Inventing the Business of Opera: The Impresario and His World in Seventeenth Century Venice (review) (original ) (raw )Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice by Beth L. Glixon and Jonathan E. Glixon (Book Review), Music & Letters , Vol. 90, No. 3 (Aug. 2009), pp. 477-478.
Vassilis Vavoulis (Βασίλης Βαβούλης)
View PDFchevron_right
Ellen Rosand. Opera in Seventeenth-Century Venice: The Creation of a Genre. University of California Press, 1991. xxvi+684 pp. ISBN 0 520 06808 4
Sylvie Mamy
Cambridge Opera Journal, 1994
View PDFchevron_right
Essays on Opera, 1750–1800
John A Rice
View PDFchevron_right
Comedy and Aesthetics in Seventeenth-Century Venetian Opera
Steven Feis
View PDFchevron_right
Antonio Sartorio (c.1630-1680): Documents and sources of a career in seventeenth-century Venetian opera, Royal Musical Association Research Chronicle, No. 37 (2004), 1-70.
Vassilis Vavoulis (Βασίλης Βαβούλης)
View PDFchevron_right
Opera Production in Late Seventeenth-Century Modena: The Case of _L’ingresso alla gioventù di Claudio Nerone_ (1692)
Paul Atkin
2010
View PDFchevron_right
The Adaptation of Venetian Operas for Rome 1668 89
Luca Ambrosio
View PDFchevron_right
Commentary: Seventeenth-Century Venetian Opera as Fondamente nuove
Ellen Rosand
Journal of Interdisciplinary History, 2006
View PDFchevron_right
The business of opera in early modern Bologna: Financial and social affairs in Pirro Capacelli Albergati’s notebook for "Gli amici" (1699)
Huub van der Linden
MEFRIM (Les Mélanges de l'École française de Rome - Italie et Méditerranée modernes et contemporaines), 2018
View PDFchevron_right
Women, Opera and the Public Stage in Eighteenth-Century Venice
Britta Kägler , Eva-Maria Schreiner
Kägler B, Schreiner E-M. Women, Opera and the Public Stage in Eighteenth-Century Venice Fondazione Levi, Venice, 23–24 May 2022. Eighteenth Century Music. 2023;20(1):116-119, 2023
View PDFchevron_right
What News on the Rialto? Fundraising and Publicity for Operas in Seventeenth-Century Venice
Sandy Thorburn
Canadian University Music Review, 2003
View PDFchevron_right
An enigmatic souvenir of Venetian opera: Alessandro Piazza’s Teatro (1702)
Bruno Forment
Early music, vol. 38, no. 3, pp. 387-401, 2010
View PDFchevron_right
Theaters, market and canonic implications in the Italian opera system, 1820-1880
Carlotta Sorba
in Oxford Handbook of the Operatic Canon, ed. by C. Newark and W.Weber, 2020
View PDFchevron_right
Stage and Literature: Interconnections between Librettos and Other Literary Genres in Early Venetian Operas
Carlo Bosi
View PDFchevron_right
Renaissance, Mannerism, Baroque/The Search for Musical Meaning/Mask and Illusion: Italian Opera after 1637
Tim Carter
The Cambridge History of Seventeenth-Century Music, 2005
View PDFchevron_right
Roundtable: The Invention of Opera. Ancient Tragedy and Early Modern Festival. Renaissance Society of America Annual Meeting, Toronto, 19 March 2019.
Enrico Zucchi , Alessandro Metlica , Enrica Zanin , Katharina N. Piechocki
View PDFchevron_right
Production of Opera Pasticcios in Venice in the Early 18th Century. The Impresario's Role, in Operatic Pasticcios in 18th-Century Europe. Contexts, Materials and Aesthetics, ed. by Berthold Over, Gesa zur Nieden, Bielefeld, Transcript, 2021, pp. 377-396
Gianluca Stefani
Transcript, 2021
View PDFchevron_right
Historical approach to the opera’s libretto-theme in Italy from the end of the 16th century to the first Italian reform
Areti Tziboula
Muzikologija, 2021
View PDFchevron_right
Part 2: ‘The opera architect Girolamo Sartorio (1630s/40s–1707) and the dissemination of opera in Northern Europe’, Archiv für Musikwissenschaft, pt. 2, 75/3 (2018) 216–237.
Vassilis Vavoulis (Βασίλης Βαβούλης)
2018
View PDFchevron_right
Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy. By Martha Feldman
Bruno Forment
Notes, vol. 66, no. 1, 69-72, 2009
View PDFchevron_right
Ghosting Agrippina: Genealogies of Performance in Italian Baroque Opera
Carlo Lanfossi
The Journal of Musicology, 2019
View PDFchevron_right
Italian Verista Opera Libretti, 1890-1920: A Historical, Structural and Statistical Survey
Remo Nannetti
View PDFchevron_right
Achilles’ Mirror: Renaissance Italy behind Classical Topics on the Operatic Stage
Raffaele Mellace
View PDFchevron_right
In the Shadow of the French Revolution: Theatre Life of Venice according to Marco Foscari V
Marija Kocic , Maja Vasiljevic
Muzikološki zbornik/Musicological Annual, 2019
View PDFchevron_right
Ferrante Pallavicino’s Venetian years and opera: a thwarted connection?
Carlo Bosi
The Seventeenth Century
View PDFchevron_right
The Work Concept in Eighteenth-Century Italian Opera: Some Issues, Modest Proposals and Contributions
giovanni polin
Musicology Today, 2021
View PDFchevron_right
Part 1: ‘The opera architect Girolamo Sartorio (1630s/40s–1707) and the dissemination of opera in Northern Europe’, Archiv für Musikwissenschaft, pt.1, 75/1 (2018), 2–13
Vassilis Vavoulis (Βασίλης Βαβούλης)
View PDFchevron_right
'A Moveable Feast: The Aria in the Italian Libretto in London before 1800'
Christopher Chowrimootoo
View PDFchevron_right
Music, Spectacle and Cultural Brokerage in Early Modern Italy, 2 vols.
Janie Cole
Florence: Olschki, 2011
View PDFchevron_right
Harriet Boyd-Bennett, Opera in Postwar Venice: Cultural Politics and the Avant-Garde
nick till
Transposition, 2019
View PDFchevron_right
Opera History, the Travel Edition
Jonathan Hicks
Cambridge Opera Journal, 2021
View PDFchevron_right
The Evolution of the Gratification of the Prima Donna in Late Seventeenth-century Opera.
Regan Campbell
2018
View PDFchevron_right
The Seventeenth Century Ferrante Pallavicino's Venetian years and opera: a thwarted connection
Carlo Bosi
The Seventeenth Century, 2019
View PDFchevron_right
The origins of the entertainment industry: the operetta in late nineteenth-century Italy
Carlotta Sorba
Journal of Modern Italian Studies, 2006
View PDFchevron_right
"LAMENTS IN THE EARLY OPERAS OF FRANCESCO CAVALLI (1639-1649)" UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE GEOGRAFÍA E HISTORIA Departamento de Musicología, TRABAJO DE FIN DE GRADO
Pablo FitzGerald
View PDFchevron_right