Interactive Digital Technologies on Scene – Consequences and Perspectives on Aesthetics of Performative Spaces
Helmuth Reiter
Le Centre pour la Communication Scientifique Directe - HAL - SHS, 2012
View PDFchevron_right
Mirosław Rogala The Virtual and the Vivid: Re-framing the Issues in Interactive Arts
Miroslaw Rogala
View PDFchevron_right
Staging of the Thinking Space: From Immersion to Performative Presence
Monika Fleischmann
transcript Verlag eBooks, 2008
View PDFchevron_right
The Art of Interaction: Interactivity, Performativity, and Computers, The Journal of Aesthetics and Art Criticism Vol. 55, No. 2, Perspectives on the Arts and Technology (Spring, 1997), pp. 117-127
David Z Saltz
View PDFchevron_right
Modern Audiovisual Art within the Space of Internet Network: New Aspects of Interaction
Олександр В . Безручко
2021
View PDFchevron_right
TOWARDS A THEORY OF INTERACTIVE ART EXPERIENCE
Miroslaw Rogala
newmedia.yeditepe.edu.tr
View PDFchevron_right
Theoretical, Philosophical and Cultural Contexts of Interactive Art
Ryszard W . Kluszczyński
View PDFchevron_right
Neil C. M. Brown, Timothy Barker and Dennis Del Favero. (2011). "Performing Digital Aesthetics: The Framework for a Theory of the Formation of Interactive Narratives", Leonardo 44(3): 212-219.
tim barker
2011
View PDFchevron_right
The virtual and the vivid: Reframing the issues in interactive arts
Miroslaw Rogala
Technoetic arts, 2011
View PDFchevron_right
Viewer as Performer or Rhizomatic Archipelago of Interactive Art
Ryszard W . Kluszczyński
RE-live. Media Art Histories, 2013
View PDFchevron_right
Marianna Charitonidou, "Interactive art as reflective experience: Imagineers and ultra-technologists as interaction designers", Visual Resources, 36(4) (2020): 382-396. DOI: 10.1080/01973762.2022.2041218
Marianna Charitonidou
View PDFchevron_right
Performing perception—staging aesthetics of interaction
Peter Dalsgaard
ACM Transactions on Computer-Human Interaction, 2008
View PDFchevron_right
Embodiment and agency: Towards an aesthetics of interactive performativity
Uwe Seifert
Proceedings of the 4th Sound and Music …, 2007
View PDFchevron_right
"Digital Art Live: Exploring the Aesthetics of Interactivity"
Verena Ziegler
View PDFchevron_right
The Implicit Body as Performance: Analyzing Interactive Art
Eliška Tomášková
View PDFchevron_right
"The Performative Interface - Making Visible a Reality Beyond Appearance" by Monika Fleischmann and Wolfgang Strauss. In HumaniTies and Artificial Intelligence. 2022
Monika Fleischmann
HumaniTies and Artificial Intelligence (ed) Freddy Paul Grunert, 2022
View PDFchevron_right
Intersensoriality, immersion and environment in digital art: Paroles trouvées, a spatialised musical, videochoreographic, optical installation
Andrea Davidson
Body, Space & Technology, 2011
View PDFchevron_right
Interactivity as Media Reflection between Art and Science
Monika Fleischmann
The Art and Science of Interface and …, 2008
View PDFchevron_right
The Construction of Presence and the Multimediatic Stage: hegemony of an immanent presence
Stephan Baumgartel, Juarez Nunes
View PDFchevron_right
Spectator and Immersive Device. Sensoriality Tested by Digital Tools
Izabella Pluta
HAL - Journées de l'informatique théâtrale, 2023
View PDFchevron_right
Production into Presence (from POIESIS, eds. Nathan Brown & Petar Milat, Multimedia Institute Zagreb: March 2017)
Goran Sergej Pristas
View PDFchevron_right
Permission/ Seduction/ Indulgence. Integrating Digital Media in the Theatre Making Process. Skene. Vol. 7 No. 1 (2021): Virtual Theatre.
Avra Sidiropoulou
Skenè. Journal of Theatre and Drama Studies, 2021
View PDFchevron_right
Cyberformance – performance art as a bridge between the actual and the virtual worlds. Actas del Congreso de la Sociedad Española de Estudios de la Comunicación Iberoamericana (SEECI), Facultad de Ciencias de la Información, Universidad Complutense, Madrid, Espanha, 2014. pp. 126-135.
Clara Gomes
View PDFchevron_right
Mediated Presence: Performance Art and Technology
Soulaf Khalifeh
2013
View PDFchevron_right
Analogue and Digital Immersive Experiences: What should digital creators learn from live theatre makers
Bakk Agnes
View PDFchevron_right
'Multimedia as a Prosthesis': Mingling Live Theatrical Arts and Virtuality
eric joris
View PDFchevron_right
Understanding the experience of interactive art: Iamascope in Beta_space
Ernest Edmonds
Proceedings of the second …, 2005
View PDFchevron_right
PhD Thesis ~ Experience and Meaning-making Process in Interactive Arts - The influence of play and aesthetic distance in interactive art encounters
Filipe Pais
View PDFchevron_right
Ultra-sensing: moving beyond 'work' and 'venue' in intermedia art
Kerry Francksen, Simon Atkinson
EMS14 Proceedings, 2014
View PDFchevron_right
Interactive Design: Designing Sensorial, Dialogical Spaces
Burak Pak
Civil Engineering and Architecture, 2014
View PDFchevron_right
“Being With:” establishing co-presence between multimedia images and performers in multimedia performance
Abbie V Trott
2016
View PDFchevron_right
‘Spatial Reconfiguration in Interactive Video Art'
Holly Rogers
Oxford Handbook of Interactive Audio, 2013
View PDFchevron_right
Visiting the Virtual: Performance Practice in the Virtual Artworks of Rob Hamilton and Christof Ressi
Barbara Lüneburg
Ludified, 2021
View PDFchevron_right
Towards an ontology of digital arts. Media environments, interactive processes and effects of presence
Andrea Giomi
Rivista di estetica, 2020
View PDFchevron_right
Bouchardon, S. (2008). «The rhetoric of interactive art works», actes du colloque international DIMEA 2008, 10 au 12 septembre 2008, Athènes, Grèce, ACM Proceeding Series Vol. 349, 312-318.
Serge Bouchardon
View PDFchevron_right