Medieval and Renaissance Music Conference 2015. Paper: New Considerations on the Musical Iconography in the Painted Ceiling of the Sala Magna of the Palazzo Chiaromonte at Palermo (XIV c.). Brussels, 6-9 July, 2015 (original) (raw)

Music in the Art of Renaissance Italy 1420-1540

Laura Stefanescu, Tim Shephard, Serenella Sessini, Sanna Raninen

Music in the Art of Renaissance Italy 1420-1540 (London: Harvey Miller), 2020

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Music and Visual Culture in Renaissance Italy

Tim Shephard

Chriscinda Henry and Tim Shephard ed., Music and Visual Culture in Renaissance Italy (New York: Routledge, 2023), 2023

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The sight of sound : resonances between music and painting in seventeenth-century Italy

Charlotte Poulton

2009

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EXALTATA SUPER CHOROS ANGELORUM: MUSICAL ELEMENTS IN THE ICONOGRAPHY OF THE CORONATION OF THE VIRGIN IN THE ITALIAN TRECENTO PAINTING

José María SALVADOR-GONZALEZ

Music in Art. International Journal for Music Iconography, 2014

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Review of Music in the Art of Renaissance Italy, 1420-1540 by Tim Shephard, Sanna Raninen, Serenella Sessini, and Laura Ştefănescu

Barbara Swanson

Renaissance and Reformation 45, no. 1, 2022

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On the Interrelation of Sacred Architecture and Music in Pre-Modern Italy

Tobias C Weissmann

Sound, Space, and the Aesthetics of the Sublime, 2022

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2022 - The Enchanted Image. The Icons of Rome and their Musical Staging, ca. 900 - 1200

Manfred Luchterhandt

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Reflections on Music Performance and Dancing in a Roman Mosaic Found on the Aventine

MARIA LUZ NEIRA JIMENEZ

Journal of Mosaic Research 14, 2021

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“A Musical Lesson for a King from the Roman de Fauvel,” Music and Culture in the Middle Ages and Beyond: Liturgy, Sources, Symbolism, ed. Benjamin Brand and David J. Rothenberg (Cambridge: Cambridge University Press, 2016), 242-62.

Anne W Robertson

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‘Architecture and Music in Fifteenth-Century Italy’

Deborah Howard

The Cambridge History of Fifteenth-Century Music, 2015

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Visual Representation and Reception of Ancient Roman Music in the Collection of the Palazzo Coronini Cronberg Foundation

Alessia Zangrando

2023

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Painting music in the sixteenth century: essays in iconography

Sara James

2004

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The Museum of Renaissance Music: A History in 100 Exhibits

Tim Shephard, Vincenzo Borghetti

The Museum of Renaissance Music: A History in 100 Exhibits, ed. Vincenzo Borghetti and Tim Shephard (Turnhout: Brepols, 2023), 2023

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“Seduction and Spirituality: the Ambiguous Roles of Music in Venetian Art,”

Patricia Fortini Brown

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Review: Gary M. Radke, et al., Make a Joyful Noise: Renaissance Art and Music at Florence Cathedral

Blake Wilson

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Crossovers in Paduan narratives: Music and visual art between antiquity and the Renaissance

Zdravko Blazekovic

foreword to the book Giotto's harmony: Music and art in Padua at the crossroads of the renaissance, by Eleonora M. Beck, 2005

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Garcia-Ventura - Tavolieri - Verderame, The Study of Musical Performance in Antiquity, 2018

Lorenzo Verderame

Agnès Garcia-Ventura, Claudia Tavolieri, Lorenzo Verderame, The Study of Musical Performance in Antiquity: Archaeology and Written Sources, Cambridge Scholars Publishing, Newcastle upon Tyne, 2018, 2018

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Music, Imagination and Place in Late Medieval Music at Padua

Jason Stoessel

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Musical Classicisms in Italy before the Madrigal

Tim Shephard

Music and Letters, 2020

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Music and Visual Culture in Renaissance Italy - Conference Programme

Tim Shephard, Laura Stefanescu, Serenella Sessini

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Review of Tim Shephard, Echoing Helicon: Music, Art and Identity in the Este Studioli, 1440-1530 (Oxford University Press, 2014)

Evan A MacCarthy

2016

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In search of the Muses’ inspiration - Researches on the Muses in 16th century Italian musical iconography

Carin Zwilling

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Angela Bellia (2020), Introduction, in A. Bellia (ed.), Musical and Choral Performance Spaces in the Ancient World, («TELESTES. Studi e Ricerche di Archeologia musicale nel Mediterraneo», V), Pisa-Roma, Istituti Editoriali e Poligrafici Internazionali, 2020, pp. 15-18.

Angela Bellia

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Il suono dell’eterno. Tracce di repertori musicali perpetui a Venezia. – European Sacred Music, 1550–1800 : New Approaches. University of Fribourg (Switzerland), 9–12 June 2010

Luigi Collarile

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Music in Venetian Art: seduction and spirituality," British Academy Review, 20, Summer 2012

Patricia Fortini Brown

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‘In the Church and in the Chapel’: Music and Devotional Spaces in the Florentine Church of Santissima Annunziata.

Giovanni Zanovello

2014

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Musical Symbols in the Star Studded Sky of Ruggero II, «Music in Art», XXXVII/1-2, 2012, pp. 10-20.

Angela Bellia

2012

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Between Palermo and Naples: Musical activities at the Royal Chapel of Palermo and its relationships with the Royal Chapel of Naples (16th-17th centuries)

Ilaria Grippaudo

2012

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Review: Marcello de Angelis, Melodramma, spettacolo e musica nella Firenze dei Lorena; Robert Lamar Weaver, A Chronology of Music in the Florentine Theater, 1751–1800

John A Rice

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Identifying popular musical instruments in the iconography and archaeology in the Medieval and Renaissance period in Europe

Roger Blench

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« Representations of Musicians in the Coroplastic Art of the Ancient World: Iconography, Ritual Contexts, and Functions », Les Carnets de l’ACoSt [Online], 13

Angela Bellia

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Review: Gary Tomlinson, Music in Renaissance Magic: Toward a Historiography of Others

Blake Wilson

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D. Castaldo. E. Rocconi, Music on Stage in Red-Figure Vase-Painting of Magna Graecia (400–320 BC). The Role of Music in the So-Called ‘Phlyax Vases’, in Sound from the Past: the Interpretation of Musical Artifacts in Archaeological Context, Rahden 2012, pp. 243-260

Daniela Castaldo

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Music dreaming: Iconographic sources from spanish painters. Recreation of identities and Grand Tours. Twelfth Conference of the ICTM Study Group for the Iconography of the Performing Arts. Neoclassical Reverberation of Discovering Antiquity. 2014

María Jesús Fernández Sinde

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Images of Music and Musicians as Indicators of Status, Wealth and Political Power on Roman Funerary Monuments

Cristina-Georgeta Alexandrescu

Ricardo Eichmann, Mark Howell and Graeme Lawson (Eds.), Music and Politics in the Ancient World. Exploring Identity, Agency, Stability and Change through the Records of Music Archaeology, Berlin: Edition Topoi, 2019, 2019

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