THE INJURIOUS POWER OF MUSIC A short reading of Kleist’s curious legend "Die heilige Cäcilie oder die Gewalt der Musik" (original) (raw)
Music and Literature in German Romanticism (review)
Peter Höyng
Goethe Yearbook, 2006
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Sturmbild: Antinomies of Sound in Kleist’s Die heilige Cäcilie oder die Gewalt der Musik
Kenneth Calhoon
Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte, 2013
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ETA Hoffman Beyond the 'Paradigm Shift': Music and Irony in the Novellas 1815-1819
Matthew Riley
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"The moral background of the work of art": "character" in German musical aesthetics, 1780-1850
Matthew Pritchard
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Towards a Narratological Analysis of the Romantic Lied: Events, Voice, and Focalization in Nineteenth-Century German Poetry and Music
Andrew H. Weaver
Music & Letters, vol. 95, 2014
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“Conjuring History: Lyric Cliché, Conservative Fantasy, and Traumatic Awakening in German Romanticism”
Thomas Pfau
South Atlantic Quarterly, 2003
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"A Heap of Broken Images"? Reviving Austro-German debates over musical meaning, 1900-1936
Matthew Pritchard
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"Meaning and Value in Romantic Musical Aesthetics," in The Cambridge Companion to Music and Romanticism, ed. Benedict Taylor (Cambridge: Cambridge University Press, 2021), 183-98.
Alexander Wilfing
The Cambridge Companion to Music and Romanticism, 2021
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The Birth of Tragedy Out of the Spirit of Music Translated by
gavin fazgar
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Music, Masculinity and the Claims of History: The Austro-German Tradition from Hegel to Freud. Introduction
Ian Biddle
Introduction
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"From Poetry to Music. The Paradigms of Art in German Aesthetics of the 19th Century", «Aesthetica Preprint» (Monographic Issue: "Art and Knowledge in Classical German Philosophy"), No 116 (2021)
Francesco Campana
Aesthetica Preprint, 2021
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Allusion as Narrative Premise in Brahms's Instrumental Music. By Jacquelyn E. C. Sholes. (Musical Meaning and Interpretation.) Bloomington: Indiana University Press, 2018. [xvi, 256 p. ISBN
Christopher Reynolds
Notes: The Quarterly Journal of the Music Library Association, 2019
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The Labyrinth of the Soul:: Wagner’s Musical Lament
Miguel Ribeiro-Pereira
2016
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Symptoms of Epistemological Change: Intersections with Music and the Visual Arts in the German Novel of the Long Ninteenth Century
Gustav Frank
Textual Intersections: Literature, History and the Arts in Nineteenth-Century Europe. Ed. Rachael Langford. Amsterdam/New York: Rodopi, 2009
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Hoffmann's Musical Modernity and the Pursuit of Sentimental Unity
Craig A Comen
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German Romanticism and Science. The Procreative Poetics of Goethe, Novalis, and Ritter (review)
Dalia Nassar
Goethe Yearbook, 2010
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Book Review: Erik Levi. Mozart and the Nazis: How the Third Reich Abused a Cultural Icon.
Johanna F Yunker
Twentieth-Century Music , 2012
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Review: Ruth Müller, Erzählte Töne: Studien zur Musikästhetik im späten 18. Jahrhundert
John A Rice
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Behind the Mask and Under the Surface: On Divertimento, Miklós Szentkuthy’s Mozart Novel
Tibor Pinter
2013
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The promising ruins of the German prima donna. Wilhelmine Schröder-Devrient and German musical discourse in the nineteenth century
Luka Nakhutsrishvili
Geschichte und Repräsentation. Sinne - Sprache - Bilder., 2018
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Metaphysics and Music Dramas: Schopenhauerian Elements of Sex, Music, and Compassion in Wagner’s Tristan und Isolde, Die Meistersinger von Nürnberg, and Parsifal
Dr. Ann G Henning
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(Part of the Panel Thinking Musically in the Labyrinth of Enlightenment: Wilhelm Heinse's
Oliver Wiener
2009
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German Romanticism and Science. The Procreative Poetics of Goethe, Novalis, and Ritter (review)
Heather Sullivan
Goethe Yearbook, 2010
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Cristiá, F. A. - The Poetic Genius of Early Romanticism: Manifestations of the Imagination in William Blake, Friedrich Schiller, and Friedrich Schlegel
Felix A. Cristiá
Symphilosophie. International Journal of Philosophical Romanticism, 2023
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Gothic structures and musical compositions: Fiction, criticism, and early romantic music
Jon Godin
MUSICAL STRUCTURE, 2008
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Conceptualizing music: Friedrich Theodor Vischer and Hegelian currents in German music criticism, 1848-1887. DPhil Dissertation, University of Oxford, 2005.
Barbara Titus
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Nietzsche on Music: Perspectives from The Birth of Tragedy
Dr R.A. Goodrich
2004
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The woman singer and her song in French and German prose fiction (circa 1790-1848)
Julia Effertz
2008
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The Science of Words or Philology : Music in «The Birth of Tragedy» and the Alchemy of Love in «The Gay Science»
Babette Babich
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The Birth of Tragedy: Lyric Poetry and the Music of Words
Babette Babich
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The Ode to Joy: Music and Musicality in Tragic Culture
Lydia Goehr
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Ina-Hudea The sacred theatrical attitude in Mozart's Requiem
Ina Hudea
The Altar of the Reunification, Publishing House: Facultatea de Teologie Ortodoxă Alba Iulia, 2018
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Between Intangible and Corporeal: Word, Body, and Music in German Romanticism
Claudia J Fischer
DEDALUS 22-23 ( Word – Body – Music), 2019
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Nietzsche’s Musical Affirmation: How Friedrich Nietzsche Found an Affirmation of Life through Music and the Rebirth of Tragedy
Grayson A Bodenheimer
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The “War of the Romantics”: An Aesthetical Overview of Early and Late Romantic Music
Alberto Ferro
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