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Antónia Fialho Conde
e-conservation Journal, 2015
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CONTEXT: WHY THE AZULEJO
MARIA ALEXANDRA GAGO DA CÂMARA
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La Conservació dels murals de la capella de Sant Miquel del Reial Monestir de Santa Maria de Pedralbes
Rosa Senserrich
2015
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The Mural Paintings in S. Maria Maddalena Church in Camuzzago the Conservation Process
Elisabetta Rosina
2010
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Study of a finding of 16th century azulejo panels at the Cathedral of Setubal in Portugals
Joao-Manuel Mimoso , Silvia Pereira
Studies in Heritage Glazed Ceramics Nr. 2, 2019
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(2018) "Joining Stories by Composing Programmes: Models and Sculptural Creation in Late Spanish Romanesque Apses", en Medieval Europe in motion. The Circulation of Artists, Images, Patterns and Ideas..., Officina di Studi Medievali, Palermo, 2018, pp. 299-317
Esther Lozano López
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Imagens do edifício-cavalete [Images of the easel-building]
Guilherme Giufrida
O MASP de Lina [Lina Bo Bardi's Museu de Arte de São Paulo], Adriano Pedrosa e Guilherme Giufrida (orgs.), 2019
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Katzew Ilona. Book/Exhibition Review: Zodíaco Mariano (Museo de la Basílica de Guadalupe, Mexico City, 2005). Colonial Latin American Review 14, no. 2 (December 2005): 323–29.
Ilona Katzew Dept. Head & Curator, Latin American Art, Los Angeles County Museum of Art
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The Church of Santa Maria Assunta at Polignano a mare. The History of a Monument. Bari: Mario Adda Editore, 2017.
Ricardo De Mambro Santos
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“Antonio Berni y las pinturas de la Capilla del Instituto San Luis Gonzaga en Las Heras”. En: “II Jornadas de Humanidades H.A. Representación y soporte”. Bahía Blanca, Universidad Nacional del Sur-Departamento de Humanidades-Área Historia del Arte, 2007. ISBN: 978-987-1171-80-4
Patricia V. Corsani
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17th century patterned azulejos from the Monastery of Santa Marta, in Lisbon
Inês Aguiar
Journal of Science and Technology of the Arts, 2012
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"Grain of Memory: María Izquierdo's Images of Altars for Viernes de Dolores"
Nancy Deffebach
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Sculptures from the Monastery of Holy Mary at Pombeiro, Lisbon: São Roque antiguidades e galeria de arte (catálogo)
Silvia Ferreira
Age of discovery. Portugal, the first global empire, 2024
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EL CIMBORRIO DE LA CATEDRAL DE ZAMORA REVISITADO THE LANTERN OF ZAMORA CATHEDRAL REVISITED
Juan Manuel Báez Mezquita
2018
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Arte e inquisição na península ibérica: a arte, os artistas e a Inquisição
Benair Ribeiro
2000
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FROM THE EVANGELICAL TEXT TO THE CHISEL: THE STATIONS OF THE CROSS OF THE QUEEN OF THE APOSTLES CHURCH IN LONDRINA (Atena Editora)
Atena Editora
FROM THE EVANGELICAL TEXT TO THE CHISEL: THE STATIONS OF THE CROSS OF THE QUEEN OF THE APOSTLES CHURCH IN LONDRINA (Atena Editora), 2024
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Epiphany at San Marco: The Sculptural Program of the Porta da Mar in the Dugento
Thomas Dale
San Marco: La Basilica di Venezia. Arte. Storia. Conservazione, 2019
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Representations of the Passion of Christ in Brazil: Devotional Sculpture as Open Artwork
Maya Stanfield-Mazzi
Religions
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Clara Moura Soares, “Della Robbia’s Majolicas in Portugal Devotion, Collecting and Musealisation”. Acta Historiae Artium Academiae Scientiarum Hungaricae, vol. 61, Issue 1, 2020: 67-78
