Understanding Bach 12 (2017) (original) (raw)

Journal for Eighteenth-century Studies, 2008

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Exploring the Limits: the Tonal, the Gestural and the Allegorical in Bach's Musical Offering

Ruth HaCohen (Pinczower)

Understanding Bach 1 , 2006

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Re-reading Bach as a Lutheran Theologian

Roland Chia

Dialog-a Journal of Theology, 2008

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Book Review: Sir Henry Wood: Champion of J.S. Bach, by Hannah French; pp. xxvi + 307. Woodbridge, UK: The Boydell Press, 2019. ISBN: 9781783273850 (hardback)

Fiona M Palmer

NABMSA Reviews, 2020

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Analyzing Bach Cantatas (review)

Calvin Stapert

Notes, 2004

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Expression and Meaning In Bach Performance and Reception: An Examination of the B Minor Mass on Record

Uri Golomb

2004

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Johann Sebastian Bach's Symbolum Nicenum: A Catholic Text with Lutheran Implications

Tucker B Bilodeau

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Forkel's Bach revisited, 2023

Claudio Di Veroli

Harpsichord & fortepiano, 2023

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Elusive Bach: An Emerging Picture of Bach Reception in Central and Eastern Europe

Tanja Kov

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C.P.E. Bach and the Challenge of Breaking into the Canon

Paul Corneilson

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Routledge Bach companion review ECM

Zoltán Szabó

Eighteenth-Century Music © Cambridge University Press, 2018

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Seventh J. S. Bach Dialogue Meeting Madingley Hall, Cambridge, 8–10 July 2015

Tanja Kov

Eighteenth Century Music, 2016

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J.S Bach in Leipzig: Compositions and Context

Aaron Poole

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J. S. Bach and the notion of variety

Nadya Markovska

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Bach’s choral music: readings and interpretations

Uri Golomb

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The Trio in the " Musical Offering " : Perceptions of Bach Late in Life

Anthony Piraino

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Organizing the Complete Works of C.P.E. Bach

Paul Corneilson

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JOHANN SEBASTIAN BACH AS TEACHER (PARTIAL ESSAY)

LA ACADEMIA DE LA FLUIDEZ Y ELOCUENCIA (EST. 1738)

ANGLOLYSIS, 2013

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New Sources and Old Methods: Reconstructing and Applying the Music-Theoretical Paratext of Johann Sebastian Bach’s Compositional Pedagogy

Derek K . Remeš

Zeitschrift der Gesellschaft für Musiktheorie, 2019

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Bach's Slurs: Abandoned by the Editors

Alice Sprinkle

Journal of the American Viola Society, 2020

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An Interpretative Analysis of the Capriccio in B Flat Major, BWV 992, by JS Bach, with Specific Reference to Comparative Interpretations on the Clavichord, …

Stephanus Muller

1997

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Review of Daniel R. Melamed’s Hearing Bach’s Passions

Uri Golomb

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Thinking in Bach’s Language, Teaching in His Shoes: How the Thomaskantor Structured My Syllabus as a Modern-Day Notenbüchlein or Zibaldone

Vasili Byros

BACH: Journal of the Riemenschneider Bach Institute, Vol. 49, No. 2, pp. 175–204, 2018

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Emanuel Bach: A Composer ahead of His Time

Tyler Dellaperute

2019

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“Was wird sich dein Gesang aus Satans Kindern machen?: Cantata BWV 210, a Response by Bach to His Critics”

Charlene Pauls

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Authority as performance: the love of Bach in nineteenth-century France

Joël-Marie Fauquet, Antoine Hennion

Poetics, 2001

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“God’s Capellmeister: The Proclamation of Scripture in the Music of Johann Sebastian Bach”, Pacifica 24.2 (2011).

Andreas Loewe

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The songs of C. P. E. Bach: a performer's perspective

Pamela Dellal

Early Music, 2014

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Bach's Suites for Solo Cello (BWV 1007 - 1012) and the Textual Geographies of Modernity, PhD Thesis

Nadya Markovska

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J. S. Bach in Italian Historiography: Concepts and Cultural Perception

Maria Borghesi

2018

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J. S. Bach’s Chorale-Based Pedagogy: Origins and Continuity

Derek K . Remeš, Robin Leaver

BACH: Journal of the Riemenschneider Bach Institute, 2018

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Trailing the Sources. In Pursuit of a European Picture of Bach Reception in the Eighteenth and Nineteenth Centuries [Phd Dissertation]

Tanja Kov

2013

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J. S. Bach as Organist: His Instruments, Music and Performance Practices" George Stauffer and Ernest May, eds

Ernest D May

Performance Practice Review, 1990

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Eternity in Bach's Music Interview with Márta Ábrahám in Hetek Journal 2024.03.01. (3)

Márta Ábrahám

Eternity in Bach's Music, 2024

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Understanding Bach 12 (2017) (original) (raw)

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