On the Mortification of Novelistic Discourse in Three Novels (original) (raw)

"Beckett Ongoing and the Novel," New Literary History, 51.1 (Winter 2020) 67-92.

Michael Krimper

New Literary History , 2020

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The New Beckett (Cambridge UP, 2017): 'Beckett's Critique of Literature'

John S Bolin

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Raffaello Palumbo Mosca

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Erika Mihalycsa

Textual Practice, 2019

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Language, Multiplicity, Void: The Radical Politics of the Beckettian Subject

Nicholas Johnson

Theatre Research International (Cambridge UP), 37.1 (2012): 38-48, 2012

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Beckett and the Voice of (European) Modernism

Red Ryder

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‘Beckett’s Endlessness: Rewriting Modernity and the Postmodern Sublime’. In Anthony Uhlmann, Sjef Houppermans and Bruno Clément, eds., After Beckett / D'après Beckett (Samuel Beckett Today/Aujourd’hui 14). Amsterdam: Rodopi (2004): 405-420.

Russell Smith

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Decreation and the Voiding of Language in Beckett’s Late Prose Work. The AnaChronisT (Institute of English and American Studies, Eötvös Loránd University, Budapest) Nr. 15 (2010), 157-171. ISSN 1219–2589

Erika Mihalycsa

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Critical Analysis of Fiction: Essays in Discourse Stylistics

Willie van Peer

Language and Literature, 1993

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Beckett, Literature, and the Ethics of Alterity

Shane Weller

Palgrave Macmillan, 2006

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Marek Kedzierski

1993

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Llewellyn BROWN

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mahsa rezaei

2006

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Postmodern fiction: Form and function

Theo D'haen

Neophilologus, 1987

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Modernism/modernity: 'Beckett's Murphy, Gide's Les Caves du Vatican, and the "Modern" Novel'

John S Bolin

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Beckett’s Dorsal Odysseys in the Trilogy

Mark Byron

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“This Will Kill That”: A Provocation on the Novel in Media History

Jonathan Arac

Novel, 2011

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“Keeping their Distance: Beckett and Borges Writing after Joyce.” Samuel Beckett Today/Aujourd’hui 14 (2004): 131-146.

Anthony Cordingley

Samuel Beckett Today/Aujourd'hui, 2004

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The Material Conditions of Modern Writing (Literary Theory and Critical Theory, 7 pp.)

Kelly Maeshiro

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Index to Volume XXVI of Criticism (1984)

Regenia Gagnier

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Review of "Beckett's Late Stage: Trauma, Language, and Subjectivity", by Rhys Tranter

Hannah Simpson

Journal of Beckett Studies 28.1, 2019

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Research and Criticism: Departmental Journal of English, BHU,New Series, Volume 4 (2013) Prepages containing Contents page and the editorial

Department of English Banaras Hindu University

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"All out": the Dismantling of the Face in Samuel Beckett's _Murphy_

Garin Dowd

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Reading 'Beckett, Lacan and the Voice': Ventriloquism of the Literary Object

Arka Chattopadhyay

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Words in Reflection: Modern Language Theory and Postmodern Fiction, and: Derrida on the Mend (review)

Allen Thiher

MFS Modern Fiction Studies, 1986

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Lit Review: Remediation of Ideology and Narrative, From Old To New

Nathanael Bassett

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‘“The Acute and Increasing Anxiety of the Relation Itself”: Beckett, the Author-Function, and the Ethics of Enunciation.’ In Dirk Van Hulle and Mark Nixon, eds., ‘All Sturm and no Drang’: Beckett and Romanticism/Beckett at Reading 2006, Samuel Beckett Today/Aujourd’hui 18, Amsterdam: Rodopi (2007): 341-54.

Russell Smith

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Chapter Four Modernist and Postmodernist Fiction ( s )

Effie Yiannopoulou

2015

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Literary renewal and the reader : the multiple pleasures of La Nouvelle Fiction

Julian Karolyi

1998

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Fear, hope and the aesthetic act: metafictional devices in Philip K. Dick's The man in the high castle

Eduardo Prado Cardoso

Entrelaces, 2020

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Review: A Poetics of Postmodernism

Nadia Aissou

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Usman Anwar

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Writing beyond the pale : literature, literary theory, and the law of genre

Ivan Callus

2003

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Sandra Roelandt Vrije Universiteit Brussel Faculty of Arts and Philosophy Field of Study: Linguistics and Literary Studies ON THE CHEMISTRY OF MINIMALIST MODES: BECKETT'S MODAL REGRESS BETWEEN 1961 AND 1981 -TWO CASE STUDIES

sandra roelandt

Master's Thesis, 2020

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Chapter 1 of my book "Samuel Beckett's Abstract Drama: Works for Stage and Screen, 1962-1985" (Bern: Peter Lang, 2007)

Erik Tonning

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