Ein Christlicher Sarkophag aus Rom in der Eremitage, 1997 (original) (raw)
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Sarkophage und Aschenkisten in Oslo
G. Koch (ed.), Akten des Symposiums Römische Sarkophage, Marburg, 2. – 8. Juli 2006, Marburger Beiträge zur Archäologie (MarBAr), Band 3 (Marburg 2016), 1-11.
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Orestes auf römischen Sarkophagen (Berlin 2005)
2005
Griechische Mythen erobern im kaiserzeitlichen Rom einen neuen Bildraum - die Gräber. Unter den Reliefsarkophagen des 2. Jahrhunderts n. Chr. fällt eine kleine, in der Forschung wenig beachtete Gruppe ins Auge, die mit dem Mythos eines höchst problematischen Helden dekoriert war: Orestes. In einer detaillierten Analyse der 29 erhaltenen Sarkophagbilder erschließt Ruth Bielfeldt die kulturellen Beweggründe, die zur Rezeption dieses griechischen Mythos im römischen Sepulkralbereich geführt haben. Der Band ist die erste Monographie zu den Orest-Sarkophagen.
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A. Arbeiter / D. Korol (eds), Der Kuppelbau von Centcelles. Neue Forschungen zu einem enigmatischen Denkmal von Weltrang. Iberia Archaeologica 21, 2016
Mosaic Fragments in the Conchs of the Domed Hall of Centcelles: Remains of Representative imagines clipeatae The little noticed mosaic remains that were in the conchs of the domed hall were object of a new systematical analysis which revealed that the head fragment from the calotte of the northwest niche was once situated in the centre of a clipeus and is showing references to the master of the hunt portrait. The centre of the northeast-conch was decorated with a further clipeus which was manufactured separately as mosaic emblem and inserted into the calotte. Both conchs were undoubtedly decorated with representative images, whereas the emblem contained the more important one. These images seem to be portraits of the villa owner or family members / ancestors whose central meaning results from its prominent position, directly opposite to the main entrance.
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Abstract: „Sleepers and dreamers in early Christian art“ –The most important sleeper in Early Christian Art is Jonah, who is one of the oldest Christian images. The article analyses the importance of the recumbent Jonah within the Jonah cyclus, asks after his relationship to pagan resting figures and after their significance. It is clear that Jonah is meant to be sleeping, and not resting, as he is frequently addresses. The article tries to describe which shades of meaning the Jonah image transmitted to the ancient viewer. Furthermore, the dreams of Joseph, the stepfather of Jesus, and of the Patriarchs Jacob and Joseph are examined.
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