Interacting with" Dallas": Cross Cultural Readings of American TV
elihu katz
1990
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Adaptation of Scripted Television Formats: Factors and Mechanisms of Cultural Identity in a Global World
Maria Soto-Sanfiel
2021
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Opening America?: The Telenovela-ization of U.S. Soap Operas
Denise Bielby
Television & New Media, 2005
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American Television: Point of Reference or European Nightmare?
Ib Bondebjerg
A European Television History (edited by Jonathan Bignell and Andreas Fickers, 2008
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Welcome to the Sitcom School: A Globalized Outlook for the Study of Television History
Sharon Shahaf
Westminster Papers in Communication …, 2007
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Global Maladies, Local In Treatment: " Quality " TV Fiction Formats, Glocal Forms of Prestige, and Cumulative Cross-Cultural Dialogues
Nahuel Ribke
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Challenging U.S. Leadership in Entertainment Television? The Rise and Sale of Europe's International TV Production Groups
Andrea Esser
International Journal of Communication, 2016
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Review of: Viewing America: Twenty-First-Century Television Drama. By Christopher Bigsby. Cambridge: Cambridge UP, 2013. European Journal of American Studies (Dec. 2, 2014). http://ejas.revues.org/10380 . 9pp.
Christina Dokou
European Journal of American Studies, 2014
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HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007
Kim Akass
Mise au point
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The inflow of American television fiction on European broadcasting channels revisited
Hedwig de Smaele
European Journal of Communication, 2001
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Book chapter: “TV Drama in China – Global Implications,” in Manfred Kops & Stefan Ollig (eds.), A Reader on the Internationalization of the Chinese TV Sector (Münster, Germany: LTV Verlag, 2007), pp. 75-97.
Ruoyun Bai
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[FORTHCOMING] Decentring Formula Art Innovation: Israeli TV Industry and the transnational turn in content development. In, A. Moran, P. Jensen and K. Aveyard [Eds.] Global Television Formats: State of the Art. London: Intelect (forthcoming 2015).
Sharon Shahaf
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The Transnational Spread of Turkish Television Soap Operas
Serpil KArlıdağ
Istanbul Universitesi Iletisim Fakultesi Hakemli Dergisi, 2014
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Global Entertainment Media: Between Cultural Imperialism and Cultural Globalization. Routledge, 2013.
Tanner Mirrlees
2013
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A Conceptual Perspective to Media: Cultural Globalization, Clash of Civilizations
Yesim Kaptan
2013
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Cultural Globalization as the Emergence of a Transnational Cultural Field: Transnational Television and National Media Landscapes in Four European Countries
giselinde kuipers
American Sociological …, 2008
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Brennan, E. 2012. ‘A Political Economy of Formatted Pleasures’, pp. 72–89 in Oren, T and S. Shahaf (eds), 2012. Global Television Formats Circulating Culture, Producing Identity. London: Routledge.
Edward Brennan
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Global Television Formats. Understanding Television Across Borders
Global Media Journal - German Edition
2013
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Similarities in adaptations of scripted television formats: The global and the local in transnational television culture
Maria Soto-Sanfiel
Poetics, 2021
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The Globalization Debate and the Limitations of the Localization of TV Formats: A Cross-Cultural Comparative Case Study
Tonny Krijnen
International Journal of Cultural Studies
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Editorial: TV Formats - History, Theory, Industry and Audiences
Andrea Esser
Critical Studies in Television, 2013
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TRANSNATIONAL TELEVISION HISTORY: A COMPARATIVE APPROACH
Andreas Fickers
Media History, 2010
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Video Cultures: Television Sociology in the “New TV” Age
Joseph Turow
Annual Review of Sociology, 2006
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Media Companies and Their Strategies in Foreign Television Markets
Ulrike Rohn
2004
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Twenty-first Century trends and international cross-cultural perspective: the post-dramatic TV series model in the United States vs. Spain's neoclassical hesitancy in television serial fiction
Miguel A . Orosa
SPRINGER COLLECTION - ICOMTA'21 - La Conferencia Internacional de Comunicación y Tecnologías Aplicadas del 2021 / ICOMTA'21 - The International Conference on Communication and Applied Technologies in 2021, 2022
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Determinants of the Content and Creation of Modern Television Series. Selected Issues
Krzysztof Arcimowicz
Creativity. Theories – Research - Applications, 2016
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Legitimating Television: Media Convergence and Cultural Status by Michael Z. Newman and Elana Levine
Michael L Wayne
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Book Review: James H. Wittebols (2004) The Soap Opera Paradigm: Television Programming and Corporate Priorities, Oxford: Rowman and Littlefield. ISBN 0742520013
Anthony McNicholas
Westminster Papers in Communication and Culture, 2006
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The European television industry at the turn of the XXI century. (EUROFICTION fifth report, year 2000: European Audiovisual Observatory, Strasbourg 2001)
Milly Buonanno
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Media Culture Society-2015-Lavie-19-34
Noa Lavie
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Global Television: Co-Producing Culture (review)
Kevin Sanson
2011
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The political economy of Croatian television: Exploring the impact of Latin American telenovelas
Marina Vujnovic
COMM, 2008
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Pleasures of Transnational Cultural Modernity: Consumption of Television Reruns and Fan Practices
Aakriti Kohli
Akademos, 2018
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Realities of Change: The changing nature of television in the past twenty years
Mark Stewart
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The shadowland of television: the shadow images of unreality as found in American corporate television production and the emphasis on social reality in foreign …
Gerald Thomson
1992
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