Requiem for a Nation: Religion and Politics in Post War Italian Cinema (original) (raw)

[edited by] Requiem for a Nation: religion and politics in Post War Italian cinema (Mimesis International)

Roberto Cavallini

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“The Ideal Film”. On the transformation of the Italian Catholic film and media policy on the 1950’ and the 1960’

Fanchi Mariagrazia

Moralizing Cinema. Film, Catholicism and Power, 2015

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LA RICOTTA. The Sacred Transgressed. Pier Paolo Pasolini's most censored film (Ro.Go.Pa.G., 1962) Monograph by Erminia Passannanti

Erminia Passannanti

LA RICOTTA. THE SACRED TRANSGRESSED, 2008

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Boes L., Engelen L., Vande Winkel R. (2017). Clerics, laymen, and cinema. The troubled relations between the Vatican and the Office Catholique Internationale du Cinéma (1948-1952). Journal of Italian Cinema and Media Studies, 5 (3), 375-392.

Leen Engelen, Roel Vande Winkel

Journal of Italian Film and Media Studies, 2017

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ITALIAN CINEMA AND CENSORSHIP BY RELIGION. Author: Erminia Passannanti (Ph.D. thesis, Brunel University, 2014) Social Sciences and Media Communication.

Erminia Passannanti

ITALIAN CINEMA AND CENSORSHIP BY RELIGION, 2014

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Review of Lombardi, Giancarlo, and Christian Uva, eds. Italian Political Cinema. Public Life, Imaginary, and Identity in Contemporary Italian Film. Bern: Peter Lang, 2016. In: G/S/I 4 (2017)

Alberto Luca Zuliani

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Pasolini’s Counter-Political Gaze at the Sacred [2021] / Short Essay

Carlos Segovia

Polymorph, 2021

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Special Issue, Modern Italy (22:2) History and Memory in Italian Cinema

Giacomo Lichtner

Modern Italy, 2017

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INTRODUCTION The Politics of Italian Cinema: Genres, Modes and Scholarship. A Roundtable

Alan O'Leary

Italianist (Film Issue), 2013

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Italian Cinema in the Twenty- First Century: Representing the Precarious Subject

Malvina Giordana

Italian Industrial Literature and Film, Edited by C. Baghetti, J. Carter and L. Marmo, Peter Lang, Oxford-New York, 2021

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Talk/The Conflict of Images. Ethics and Politics in Contemporary Italian Cinema

Giacomo Tagliani

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For a politics of comic immanence: Religion and power in the cinema of Pietro Germi [book chapter, 2016]

Roberto Cavallini

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Italian National Cinema: The Cinepanettone

Alan O'Leary

The Italian Cinema Book, edited by Peter Bondanella, pp. 261-7, 2014

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Carla M. Bino, Memory, community and encounter. Sacred theatre in Italy (1998-2018), in F. Colombo (Ed.), MEDIA AND COMMUNICATION IN ITALY: HISTORICAL AND THEORETICAL PERSPECTIVES, Milan 2019, pp. 149-163.

Carla M Bino

Media and communication in italy historical and theoretical perspectives, 2019

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Screening Piety, Invoking Fervour: The Strange Case of Italy's Televised Mass

Davide Zordan

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Schooling in Modernity. The Politics of Sponsored Films in Postwar Italy

Tullio Pagano

Journal of Modern Italian Studies, 2015

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Editorial, The Italianist Film 36.2 (2016): 155-157.

Dana Renga, Charles Leavitt

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‘The Spectacle of the Unseen: Marco Bellocchio and Lure of the Catholic Church’ in Italian Studies (Cultural studies issue) 68: 3, 2013, pp. 399-410

Clodagh Brook

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“At the Margins of Rome, at the Margins of the World. The Hawks and the Sparrows and Sacro GRA as Peripatetic Analyses of Capitalist Society” in the Journal of Italian Cinema and Media Studies, 7:1. January 2019 pp. 35-53

Eleonora Sartoni

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«L'esercente industriale non scocci»: Mapping the tensions between commercial and Catholic exhibition in post-war Italy

Daniela Treveri Gennari

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Review of Jorge Pérez, Confessional Cinema: Religion, Film, and Modernity in Spain's Development Years,1960-1975. University of Toronto Press, 2017. EuropeNow 16 (2018)

Jorge Marí

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Catholicism and Cinema. Modernization and Modernity

Tomaso Subini, Gianluca della Maggiore

Mimesis International, 2018

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Film studies - "Italians in Italian Cinemas"

Giulia Nemeye G . - N . Giubertoni

Film studies - "Italians in Italian Cinemas", 2020

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Associationism and progress: notes about the birth of film clubs. Home movies during the Fascism. [Sardinia Film Festival News, n. 12, 15 giugno 2012]

Marcello Seregni

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Echoes Of Pier Paolo Pasolini In Contemporary Italian Cinema: The Cases Of Marco Tullio Giordana And Aurelio Grimaldi

anna paparcone

2009

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Essay/Depicting Life, Analysing the Power: The 'Actuality' of Italian Cinema

Giacomo Tagliani

Journal of Italian cinema and Media Studies, 2014

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‘It existed indeed … it was all over the papers’: memories of film censorship in 1950s Italy

Silvia Dibeltulo

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Cinema e Risorgimento. Visioni e re-visioni: da 'La Presa diRoma' a 'Noi Credevamo'

Alfred R Crudale

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Great Tv and Cinema produced by Catholics, in Gema Bellido (ed.) A Church in Dialogue: The Art and Science of Church Communication, Edusc, Roma 2022, pp.393-404

Armando Fumagalli

2022

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From Cinecitta to the small screen: Italian cinema after the mid-1970s crisis

Tiziana Ferrero-Regis

A Companion to Italian Cinema., 2017

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‘La polvere dei sogni’, Editorial, Italianist Film 35.2 (2015): 171-5.

Dana Renga, Charles Leavitt

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'Brothers in Arms: Middebrow Impegno and Homosocial Relations in the Cinema of Petraglia and Rulli', in Intellectual Communities and Partnerships in Italy and Europe, ed. by Danielle Hipkins (Peter Lang, 2012), pp. 149-67

Catherine O'Rawe

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Q+A on Contemporary Italian Cinema Studies

Alan O'Leary

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Review of: Bonifazio 2014 "Schooling in Modernity: The Politics of Sponsored Films in Postwar Italy. Toronto. University of Toronto Press.

Emiliano Guaraldo Rodriguez

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• Review of Louis Bayman, The Operatic and the Everyday in Post-War Italian Film Melodrama, in Journal of Italian Film and Media Studies, 4:3 (2016), 483-85

Catherine O'Rawe

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