original ) (raw )How one Global Collection of Old Master Prints was created: nine albums by the Sadeler family in the Baillieu Library of the University of Melbourne
Angelo Lo Conte
Journal of the History of Collections, 2018
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The Musaeum of the first Duchess of Northumberland (1716-1776) at Northumberland House in London’
Adriano Aymonino
S. Bracken, A. M. Gáldy and A. Turpin (eds), Women Collectors, Cambridge Scholars Publishing, Newcastle upon Tyne, 2012
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Assembling images: interpreting the nineteenth century photographic album with a case study of the Sir Daniel Wilson album
Andrea Kunard
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Conference Paper: 'Commerce, Play and Display: Prints and their Spatial Trajectories' ('Natures and Spaces of Enlightenment: David Nichol Smith Seminar and the Conference of the Australian and New Zealand Society for Eighteenth-Century Studies, Griffith University, Brisbane, December 2017)
Dr Louise Voll Box
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The judgment of a connoisseur: P.-J. Marietta's annotations to the 1767 Jullienne sale catalogue: Part I (paintings)
Jennifer Tonkovich , Edouard Kopp
Burlington Magazine, 2009
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Art at Second Hand: prints art European Pictures in Victoria after 1870
Alison Inglis
2011
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Review of: Per Rumberg and Desmond Shawe-Taylor (eds), Charles I. King and collector, London, Royal Academy of Arts, 2018. [Author's Original version (AOV)].
Timothy Wilks
Journal of the History of Collections, 2019
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Reverberated Enjoyment: Prints, Printmakers, and Publishers in Late-Eighteenth-Century London
James Clifton
American Adversaries: West and Copley in a Transatlantic World, 2013
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Society and Style: Prints from the Sheldon Museum of Art
Alison Stewart
2014
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Acquisitions: Prints and Drawings
Huigen Leeflang , Jeroen Luyckx
The Rijksmuseum Bulletin, 2016
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Celebrating Word and Image 1250–1600: Illuminated Manuscripts from the Kerry Stokes Collection by Margaret M. Manion and Charles Zika
Charles Zika
Parergon, 2014
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Marks of Art and Craftmanship: Placing Prints, New Developments in the Study of Prints 1400-1800, Courtauld Institute 15-02-2016
Oliver Kik
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An Introduction to the Paintings, Sculptures and Works on Paper in the Collection of the Royal Academy of Arts
Helena Bonett
2012
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‘Collectors and the popularity of portrait drawings in Britain’, in The Encounter. Drawings from Leonardo to Rembrandt, ed. Tanya Cooper and Charlotte Bolland, National Portrait Gallery, London, 2017, pp. 39–51
Jeremy Wood
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Copper Impressions: Printmakers and Publishing in the 18th Century, Christ Church Upper Library, 16 April-29 May 2015
Cristina Neagu
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Cataloging the Decorative Elements of 19th-Century Imprints
Karen Nipps
1992
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A Left Handed Compliment: A newly discovered, early nineteenth-century lithograph by John Lewis Marks
Lewis Marks
Laterality, 2010
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Traces across Time: investigating an unfinished portrait by Sir Joshua Reynolds
Marcia R Pointon
Interfaces, 2024
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Placing Prints: New Developments in the Study of Early Modern Print, 1400-1800, The Courtauld Institute of Art, 12-13 February 2016
Bryony Bartlett-Rawlings , Naomi Lebens
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“Albums of Conspicuous Consumption: A Composite Mirror of an 18th-Century Collector’s World,” Journal18, Issue 6 Albums (Fall 2018), http://www.journal18.org/3089.
Gwendolyn Collaço
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‘Models of Collecting,’Oxford Art Journal, Vol.19, No.2, 1996, pp.95-7
Ting Chang
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The Judgment of a Connoisseur: P.-J. Mariette’s Annotations to the 1767 Jullienne Sale Catalogue: Part II (Drawings and Prints)
Jennifer Tonkovich
Master Drawings, 2021
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The Furniture Patronage of Elizabeth Seymour (nee Percy), Duchess of Somerset, 1667-1722
Amy Lim
Furniture History, 2021
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Iris Moon, Elizabeth Cleland, Ronald W. Fuchs III, Patricia F. Ferguson, Sequoia Miller, "What's in a Label? Revising Narratives of the Decorative Arts in Museum Displays," British Art Studies (Winter, 2021), https://doi.org/10.17658/issn.2058-5462/issue-21/labels
Elizabeth Cleland
British Art Studies, 2021
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History and Conservation of Albums and Photographically Illustrated Books
Gustavo Lozano
2000
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Review of Elizabeth Eger (ed.), Bluestockings Displayed: Portraiture, Performance and Patronage, 1730-1830
Laura Runge
ABO: Interactive Journal for Women in the Arts, 1640-1830, 2015
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The Eighteenth-Century Print: Tracing the Contours of a Field
Douglas Fordham
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PHOTOGRAPHIC ALBUMS AS MID-VICTORIAN UPPER-CLASS PURSUITS by Patrizia di Bello
Miruna Cuzman
2009
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"Picturing Art History in Eighteenth-Century Britain: Artists' Printed Portraits and Manuscript Biographies in Rylands English MS 60," Bulletin of the John Rylands Library 95, no. 2 (2019), pp. 83-113
Edward Wouk
Bulletin of the John Rylands Library , 2019
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Acquisitions: Portraits in the Print Room
Huigen Leeflang , Marije Jansen
Acquisitions: Prints and Drawings, 2014
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'Exquisite, Richly Coloured and Dazzling: Researching and Cataloguing the National Trust's Tapestry Collection', in the National Trust Arts, Building and Collections Bulletin (ABC), April 2011, pp. 7-8
Helen Wyld
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Between Libraries and Museums: Housing the Early Modern Drawing Album
Genevieve Warwick
Ordnen Vergleichen Erzählen: Materialität, kennerschaftliche Praxis und Wissensorganisation in Klebebänden des 17. und 18. Jahrhunderts, eds. Elisabeth Oy-Marra & Annkatrin Kaul-Trivolis, 2024
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Images for Sale: Cards and Colours at the Photothèque of the Musée de l'Homme
Anaïs Mauuarin
Max Planck Institute - Photo-Objects. On the materiality of Photographs and Photo-Archives in the Humanities and Sciences, 2020
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Curating a Gentleman's Library: Practices of Acquisition, Display and Disposal in the Cottonian Collection, 1791-1816
Susan Leedham
2018
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Antipodean Prints: Joseph Burke and the development of the University of Melbourne’s Print Collection
Angelo Lo Conte
Journal of the Australian Library and Information Association, 2020
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