Clara Moura Soares
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Art and devotion in the Missions of Paraná and Uruguay: The painting of the Virgin of the Mission of Acaray
Ana Burró
Advances in Social Sciences Research Journal
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The many questions raised by the 16th-century Sevillian azulejos in Igreja de São Roque in Lisbon
João Miguel Simões , Joao-Manuel Mimoso , Silvia Pereira
Studies in Heritage Glazed Ceramics Nr. 2, 2019
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Presença feminina no Museu de Arte Leopoldo Gotuzzo
Luiza Prates dos Santos
RELACult - Revista Latino-Americana de Estudos em Cultura e Sociedade, 2016
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Josefa de Óbidos's Holy Family and Sacrificial Lamb: Emblematic Devotions
Liana Cheney
Iconocrazia, 2023
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Santa Teresa. Critical Insights, Filiations, Responses (Introduction)
Martina Bengert
Santa Teresa. Critical Insights, Filiations, Responses, 2019
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Clara Moura Soares, The Archival Sources of the Batalha Monastery (Portugal): Unique Collections for the Study of the Monument’s Restoration Work in the 19th Century, en Anales de Historia del Arte nº 32 (2022), 255-288
Clara Moura Soares
Anales de Historia del Arte, 2022
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A Transdisciplinary Perspective Of The Pre-Colombian Art And The Icon OF Guadalupe
Paulo Nuno Martins
PLASTIR, 2024
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ARTE CRISTIANA FASCÍCULO 766 GENNAIO-FEBBRAIO 1995 VOLUME LXXXIII RIVISTA INTERNAZIONALE DI STORIA DELL'ARTE E DI ARTI LITURGICHE A CURA DELLA SCUOLA BEATO ANGÉLICO E DELL' ISTITUTO DI STORIA DELL'ARTE DELL'UNIVERSITÁ CATTOLICA NUOVA SERIE
Ruffo Mosil
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Art, Identity, and the Construction of the Church of Santo Domingo in Quito
Susan V Webster
Hispanic Research Journal-iberian and Latin American Studies 10:5, pp. 416-437, 2009
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The Virgin nursing the Child and Saint John the Baptist in adoration of the Art Museum of São Paulo - MASP
Fernanda Marinho
Revista de História da Arte e Arqueologia, 2010
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The Rendering of the Immaculate Conception at the Chapel of La Merced
Bruna Bejarano
CONTEMPORARY DISCUSSIONS IN ART HISTORY: SOCIOHISTORICAL AND PSYCHOLOGICAL OBSERVATIONS, 2020
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The Making of an Icon: The Madonna Bruna del Carmine in Naples (13th-17th Centuries), in Saints, Miracles and the Image. Healing Saints and Miraculous Images in the Reinassance, Sandra Cardarelli and Lara Fenelli eds., Turnhout: Brepols, 2017, pp. 229-249.
Stefano D'Ovidio
Saints, Miracles and the Image. Healing Saints and Miraculous Images in the Reinassance, Sandra Cardarelli and Lara Fenelli eds., Turnhout: Brepols, 2018, pp. 229-249.
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“Protection, prestige and authority: on the functions of Portuguese mural paintings”, L. U. Afonso e V. Serrão (eds.), Out of the Stream: Studies in Medieval and Renaissance Mural Painting, Newcastle, Cambridge Scholars Publishing, 2007, pp. 69-87
Luís U Afonso
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The intentionality of the imagination in St. Teresa of Ávila
silvia brodnanova
The Figurativeness of the Language of Mystical Experience, 2021
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Portuguese Azulejos and Other National Arts
Nuno Rosmaninho
ARTis ON
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THE NARRATIVE DECORATIVE SURFACES AT THE SPANISH COLONIAL MISSION CHURCH OF SANTA MARIA DE CUEVAS IN NUEVA VIZCAYA WHERE RELIGION, ART & SCIENCE MEET
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