original ) (raw )The Eighteenth-Century Print: Tracing the Contours of a Field
Douglas Fordham
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Placing Prints: New Developments in the Study of Early Modern Print, 1400-1800, The Courtauld Institute of Art, 12-13 February 2016
Bryony Bartlett-Rawlings , Naomi Lebens
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Reverberated Enjoyment: Prints, Printmakers, and Publishers in Late-Eighteenth-Century London
James Clifton
American Adversaries: West and Copley in a Transatlantic World, 2013
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Wood Engravings, "The Marvellous Spread of Illustrated Publications," and the History of Art
Amy Von Lintel
Modernism/modernity, 2012
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Conference Paper: 'Commerce, Play and Display: Prints and their Spatial Trajectories' ('Natures and Spaces of Enlightenment: David Nichol Smith Seminar and the Conference of the Australian and New Zealand Society for Eighteenth-Century Studies, Griffith University, Brisbane, December 2017)
Dr Louise Voll Box
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Printing House and Engraving Shop. A Mysterious Collaboration.
Roger Gaskell
The Book Collector, 2004
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Introduction Pen Print and Communication in the Eighteenth Century
Caroline Parre
Liverpool University Press, 2020
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Marks of Art and Craftmanship: Placing Prints, New Developments in the Study of Prints 1400-1800, Courtauld Institute 15-02-2016
Oliver Kik
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Hanckwitz's Essay on engraving and copper-plate printing rediscovered
Roger Gaskell
Journal of the Printing Historical Society, 2019
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Marks and Meanings: Revealing the Hand of the Collector and “the Moment of Making” in two 18th-Century Print Albums (Journal18: a journal of eighteenth-century art and culture, Issue #6 Albums, Fall 2018)
Dr Louise Voll Box
Journal18, 2018
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Positioning the Original Print: Politics of Printmaking, 1870-1900
Laura Prins
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Tricks of the Trade: The Technical Secrets of Early Engraving
Sean Roberts
Visual Cultures of Secrecy in Early Modern Europe, 2013
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From Paper to Print: The Material Origins and Rise of Copperplate Engraving in 15th Century Europe
Barry F . W . Cottrell
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Southcoast New England Printmaking, 1939 to 2003:: An Exhibition at the College of Visual and Performing Arts Gallery, March 17 to April 12, 2003
Maura A . Coughlin
2003
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French Lithography at Kingston. French Lithography: the Restoration Salons 1817—1824. An exhibition held at the Agnes Etherington Art Centre, Queen's University, Kingston, Ontario, 15 October—30 November 1976
Michael Twyman
RACAR Revue d art canadienne, 1977
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Artists, Printers and Collectors: Smith Andersen Editions
Masri Mystudio
2000
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‘Five hundred and forty-two copperplates’ : Andrew Bell’s illustrations for the Encyclopaedia Britannica 1771-1797
Ann Gunn
2017
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Some Italian Importers of British Prints in the 1780s, in «Print Quarterly», xxxix, 4, December 2022, pp. 412-422.
Giorgio Marini
Print Quarterly, 2022
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“The Role of Printmaking in Utrecht during the First Half of the Seventeenth Century,” in J. Spicer and W. Melion, eds., Culture and Place in Northern Art, Journal of the Walters Art Gallery 57, 1999, 105-32
Joaneath A Spicer
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Printing Images in Antwerp. The Introduction of Printmaking in a City. Fifteenth Century to 1585
Jan Van der Stock
Studies in Prints and Printmaking, 1998
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The production of archivally stable fine art prints: The role of the master printer in the digital age.
Paul Laidler
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The First Quarter Century of European Printing
Paul Needham
2013
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Anthony Grafton, “The Importance of Being Printed: Review of ‘The Printing Press as an Agent of Change’, by Elisabeth L. Eisenstein,” Journal of Interdisciplinary History 11:2 (Autumn 1980): 265-286
Anthony Grafton
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Colin CLAIR, A History of European Printing, New York, Academic Press, 1976, ISBN: 0121748502
Max Enea
1976
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An Investigation of a Printer’s Block (Manchester, John Rylands Library, 17252)
Emerson S . F . Richards
Perspectives médiévales, 2020
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Italian Printmaking, Fifteenth and Sixteenth Centuries: an annotated bibliography, by Caroline Karpinski. Boston: G. K. Hall, 1987. 305p., illus. (Reference Publications in Art History). ISBN 0-8161-8556-5. $45.00
Caroline Karpinski
Art Libraries Journal, 1988
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'On the Behalf of the Printers': A Late Stuart Printer-Author and Her Causes
Paula McDowell
"Agent of Change: Print Culture Studies After Elizabeth L. Eisenstein," ed. Sabrina Baron, Eric Lindquist, and Eleanor Shevlin (University of Massachusetts Press, 2007), 125-39.
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Reading, writing, drawing and making in the 18th-century instrument trade - Issue 01
Science Museum Group Journal
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Forms, Handbills and Affixed Posters: Surveying the Ephemeral Print Production of the Seventeenth-Century Dutch Republic
Arthur der Weduwen
Quaerendo, 2020
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From Pen to Print-a Revolution
Angela McShane
The European World 1500-1800, ed. Beat Kumin, 2022
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Histories of Print, Manuscript, and Performance in America, American Antiquarian Society, Worcester, Massachusetts, June 2005 (review)
Elizabeth Maddock Dillon
Early American Literature, 2006
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The Art and Craft of Printing William Morris
El Vira
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H-France review: Stephen Bann, Distinguished Images: Prints in the Visual Economy in Nineteenth-Century France.
Katie Hornstein
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Anatole Upart, ARTH 23808/1 COSI Mellon Museum Seminar ETCHED & INCISED: RENAISSANCE & BAROQUE PRINTMAKING IN EUROPE AND BEYOND, Spring 2019, University of Chicago
Bridget Madden , Anatole Upart
2019
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Bohemian Prints of the Seventeenth Century
Simon Turner
Print Quarterly, 2013
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