Hyacinthe Rigaud's portrait of Gaspard de Gueidan. Art and aristocratic politics during the Ancien Regime (original) (raw)

“Painting for the Ladies: Gender and Portraiture in 18th Century Paris,” in Alexander Roslin, (Stockholm Nationalmuseum, 2007): 68-72

Melissa Lee Hyde

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The Portrait Bust and French Cultural Politics in the Eighteenth Century

Heather Belnap

The Portrait Bust and French Cultural Politics in the Eighteenth Century, 2015

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The Portrait Bust and French Cultural Politics in the Eighteenth Century, Leiden and Boston: Brill, 2015.

Ronit Milano

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"Facing the Enlightenment.” Review of “Citizens and Kings: Portraits in the Age of Revolution, 1760-1830,” The Art Book, 14:4, November 2007, 9-11.

Richard Taws

The Art Book, 2007

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Invention, Resemblance, and Fragonard's Portraits de Fantaisie

Mary Sheriff Publications

The Art Bulletin 69:1, 1987

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The Citoyenne Tallien: Women, Politics, and Portraiture during the French Revolution

Amy Freund

The Art Bulletin, 2011

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The Protracted Portrait of a Lady: Eighteenth-Century Caricature Portrait Negotiations

Mihaela Irimia

2008

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Introduction: Portraitomanie and Intermediality in Nineteenth-Century France

Kathrin Yacavone, Érika Wicky

L’Esprit créateur, 2019

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Making up the Portrait (Review of the exhibition Portraits publics, portraits privés 1770-1830, and Tamar Garb’s The Painted Face: Portraits of Women in France 1814-1914)

A. Cassandra Albinson

Oxford Art Journal, 2008

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‘No Picture more Charming’: The Family Portrait in Eighteenth-Century France

Emma Barker

Art History, 2016

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“Comparative Study of four figures of the French Art scene in the Late Nineteenth and Early Twentieth Centuries in France: Jean Dolent, Gabriel Séailles, Roger Marx and Félix Vallotton”, Chiang Mai University, Faculty of Fine Arts, Visual Arts Department, Painting Division, August 2015. (English)

Sebastien Tayac

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"Life Drawing and the Crisis of Historia in French Eighteenth-Century Painting", Art History, Volume 39, Issue 1, pages 40–69, February 2016.

Susanna Caviglia

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Translation of REFLECTIONS on some causes of the present state of Painting in France (1747) Étienne La Font de Saint Yenne

Gregory Bringman

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Decorative Painting and Politics in France, 1890-1914

Katherine Brion

2014

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Le Salon de 1827 Classique ou romantique. Nineteenth-Century Art Worldwide, Vol. 10, No. 2, Autumn 2011.pdf

John P Lambertson

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Resemblance as a Passing Quality: Liotard, La Tour, and the Question of Le Faire in Eighteenth-Century Portraiture

Marianne Koos

Zeitschrift für Kunstgeschichte, 2024

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"Sexy Beasts: The Politics of Hunting Portraiture in Eighteenth-Century France"

Amy Freund

Art History, 2019

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Book review of Linda Goddard's, Aesthetic Rivalries: Word and Image in France 1880-1926 (Peter Lang, 2012), Nineteenth-Century Contexts, ed. Marshall Olds, 41: 3-4 (University of Nebraska Press), 2013 (invited)

Sarah Lippert

2013

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Face Value: Toward a Theory of Eighteenth-Century Portraiture

Bradford K Mudge

Eighteenth-Century Life, 2023

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Part 1. The Question of Portraiture in the Renaissance Part 2. Self-Portrait as an Expression of Modernity

Deborah Mazza

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Portraits of the Artist as a Young Woman: Painting and the Novel in France and Britain, 1800-1860

Alexandra Wettlaufer

Nineteenth-Century Contexts, 2014

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Low Art, Popular Imagery, and Civic Commitment in the French Revolution, in: Art History 30, 2007, no. 2, pp. 247-277

Gerrit Walczak

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“ 'Quelques misérables places à remplir' : Locating Shaped Painting in Eighteenth-Century France," Zeitschrift für Kunstgeschichte, Band 80 (2017): 544-571

David E Pullins

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« Connoisseurship. Art and antiquities », The Saint-Aubin Livre de caricatures: Drawing Satire in eighteenth-century Paris, Colin Jones, Juliet Carey et Emily Richardson (dir.), Oxford, Studies on Voltaire and the Eighteenth Century, 2012, p. 283-300.

Charlotte Guichard

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François Gérard: Portraiture, Scandal, and the Art of Power in Napoleonic France

Kathryn Calley Galitz

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Minds Behind French Artists 19 th Century

Karla Hernandez

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Accademics, Pompiers, Official Artists and the Arrière-Garde, Natalie Adamson and Tobby Norris eds

Romy Golan

CAA reviews on line, 2013

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"Communicating (with) the Self in the French Enlightenment: Intellectualism, Naturalism and Embodiment in the Bare-Chested Portrait Bust," Studies in Visual Art and Communication 1, no. 1, 2014.

Ronit Milano

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Praised and ridiculed: French Painting, 1820-1880

Benjamin Harvey

H-France Review, 2019

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Jean-Galbert Salvage and His Anatomie du gladiateur combattant: Art and Patronage in Post-Revolutionary France

Raymond LIFCHEZ

Metropolitan Museum Journal, 2009

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A Gallery of Ordinary Portraits in Words and Images: Restif de La Bretonne's Les Contemporaines du commun (1782-1783)

Christina Ionescu

Journal for Eighteenth-century Studies, 2008

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A very puissant spurre: Authors, Scholars and the Exemplary Role of the Portrait Bust in the Eighteenth Century

Malcolm Baker

Der Arkadenhof der Universität Wien und die Tradition der Gelehrtenmemoria in Europa, 2018

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“Artistic, Scholarly, and Popular Depictions of the ‘première race’ in Late Nineteenth-Century France,” in Vergangenheit und Vergegenwärtigung: Frühes Mittelalter und europäische Erinnerungskultur, edited by Helmut Reimitz and Bernhard Zeller, Forschungen zur Geschichte des Mittelalters 14 (Vienna: Institut für Mittelalterforschung, Österreichische Akademie der Wissenschaften, 2009), pp. 71-91.

Bonnie Effros

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Embracing and escaping the material: genre painting, objects and private life in eighteenth-century France

Mark Ledbury

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Studies of Early Modern Portraiture

Charlotta Krispinsson

Swedish Art Historiography: Institutionalization, Identity, and Practice, 2022

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