original ) (raw )“Seduction and Spirituality: the Ambiguous Roles of Music in Venetian Art,”
Patricia Fortini Brown
View PDFchevron_right
Music in Venetian Art: seduction and spirituality," British Academy Review, 20, Summer 2012
Patricia Fortini Brown
View PDFchevron_right
Music in the Art of Renaissance Italy 1420-1540
Laura Stefanescu , Tim Shephard , Serenella Sessini , Sanna Raninen
Music in the Art of Renaissance Italy 1420-1540 (London: Harvey Miller), 2020
View PDFchevron_right
Music, magic and humanism in late sixteenth-century Venice: Fabio Paolini and the heritage of Vicentino, Zarlino and Ficino
Grantley McDonald
Journal of the Alamire Foundation 4 (2012): 52–78
View PDFchevron_right
Music and Visual Culture in Renaissance Italy
Tim Shephard
Chriscinda Henry and Tim Shephard ed., Music and Visual Culture in Renaissance Italy (New York: Routledge, 2023), 2023
View PDFchevron_right
Anthropomorphism, Musical Instruments, and Depicted Female Musicians in Sixteenth-Century Italy
Laura S . Ventura Nieto
View PDFchevron_right
"Thinking Like a Guitarist in Seventeenth-Century Italy," Early Music History 40 (2022): 37-84.
Cory M. Gavito
Early Music History, 2022
View PDFchevron_right
Il suono dell’eterno. Tracce di repertori musicali perpetui a Venezia. – European Sacred Music, 1550–1800 : New Approaches. University of Fribourg (Switzerland), 9–12 June 2010
Luigi Collarile
View PDFchevron_right
«I raggi della chiarissima casa gambaresca». The Gambaras’ Music Patronage and the Performance Practice in 15th-17th-century Brescia
Livio Ticli , Marcello Mazzetti
Music Patronage in Italy, edited by Galliano Ciliberti, Brepols, 2021
View PDFchevron_right
Garcia-Ventura - Tavolieri - Verderame, The Study of Musical Performance in Antiquity, 2018
Lorenzo Verderame
Agnès Garcia-Ventura, Claudia Tavolieri, Lorenzo Verderame, The Study of Musical Performance in Antiquity: Archaeology and Written Sources, Cambridge Scholars Publishing, Newcastle upon Tyne, 2018, 2018
View PDFchevron_right
Painting Music in the Sixteenth Century: Essays in Iconography
Sara James
The Sixteenth Century Journal, 2003
View PDFchevron_right
‘Music, Words and the Ascending Soul of the Philosopher: Possible Influences from Jewish Mysticism on Marsilio Ficino’s Theory of Sound and Spiritus’, The Musical Humanism of the Renaissance and its Legacy, Warwick’s Palazzo Pesaro Papafava, Venice, 2-4 June 2016.
Dr. Hanna Gentili
View PDFchevron_right
Medieval and Renaissance Music Conference 2015. Paper: New Considerations on the Musical Iconography in the Painted Ceiling of the Sala Magna of the Palazzo Chiaromonte at Palermo (XIV c.). Brussels, 6-9 July, 2015
Angela Bellia
View PDFchevron_right
S. Luigi dei Francesi in the Seventeenth Century: A Laboratory for Music, Liturgy and Identity
Galliano Ciliberti
Music and the Identity Process. The National Churches of Rome and their Networks in the Early Modern Period, edited by Michela Berti and Emilie Corswaren, with the collaboration of Jorge Morales, Turnhout, Brepols, pp. 160-192, 2019
View PDFchevron_right
Music, Imagination and Place in Late Medieval Music at Padua
Jason Stoessel
View PDFchevron_right
Giovanni Gabrieli. Transmission and Reception of a Venetian Musical Tradition. Turnhout: Brepols, 2016 (Venetian Music Studies, 1)
Luigi Collarile , Rodolfo Baroncini , David Douglas BRYANT
View PDFchevron_right
Singing and Debating: Religious Communities, Classical culture, and Music in Late-Fifteenth-Century Florence
Giovanni Zanovello
View PDFchevron_right
“Il Cembalo de’ colori, e la Musica degli occhi”: Francesco Algarotti and Cognate Concept of Music in the Age of the Enlightenment
Bella Brover-Lubovsky
Cognate Music Theories The Past and the Other in Musicology (Essays in Honor of John Walter Hill), 2024
View PDFchevron_right
Painting the Invisible: Images of St Cecilia in Early Modern Italy
Anastasia Moskvina
View PDFchevron_right
Review: Gary Tomlinson, Music in Renaissance Magic: Toward a Historiography of Others
Blake Wilson
View PDFchevron_right
A New Approach to Carlo Ambrogio Lonati’s Violin Music: From (Puzzling) Sources to (Gripping) Performance, Seventh Annual Musicking Conference, Eugene, University of Oregon School of Music & Dance, 19-24 April 2022
Federico Lanzellotti
View PDFchevron_right
The popular lute: an investigation of the function and performance of music in France between 1650 and 1700
Robin Rolfhamre (PhD)
2020
View PDFchevron_right
Review: Timothy McGee, The Ceremonial Musicians of Late Medieval Florence
Blake Wilson
View PDFchevron_right
Ana Lombardía: Text for the CD Musica Scotica by Orpheus Musicus (dir. Sergio Suárez). Madrid, La Tirana/ Lindoro NL-3064, 2023.
Ana Lombardía
View PDFchevron_right
Mikhail Lopatin, review on: Antonio Calvia and Maria Sofia Lannutti, eds, Musica e poesia nel trecento italiano (Florence, 2015), published in PMM 26/2, 2017, p. 198-206
Mikhail Lopatin
View PDFchevron_right
Ideals of Music in Il Cortegiano
Pervinca RISTA
View PDFchevron_right
“Portraits of Lutenists.” Proceedings of the 9th conference of the Research Center for Music Iconography, Music Iconography as a Source for Music History (New York , 5–8 November 2003), Music in Art – International Journal for Music Iconography XXIX/1-2 (2004): 64-76.
Mariagrazia Carlone
2004
View PDFchevron_right
'Paul Dukas's Le Sang de Méduse: the Rediscovery of a Lost Scenario', Annual Meeting of the American Musicological Society (San Francisco, 10 November 2011).
Laura Watson
View PDFchevron_right
Jonathan E. Glixon, Mirrors of Heaven or Worldly Theaters? Venetian Nunneries and Their Music. Oxford: Oxford University Press, 2017. xvii + 451 pp. £35.99 ISBN 978-0-19-0259-12-9 (hb)
Barbara Eichner
Renaissance Studies, 2018
View PDFchevron_right
Playing the Unplayable: some Thoughts on Interpreting Renaissance Lute Music and its Sources
Yaqub El-Khaled
Glasbenopedagoški Zbornik, 2023
View PDFchevron_right
A Musical Fight between Soul and Body in 1600
Nils Holger Petersen
View PDFchevron_right
The popular lute: an investigation of the function and performance of music in France between 1650 and 1700 (PhD) University of Agder.
Robin Rolfhamre (PhD)
View PDFchevron_right
Review: Gary M. Radke, et al., Make a Joyful Noise: Renaissance Art and Music at Florence Cathedral
Blake Wilson
View PDFchevron_right
Secular musical practice in sacred art
Emanuel Winternitz
1975
View PDFchevron_right
The Musical and Theatrical Activities of the Jesuits in the Kindom of Naples: Accounts from the Gazzetta di Napoli (1675-1768)
Danilo Costantini
View PDFchevron_right