original ) (raw )« Between remorse, confession and testimony, the terrorist’s voice in contemporary Italian cinema », in Rights and Representations, Foreign Language Film Conference V, Cambridge Scholars Publishing, University of Alabama, Birmingham (US), 2013.
Dora D'Errico
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"Tragedia all’italiana. Italian Cinema and Italian Terrorisms 1970–2010" by Alan O'Leary
Daniele Salerno
Historical Journal of Film, Radio and Television
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Repression and nightmares. Italian cinema in the shadow of the Shoah
Alessandro Izzi
2018
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Review of Christian Uva (ed.), Schermi di piombo: il terrorismo nel cinema italiano
Alan O'Leary
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Film and the 'Anni di piombo': Representations of Politically-Motivated Violence in Recent Italian Cinema
Alan O'Leary
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Marco Bellocchio's Buongiorno notte and the Language of Terrorists
Cosetta Gaudenzi
Purdue University electronic publication (http://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=1053&context=revisioning ), 2011
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Review of Lombardi, Giancarlo, and Christian Uva, eds. Italian Political Cinema. Public Life, Imaginary, and Identity in Contemporary Italian Film. Bern: Peter Lang, 2016. In: G/S/I 4 (2017)
Alberto Luca Zuliani
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Introduction: Terrorism, Italian Style
Alan O'Leary , Giancarlo Lombardi , Ruth Glynn
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Co-written with Alan O’Leary, “Violence and the Wretched: The Cinema of Gillo Pontecorvo”, The Italianist, 29(2), 2009, 249-264.
Neelam Srivastava
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The Myth of the Good Italian in the Italian Cinema
Sanja Bogojevic
Mediterranean Journal of Social Sciences, 2014
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Special Issue, Modern Italy (22:2) History and Memory in Italian Cinema
Giacomo Lichtner
Modern Italy, 2017
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'Il senso dell'intreccio': History, Totality, and Collective Agency in Romanzo criminale (The Italianist Film Issue)
Mauro Resmini
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Blessed be the Good Soldier: Cinema, Media and the Manufacturing of Nationhood in Post 9/11 Italy. In: Archivio Anthropologico del Mediterraneo. 2011
Paolo S H Favero
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Talk/The Conflict of Images. Ethics and Politics in Contemporary Italian Cinema
Giacomo Tagliani
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Moro, Brescia, Conspiracy: the Paranoid Style in Italian Cinema
Alan O'Leary
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“Carlo Giuliani, ragazzo: A counter-hegemonic Italian documentary.” Studies in Documentary Film 5: 2+3 (2011). 169-81.
Mauro Sassi
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Italian Cinema in the Twenty- First Century: Representing the Precarious Subject
Malvina Giordana
Italian Industrial Literature and Film, Edited by C. Baghetti, J. Carter and L. Marmo, Peter Lang, Oxford-New York, 2021
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Dominic H. Gavin, Fascism and Resistance in Italian Cinema: History, Memory and Identity after 1968
Franco Baldasso
Modern Italy, 1, 3, 2021
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"Il Mulatto: The Negotiation of Interracial Identity in the Italian Post-War Narrative Film" in "From Terrone to Extracomunitario:: New Manifestations of Racism in Contemporary Italian Cinema. London: Troubador Press, 2010. 25-60.
Shelleen Greene
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N. 22 / MILITANT CINEMA AND POLITICAL DOCUMENTARY IN ITALY. THE CASE OF MARCO BELLOCCHIO AS AN EXAMPLE OF ITS EVOLUTION / Ricardo Jimeno Aranda
L'Atalante Revista de estudios cinematográficos
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Editorial, The Italianist Film 38.2 (2018): 151-155.
Dana Renga , Charles Leavitt
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Editorial, The Italianist Film 36.2 (2016): 155-157.
Dana Renga , Charles Leavitt
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INTRODUCTION The Politics of Italian Cinema: Genres, Modes and Scholarship. A Roundtable
Alan O'Leary
Italianist (Film Issue), 2013
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[edited by] Requiem for a Nation: religion and politics in Post War Italian cinema (Mimesis International)
Roberto Cavallini
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The terrorist as ennemi intime in French and Francophone cinema
Florence Martin
Studies in French Cinema
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Narratives of Innocence and Victimhood: The Reception of the Miniseries Holocaust In Italy
Emiliano Perra
Holocaust and Genocide Studies, 2008
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Requiem for a Nation: Religion and Politics in Post War Italian Cinema
Roberto Cavallini
Historical Journal of Film, Radio and Television, 2018
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Liminal Figures, Liminal Places: Visualizing Trauma in Italian Holocaust Cinema
Camilla Zamboni
2009
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Abstracts_Second International Conference_Global intersections and artistic interconnections: Italian cinema and media across times and spaces
Abdelhaleem Solaiman
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Violence and the wretched: The Cinema of Gillo Pontecorvo
Alan O'Leary
THE ITALIANIST (FILM ISSUE), 2009
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Barbara Pezzotti, “Visualising the anni di piombo: The Representation of the Bologna Massacre in Romanzo criminale (2005) and Romanzo criminale – The Series (2008-2010)”, Fulgor, vol 5.3 (2018): 50-59.
Barbara Pezzotti
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Encounters with the Real in Contemporary Italian Literature and Cinema
Giuliana Minghelli
Quaderni d'italianistica, 2019
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’Conflicts of Memory. The Reception of Holocaust Films and TV Programmes in Italy, From 1945 to the Present’ by Emiliano Perra
Daniele Salerno
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Writing and Rewriting Italian Cinema and Media History: Five New Dissertations
Jim Carter
Journal of Italian Cinema & Media Studies, 2023
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"Italian TV Drama & Beyond. Stories from the Soil, Stories from the Sea" by Milly Buonanno
Daniele Salerno
Historical Journal of Film, Radio and Television
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