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Composers of the Nazi Era: Eight Portraits. By Michael Kater. New York: Oxford University Press. 2000. Pp. xiii + 399. $35.00. ISBN 0-19-509924-9

Celia Applegate

Central European History, 2001

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Music in the Holocaust as an Honors Colloquium

Galit Gertsenzon

Honors in Practice , 2020

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Hearing Democracy in the Ruins of Hitler's Reich: American Musicians in Postwar Germany

Abby Anderton

2016

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Richard Wagner’s “Jewish Music”: Antisemitism and Aesthetics in Modern Jewish Culture

James Loeffler

Jewish Social Studies, 2009

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Who killed the concert? Heinrich Besseler and the inter-war politics of "Gebrauchsmusik"

Matthew Pritchard

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Cross-Cultural Adaptation. The Role of Beyle Schaechter-Gottesman for the Contemporary Yiddish Music Scene in Germany

Janina Wurbs

EUI Working Papers HEC 2010/01 "Cultural Representations of Jewishness at the Turn of the 21st Century", 2010

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Pamela M. Potter, Art of Suppression: Confronting the Nazi Past in Histories of the Visual and Performing Arts. Oakland, University of California Press, 2016

Erik Levi

2018

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Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner by David Conway (review)

Tina Frühauf

Notes, 2013

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‘An Hebraic Art-Taste’: Wagner, Jews and the Business of Music

David Conway

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Music and Internationalism in Nazi Germany: Provenance and Post-War Consequences

Ian Pace

Journal of the Royal Musical Association, 2022

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Displaced Music: The Ex-Concentration Camp Orchestra in Postwar Germany

Abby Anderton

2015

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Gerhard Oberkofler and Manfred Mugrauer, Georg Knepler: Musikwissenschaftler und marxistischer Denker aus Wien (Innsbruck: Studienverlag, 2014) in East European Jewish Affairs 45, 1 (2015), 142-145.

Lars Fischer

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“Jewish History” beyond binary conceptions: Jewish performing musicians in Vienna around 1900

Klaus Hoedl

Journal of Modern Jewish Studies, 2017

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Serving “German music” and “the Great Empire of the Germans”: The German Periodical "Musik im Kriege" (In: Musical History As Seen Through Contemporary Eyes, ed. Benjamin Knysak , Zdravko Blažeković, pp. 125-179)

Antonio Baldassarre

Musical History As Seen Through Contemporary Eyes, 2021

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“Music Reception in the Völkischer Beobachter,” paper for the “Music, Politics, and the State” session

David Dennis

1996

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Review of Michael Kater, The Twisted Muse: Musicians and their Music in the Third Reich (New York and Oxford: Oxford University Press, 1997)

David Dennis

1998

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Review of Entangled Entertainers: Jews and Popular Culture in Fin-de-Siècle Vienna. By Klaus Hödl. Translated by Corey Twitchell. New York: Berghahn Books, 2019. Pp. 194. Cloth $135.00. ISBN 978- 1789200300.

Heidi Hakkarainen

Central European History Vol. 54 / Issue 1 , 2021

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Musicology, Biography, and National Socialism: The Case of Hans Heinrich Eggebrecht

Anne C. Shreffler

German Studies Review, 2012

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Jörg Rothkamm and Thomas Schipperges, eds., Musikwissenschaft und Vergangenheitspolitik: Forschung und Lehre im frühen Nachkriegsdeutschland. Munich: edition text+kritik, 2015. Pp. 482 (with CD-ROM). €65.00

Melanie Wald-Fuhrmann

History of Humanities, 2017

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Schmidt, Esther. “Nationalism and the Creation of Jewish Music: The Politicization of Music and Language in the German- Jewish Press Prior to the Second World War.” Musica Judaica 15

Mimi Schmidt

Musica Judaica

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