Music in Venetian Art: seduction and spirituality," British Academy Review, 20, Summer 2012 (original) (raw)

“Seduction and Spirituality: the Ambiguous Roles of Music in Venetian Art,”

Patricia Fortini Brown

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The sight of sound : resonances between music and painting in seventeenth-century Italy

Charlotte Poulton

2009

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Painting Music in the Sixteenth Century: Essays in Iconography

Sara James

The Sixteenth Century Journal, 2003

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Music in the Art of Renaissance Italy 1420-1540

Laura Stefanescu, Tim Shephard, Serenella Sessini, Sanna Raninen

Music in the Art of Renaissance Italy 1420-1540 (London: Harvey Miller), 2020

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Anthropomorphism, Musical Instruments, and Depicted Female Musicians in Sixteenth-Century Italy

Laura S . Ventura Nieto

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Medieval and Renaissance Music Conference 2015. Paper: New Considerations on the Musical Iconography in the Painted Ceiling of the Sala Magna of the Palazzo Chiaromonte at Palermo (XIV c.). Brussels, 6-9 July, 2015

Angela Bellia

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“A Proposal for the Concert Champêtre: Sebastiano?” in Venetian Painting Matters, 1450–1750, Jodi Cranston, ed. (Turnhout: Brepols, 2015), 35-56.

Jonathan Unglaub

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Col tempo: Musical Time, Aging, and Sexuality in Sixteenth-Century Venetian Paintings.

Jane D Hatter

Early Music

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Garcia-Ventura - Tavolieri - Verderame, The Study of Musical Performance in Antiquity, 2018

Lorenzo Verderame

Agnès Garcia-Ventura, Claudia Tavolieri, Lorenzo Verderame, The Study of Musical Performance in Antiquity: Archaeology and Written Sources, Cambridge Scholars Publishing, Newcastle upon Tyne, 2018, 2018

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EXALTATA SUPER CHOROS ANGELORUM: MUSICAL ELEMENTS IN THE ICONOGRAPHY OF THE CORONATION OF THE VIRGIN IN THE ITALIAN TRECENTO PAINTING

José María SALVADOR-GONZALEZ

Music in Art. International Journal for Music Iconography, 2014

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Giovanni Gabrieli. Transmission and Reception of a Venetian Musical Tradition. Turnhout: Brepols, 2016 (Venetian Music Studies, 1)

Luigi Collarile, Rodolfo Baroncini, David Douglas BRYANT

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Euphonic Embodiment: Musical Buildings and the Renaissance Woman in Venice

Bláithín Hurley

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Music and Visual Culture in Renaissance Italy

Tim Shephard

Chriscinda Henry and Tim Shephard ed., Music and Visual Culture in Renaissance Italy (New York: Routledge, 2023), 2023

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Kirnbauer: ‘si chiama fagotto’ – Concerning a drawing of musicals instruments by Giovanni Ricamatori, otherwise known as Giovanni da Udine, in: Early Music 39/2 (2011), 217-28 fagotto EM 2011

Martin Kirnbauer, Martin Kirnbauer

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"What a Perfect Sight of Sin": Early Sixteenth-Century Depictions of Women Playing Keyboards

Laura S . Ventura Nieto

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si chiama fagotto': Concerning a drawing of musical instruments by Giovanni Ricamatori, otherwise known as Giovanni da Udine

Martin Kirnbauer

Early Music, 2011

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Review of Music in the Art of Renaissance Italy, 1420-1540 by Tim Shephard, Sanna Raninen, Serenella Sessini, and Laura Ştefănescu

Barbara Swanson

Renaissance and Reformation 45, no. 1, 2022

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Venetian culture at the turn of the Century: San Marco and the birth of the purely instrumental genre

Hannah Shetler

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« Representations of Musicians in the Coroplastic Art of the Ancient World: Iconography, Ritual Contexts, and Functions », Les Carnets de l’ACoSt [Online], 13

Angela Bellia

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Strange musical instruments in the Madrid notebooks of Leonardo da Vinci

Emanuel Winternitz

1969

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An Alluring Sight of Music: The Musical Courtesan in the Cinquecento

Laura S . Ventura Nieto

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Crossovers in Paduan narratives: Music and visual art between antiquity and the Renaissance

Zdravko Blazekovic

foreword to the book Giotto's harmony: Music and art in Padua at the crossroads of the renaissance, by Eleonora M. Beck, 2005

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Research into Venetian Music and Musicians: Old Gaps Filled and New Gaps Created

Michael Talbot

Venezia, citta' della musica (1600-1750). Stato delle ricerche e prospettive. Venezia, 29 giugno 2012. Atti della giornata di studio, pp. 6-11, 2013

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Musical Instruments in a 1592 Inventory of the Marquis Ferdinando d'Alarçon

Alberto Mammarella

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"Thinking Like a Guitarist in Seventeenth-Century Italy," Early Music History 40 (2022): 37-84.

Cory M. Gavito

Early Music History, 2022

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Music, magic and humanism in late sixteenth-century Venice: Fabio Paolini and the heritage of Vicentino, Zarlino and Ficino

Grantley McDonald

Journal of the Alamire Foundation 4 (2012): 52–78

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Musical Angels in the Renaissance and Baroque Paintings

Sibel Almelek İşman

III. International Music and Cultural Studies Conference, 2016

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Review: Gary M. Radke, et al., Make a Joyful Noise: Renaissance Art and Music at Florence Cathedral

Blake Wilson

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Voice, Decorum and Seduction in Florigerio’s Music Lesson

Tim Shephard

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Review of: E. Rocconi, Le parole delle Muse. La formazione del lessico tecnico musicale nella Grecia antica

Angelo Meriani

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Music and Musical Instruments as Sites of Knowledge in the Early Modern Era

Rebecca Cypess

Encyclopedia of Early Modern Philosophy and the Sciences

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Le parole delle Muse: La formazione del lessico tecnico musicale nella Grecia antica

Angelo Meriani

Aestimatio: Critical Reviews in the History of Science, 2015

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Music, Imagination and Place in Late Medieval Music at Padua

Jason Stoessel

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The Musical Hand in Leonardo da Vinci's Anatomical Drawings

Lea Dovev

Rheinsprung 11 – Zeitschrift für Bildkritik, © eikones 2012, 2012

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The role of music in Leonardo's paragone

Emanuel Winternitz

Phenomenology and social reality: Essays in memory of Alfred Schutz, 1971

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