original ) (raw )Deterritorializing Chinese Calligraphy: Wang Dongling and Martin Wehmer's Visual Dialogue (2010)
Shao-Lan Hertel (何小蘭)
The Journal of Transcultural Studies, 11, no. 2 (Winter 2020), 2020
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Lines in Translation: Cross-Cultural Encounters in Modernist Calligraphy, Early 1980s–Early 1990s
Shao-Lan Hertel (何小蘭)
Yishu: Journal of Contemporary Chinese Art, vol. 15, no. 4 (July/August 2016), 6–28.
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Chinese Characters as Concept and the International Language of Visual Art
Jean M Ippolito
The International Journal of New Media, Technology and the Arts, 2018
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Contemporary Chinese Calligraphy between Tradition and Innovation.
Adriana Iezzi
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The sky rained with millet and the ghosts wailed in the night : an anthropological study of Chinese calligraphy
Yuehping Yen
2000
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“Ink Painting in the Sinophone World: Liu Kuo-sung’s Hong Kong Period.” In The Liu Kuo-sung Reader: Selected Texts on and by the Artist, 1950s-Present. Eds. Eugene Y. Wang, Valerie C Doran, Alan C. Yeung (Cambridge: Harvard University Press for Harvard FAS CAMLab, 2024), 125-33.
Aida Y Wong
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"Chinese Modern Calligraphy" as a Reflection of Chinese Contemporary Culture: a Comparison between Modernism (Wang Dongling) and Avant-garde (Xu Bing)
Adriana Iezzi
Italian Association for Chinese Studies. Selected Papers 1, 2016, 2016
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What is ‘Chinese Modern Calligraphy? An exploration of the critical debate on modern calligraphy in contemporary China.
Adriana Iezzi
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REVIEW ESSAY | Beyond Sinology: Chinese Writing and the Scripts of Culture, by Andrea Bachner; The Politics of Chinese Language and Culture: The Art of Reading Dragons, by Bob Hodge and Kam Louie
Manuel Pavón-Belizón
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Chapter 4: Taoist Calligraphy (from Change and Continuity: the Influences of Taoist Philosophy and Cultural Practices on Contemporary Art Practice)
Bonita Ely
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On Turning Away: Sociopolitical Constructs and Abstraction in Literati Painting
Noé Badillo
Unpublished, 2016
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The Chinese Character as an Interface for Artistic Creation: Re-Cognition of Graphics and Phonetics
Haomin Gong 龔浩敏
Comparative Literature Studies, 2023
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Words as Things: The Materiality of Writing in Chinese Contemporary Art
Joseph R Allen
ASAP/Journal , 2022
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Reading And Writing Between The Lines of Art History: Challenges and Potentials of Chinese Calligraphy Discourse, A Perspective from Tsinghua University Art Museum / 艺术史之间的阅读和写作: 从清华大学艺术博物馆看中国书法话语的挑战与潜能
Shao-Lan Hertel (何小蘭)
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English translation of Chinese calligraphic aesthetics
Ge Song
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« Becoming an international artist, remaining a Chinese one: Walasse Ting / 一位中国的国际艺术家: 丁雄泉 » in Bali danqing, ershi shiji zhongguo huajia zhan 巴黎丹青，二十世纪中国画家展 [Hong Kong : Hong Kong museum of arts, 20 juin – 21 septembre 2014]
Mael Bellec
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Reconceptualizing foreignness strategies and implications of translating Chinese calligraphy
Ge Song
Perspectives: Studies in Translation Theory and Practice, 2020
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Negotiating with the Past: The Art of Calligraphy in Post-Mao China
li-hua ying
ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts
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All in the Name of Tradition: Ink Medium in Contemporary Chinese Art
Eugene Y Wang
Ink remix: contemporary art from mainland China, Taiwan and Hong Kong, 2014
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Sociocultural Functions of Chinese Characters and Writing: Transnational Brush-talk Encounters in Mid-nineteenth and Early Twentieth Century East Asia
Reijiro Aoyama
In Li, C. S. D., Aoyama, R. & Wong, T.S., eds., Brush Conversation in the Sinographic Cosmopolis: Interactional Cross-border Communication Using Literary Sinitic in Early Modern East Asia. Routledge: London., 2022
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A New Definition of Chinese Ink Painting
James Elkins
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Like One Witnessed the Creation: Rethinking the Aesthetic Appreciation of Chinese Calligraphy
Xiongbo Shi
Philosophy East and West, 2019
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Zhang Yinlin: A Preface to Chinese Calligraphy Criticism (1931). A translation with an introduction by the translator. Journal of Art Historiography. December 2015
Xiongbo Shi
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Chinese Calligraphy in the Digital Realm: Aesthetic Perfection and Remediation of the Authentic
Laura Vermeeren
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Whither the Methods of the Ancients? Huang Binhong’s 黃賓虹 (1865–1955) Clerical-Scripted Painting [論隸體畫圖] as a Response to the "Harmonious Uniting of Red-and-Green and Ink" [丹青水墨合壁]
Shao-Lan Hertel (何小蘭)
Annegret Bergmann/Jeong-hee Lee-Kalisch (eds.): Transcultural Intertwinements in East Asian Art and Culture, 1920s-1950s. Studies of East Asian Art History vol. 5 / Studien zur Ostasiatischen Kunstgeschichte Bd. 5. Weimar: VDG, Verlagsgruppe arts + science weimar, 2018, 101–127.
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Luise Guest (In)visible Ink: Outsiders at the Yaji, the ink installations of Bingyi and Tao Aimin
Luise Guest
Journal of Contemporary Chinese Art, 2018
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Entexted Heritage: Calligraphy and the (re)Making of a Tradition in Contemporary China
Lia Wei
China Perspectives, 2021
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The Other Kang Youwei: Calligrapher, Art Activist, and Aesthetic Reformer in Modern China by Aida Yuen Wong
Lisa Claypool
China Review International, 2014
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Time-Space Alterations: A New Media Abstraction of Traditional Chinese Painting and Calligraphy Aesthetics
Hung Keung
Leonardo: Journal of the International Society for the Arts, Sciences and Technology, 2020
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Spilt Ink: Aesthetic Globalization and Contemporary Chinese Art
Ivan Gaskell
The British Journal of Aesthetics, 2012
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"The voice of the 'superfluous' people: painting in China in the 1980s and 1990s"
Francesca Dal Lago
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Beggars Black Bears and Butterflies The Scientific Gaze and Ink Painting in Modern China
Lisa Claypool
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CONTEMPORARY CHINESE: LOCAL TRADITIONS VERSUS WORLD ART, Su Xinping, sleeping man, departing horse, 1989; Lu Zuogeng, Last dynasty I, 1994; Fang Lijun, 1996 no. 18, 1996; Guo Jian, Trigger happy 9. 1999; Hong Hao, Acupuncture, middle volume, 1992, by Roy Forward, NGA Research Paper No. 13
Roy Forward
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Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art”, Archives of Asian Art 68.2 (October 2018), 191-214.
Yu-jen Liu 劉宇珍
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Curving Lines and Morphing Marks: On the Problems of Comparing Chinese Ink-Brush Writing with Dancing
Alexander H Schwan
The Power of Line, ed. by Marzia Faietti and Gerhard Wolf, pp.128–141., 2015
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