original ) (raw )A PSALTIC MUSIC MANUSCRIPT IN A PRIVATE COLLECTION IN CLUJ-NAPOCA
Melania Nagy
Musicology Papers, vol. XXVII No.1, pp. 97-112, 2012
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Anca Nițoi, Florin Mărginean, George P. Hurezan: Medieval and Early Modern Military Items Discovered in the Village of Tauţ (Arad County, Western Romania).
Florin Marginean
ZSA 26.1, 2012
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Sabin Adrian LUCA, Florentina MĂRCUȚI: Prehistoric Signs and Symbols from Transylvania (1). "The Secret Tablet". The Neolithic and Aeneolithic Archaeological Settlement from Tărtăria-Gura Luncii (Alba County).
Sabin Adrian Luca
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Symbolic Depictions on Early Bronze Age Vessels from Csepel Island-Budapest
Endrodi Anna
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A Musical Note from Roman Cyprus
Massimo Raffa
Trends in Classics, 2016
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An Inscription to Fortuna from Aquae Iasae,Dedicated by a Centurion from Oescus
Branka Migotti
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Endrődi, Anna – Horváth M., Attila: Symbolic depictions on early bronze age vessels from Csepel Island/ Szimbolikus ábrázolású, kora bronzkori edények Csepel – szigetről. Budapest Régiségei XLIX. 2016. 7-23.
Attila Horváth M.
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Ancient Musical Discoveries in Slovakia
Mária Strenáčiková ml.
ICONI, 2019
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“The story of a composition or ‘Adventures’ of written melodies, during the Byzantine and post-Byzantine era”
Achilleas Chaldæakes
Tradition and Innovation in Late-and Postbyzantine Liturgical Chant II. Proceedings of the Congress held at Hernen Castle, the Netherlands, 30 October-3 November 2008, Leuven-Paris-Walpole, MA 2013, pp. 261-289
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Paleographic Characteristics of Musical Notation in the Twelfth-Century Pontificale Plocense
Piotr Wiśniewski
MUSICA MEDIAEVA LITURGICA III , 2020
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Sliužinskas R. Archaic Musical Styles Problem in the Earliest Publications of Lithuanian Folklore. In: Музикознавча думка Дніпропетровщини. Днiпропетровська Академiя Музики iм. М.Глiнки. Днiпро: Лiра, 2018, Вип. 15, с. 50–60. ISSN 2522-915X.
Rimantas Sliužinskas
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Fol A., Fol V.2018. Music in the sacred spaces of the Thracians. In: Collection in honour of 85 years since the birth of Alexander Fol, Doctor of Science]. Bulgarian Institute of Egyptology at NBU. 2018, Sofia, 77-95.
Alexandra Fol , Valeria Fol
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Byzantine Music Treatises in Romania with an Analysis of MS Gr. 9 from the National Archives in Drobeta Turnu Severin
Nicolae Gheorghita
EASTERN CHRISTIAN STUDIES 17. TRADITION AND INNOVATION IN LATE-AND POSTBYZANTINE LITURGICAL CHANT II, 2013
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Christian Troelsgård - Byzantine neumes: A New Introduction to the Middle Byzantine Musical Notation
Haig Utidjian
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The Development of Musical Instruments and Sound Objects from the Late Bronze Age to the La Tène Period in the Area between the River Salzach and the Danube Bend
Beate Maria Pomberger
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Antique meaning - Avar significance. Complex iconographic schemes on early medieval small objects. Acta Archaeologica Hungarica 64 (2013) 139-172.
Gergely Szenthe
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Same Shape, Different Meanings? Original and Imitation among Body Ornamenting Items of the Ariuşd-Cucuteni-Tripolye Cultural Complex, in C.-E. Ursu, A. Poruciuc, C.-M. Lazarovici (eds.), Symbols and Signs as a Communication System. In Memory of Gheorghe Dumitroaia
Senica Țurcanu
in C.-E. Ursu, A. Poruciuc, C.-M. Lazarovici (eds.), Symbols and Signs as a Communication System. In Memory of Gheorghe Dumitroaia, Suceava, 2017
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Arhid. Sebastian Barbu-Bucur, O versiune muzicală inedită a Prohodului Domnului în limba română, ediţie îngrijită şi studiu introductiv de Cătălin Cernătescu [An Unpublished Musical Version of the Lord’s Lamentation from the Romanian Tradition. Edition and Introductory Study by Cătălin Cernătescu...
