Pierre Guérin (1774-1833) (original) (raw)

“ 'Quelques misérables places à remplir' : Locating Shaped Painting in Eighteenth-Century France," Zeitschrift für Kunstgeschichte, Band 80 (2017): 544-571

David E Pullins

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"Ingres chez les Fauves", Art History, Vol.23, No. 4, December 2000, pp. 743-71, issue reprinted as Fingering Ingres, eds. A. Rifkin and S. Siegfried, Oxford, Blackwell, 2001, pp. 93-121.

Roger Benjamin

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Review, Images du Grand Siècle, l'estampe française au temps de Louis XIV, Bibliothèque nationale de France (2016)

Jamie Mulherron

The Burlington Magazine, 2016

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Praised and ridiculed: French Painting, 1820-1880

Benjamin Harvey

H-France Review, 2019

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« Sur le motif: Painting in Nature around 1800 », in: The Getty Research Journal, n° 1, 2009, p. 179-190.

Frauke V . Josenhans

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Jean-Pierre Norblin de la Gourdaine (1745-1830). Katalog obrazów / Catalogue of Paintings

Konrad Niemira

2023

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Translation of REFLECTIONS on some causes of the present state of Painting in France (1747) Étienne La Font de Saint Yenne

Gregory Bringman

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Portraits of the Artist as a Young Woman: Painting and the Novel in France and Britain, 1800-1860

Alexandra Wettlaufer

Nineteenth-Century Contexts, 2014

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Review of: O. Bopearachchi and Ph. Flandrin, Le portrait d’Alexandre le Grand, ANS Magazine 5, 2 (2006), pp. 62-65.

Wolfgang Fischer-Bossert

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Review of "Watteau à Fragonard, les fêtes galantes" at the Musée Jacquemart-André, Paris for The Burlington Magazine, June 2014

David E Pullins

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“Learning to Look: Visual Expertise across Art and Science in Eighteenth-Century France,” Eighteenth-Century Studies, vol. 46, no. 1 (Fall 2012): 85–111

daniela bleichmar

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Jacques Villon Paintings: 600 oeuvres

Miguel Orozco

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Decorative Painting and Politics in France, 1890-1914

Katherine Brion

2014

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A French Nineteenth-Century Painting in the Lantern Slide Collection of the Freer Gallery of Art

Lavinia Amenduni

RIHA Journal, 2024

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Historical paintings

dora puf

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Jean-Léon Gérôme and the Crisis of History Painting in the 1850s (Liverpool, UK: Liverpool University Press, 2017. USA edition 2018, paperback 2021).

Gülru Çakmak

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"Life Drawing and the Crisis of Historia in French Eighteenth-Century Painting", Art History, Volume 39, Issue 1, pages 40–69, February 2016.

Susanna Caviglia

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"From Wall to Museum: Material and Symbolic Transformation of Paintings in Paris around 1775", Art History Supplement, March 2013, pp. 43-56.

Noémie Etienne

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Robert Branner 1977 Manuscript Painting in Paris during the Reign of Saint Louis

Innocent Smith, op

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Art History Reviewed I: Emile Mâle’s ‘L’art religieux du XIIIe siècle en France. Etude sur l’iconographie du moyen âge et sur ses sources d’inspiration, 1898’

Alexandra Gajewski

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Félibien, de Piles and Dutch seventeenth-century paintings in France

Everhard Korthals Altes

Simiolus Netherlands Quarterly For the History of Art, 2009

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“Hippolyte, Paul, Auguste: les Flandrin, artistes et frères”, Nineteenth-Century Art Worldwide, vol. 20, no 3, automne 2021

Victor Claass

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“Artistic, Scholarly, and Popular Depictions of the ‘première race’ in Late Nineteenth-Century France,” in Vergangenheit und Vergegenwärtigung: Frühes Mittelalter und europäische Erinnerungskultur, edited by Helmut Reimitz and Bernhard Zeller, Forschungen zur Geschichte des Mittelalters 14 (Vienna: Institut für Mittelalterforschung, Österreichische Akademie der Wissenschaften, 2009), pp. 71-91.

Bonnie Effros

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"Joining the Dots. New Research on Jacques de l'Ange", Wallraf-Richartz-Jahrbuch, Band LXXXIII (2022), pp. 149-188.

Jahel Sanzsalazar

Wallraf-Richartz-Jahrbuch, 2022

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"Facing the Enlightenment.” Review of “Citizens and Kings: Portraits in the Age of Revolution, 1760-1830,” The Art Book, 14:4, November 2007, 9-11.

Richard Taws

The Art Book, 2007

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Review: Gaëtane Maes, De l’expertise artistique à la vulgarisation au siècle des Lumières: Jean-Baptiste Descamps (1715-91) et la peinture flamande, hollandaise et allemande, Turnhout 2016, in : Simiolus. Netherlands quarterly for the history of art 39 (2017), pp. 427-31.

Everhard Korthals Altes

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The Marquis de Bonnac: A Suggested Identification of a Portrait by Louis Vigee

Neil Jeffares

Journal for Eighteenth-Century Studies, 2008

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The Artist as Collector: François Boucher (1703–1770)

Jessica Priebe

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Review of Michael Marrinan, Gustave Caillebotte: Painting the Paris of Naturalism, 1872-1887

Marnin Young

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Review of: Irving Lavin and John Plummer, ed., Studies in Late Medieval and Renaissance Paintings in Honor of Millard Meiss. New York, New York University Press, 1977. Volume 1: text, 163 + xx pp.; Volume 2: plates, 164 pp., $75

Debra Pincus

RACAR : Revue d'art canadienne, 1981

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Hyacinthe Rigaud's portrait of Gaspard de Gueidan. Art and aristocratic politics during the Ancien Regime

Hubertus H Kohle

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The Bouguereau of the Naturalists: Bastien Lepage and British Art

Kenneth McConkey

Art History, 1978

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The identity of 'Gautier, Sécretaire du Roi' by Joshua Reynolds (1723–92): And aspects of early colour printing

robin simon

The British Art Journal, 2016

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A European Style: Prints and Drawings from the Fontainebleau School (1530-1580)

Sarah Vowles

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Distinguished images. Prints in the visual economy of Nineteenth-century France, New Haven/London 2013. By Stephen Bann

Hans Jakob Meier

Art in Print, 2014

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