Alexandru Ioniță
Review of Ecumenical Studies Sibiu, 2021
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Angela Bellia and Clemente Marconi (eds.), Musicians in Ancient Coroplastic Art: Iconography, Ritual Contexts, and Functions, («TELESTES. Studi e Ricerche di Archeologia musicale nel Mediterraneo», II), Pisa-Roma, Istituti Editoriali e Poligrafici Internazionali, 2016.
Angela Bellia , Aura Piccioni , Manolis Mikrakis , Maria Chidiroglou , Agnès Garcia-Ventura , Elçin Doğan Gürbüzer , Regine Pruzsinszky , Mireia López-Bertran
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Ursu_Terna_Aparaschivei - Vessels decorated with stylised “pillar-like” anthropomorphic representations from the Precucuteni settlement of Baia–În Muchie (Suceava county, Romania), 2012–2014
Ursu Constantin-Emil
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Noi istorii ale muzicilor românești [New histories of Romanian types of music] – The most important editorial publication in the Romanian musicology of recent years
Laura Vasiliu
Artes. Journal of Musicology, 2021
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Macarie the Hieromonk and the Translation of Hymns Into Romanian
Daniel Mocanu
2016
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Late antique metal vessels in the Carpathian Basin: luxury and power in the Early Middle Ages. Hereditas Archaeologica Hungariae; 1. Budapest: Archaeolingua Alapítvány, 2016.
Tivadar Vida
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Music as a Marker of Liminality in 18th-Century Balkans: Re-Evaluating Phanariot Musical Activity in the Romanian Principalities
John Plemmenos
300 de ani de românire (1713–2013), Editura Glissando a UNMB. Editors: Nicolae Gheorghiță, Costin Moisil, Daniel Suceava, 2013
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Medieval stili from Romania, in Marisia, XXXIV-XXXV, 2014-2015, p. 107-116.
Adrian Andrei Rusu
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Chapter 5 part IX “A Matrix of semiotic rules and markers for inspecting the sign system of the Danube civilization” from the book Neo-Eneolithic Literacy in Southeastern Europe
Marco Merlini
Marco Merlini, Neo-Eneolithic Literacy in Southeastern Europe: an Inquiry into the Danube, Biblioteca Brukenthal XXXIII, Ministery of Culture of Romania and Brukenthal National Museum, Editura Altip, Alba Iulia, 2009
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Music and Sound in Ancient Europe: Contributions from the European Music Archaeology Project
Cajsa S Lund , Stefan Hagel
2018
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The music of “Peoples without notes”: evidence of musical archaeology from Magna Graecia, Musical Perceptions - Past and Present. On Ethnographic Analogy in Music Archaeology, Proceedings of the 6th Symposium of the International Study Group on Music Archaeology. Rhaden.Westf., 2010, pp. 27-34
Daniela Castaldo
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THE ROMANIAN TRANSYLVANIAN BELLS AND THEIR CULTURAL, ARTISTIC AND HISTORICAL SIGNIFICANCE (19 th -20 th CENTURIES)
Elena Crinela Holom
2013
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Romanian-Greek manuscript inventory number 27 Anthology – An Account of the activity of the copyist Chiril Monahul from Bisericani Monastery (Neamt County)
Zamfira Danila
Artes. Journal of Musicology, 2021
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Arhid. Sebastian Barbu-Bucur, O versiune muzicală inedită a Prohodului Domnului în limba română , ediţie îngrijită şi studiu introductiv de Cătălin Cernătescu [An Unpublished Musical Version of the Lord’s Lamentation from the Romanian Tradition. Edition and Introductory Study by Cătălin Cer...
Alexandru Ioniță
Review of Ecumenical Studies, 2021
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Neolithic artefacts, signs and scenes from Southern Romania
radian andreescu
Cercetări arheologice, 2021
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History of the Origin of the Bogurodzica Song. A Musical Monument of 1407
Іван Кузьмінський (Ivan Kuzminskyi)
Lithuanian Musicology, 2017
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Chapter 5 part VI “A Matrix of semiotic rules and markers for inspecting the sign system of the Danube civilization” from the book Neo-Eneolithic Literacy in Southeastern Europe
Marco Merlini
Marco Merlini, Neo-Eneolithic Literacy in Southeastern Europe: an Inquiry into the Danube, Biblioteca Brukenthal XXXIII, Ministery of Culture of Romania and Brukenthal National Museum, Editura Altip, Alba Iulia, 2009
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“The Past in the Present: Some liturgico-musical relationships between Toledo, Rome and Andalucia”, in The Past in the Present, edited by Laszlo Dobszay, Budapest: Liszt Ferenc Academy of Music, 2003. Volume 2, 207-222.
Jane M Hardie
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