original ) (raw )Veracity, verisimilitude and optics in painting in Italy at the turn of the 17th century
Helen K A Glanville
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Narrative and Material: Paintings on Rare Metal, Stone and Fabric in the Late Sixteenth and Early Seventeenth Centuries
Kayo Hirakawa
2014
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Painting in Stone: Early Modern Experiments in a Metamedium
Fabio Barry
Art Bulletin, 2017
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Images of stone The physicality of art and the image debates in the sixteenth century
Koenraad Jonckheere
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Wall paintings through the ages: the medieval period (Italy, twelfth to fifteenth century)
Zuleika Murat
Archaeological and Anthropological Sciences
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Analysis of Roman age wall paintings found in Pordenone, Trieste and Montegrotto
Francesca Agnoli
Talanta, 2004
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CECCO DEL CARAVAGGIO'S MARTYRDOM OF SAINT SEBASTIAN. AN INVESTIGATION INTO CARAVAGGISTI PAINTING TECHNIQUE AND TECHNOLOGY
Mateusz Jasiński
INTERNATIONAL JOURNAL OF CONSERVATION SCIENCE, 2019
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“‘Vadunt ad habitandum hebrei’: The Otto di Balìa, Vasari, and the Hiding of Murals in Sixteenth-Century Florence,” Mitteilungen des Kunsthistorischen Institutes in Florenz, LVI, No. 3 (2014), pp. 350-354.
Louis Alexander Waldman
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Painting layers on stone: study of an Early Middle Ages high-relief
Antonio Sansonetti
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Drawing in Renaissance Italy
Mary Vaccaro
Bohn and Saslow, ed., A Companion to Renaissance and Baroque Art, 2013
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The Painting Techniques and Technology of Caravaggio’s Followers
Mateusz Jasiński
ICAR the Journal vol.3, 2019
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Images-within-Images in Italian Painting (1250-1350): Reality and Reflexivity - Intro
Peter Bokody
Images-within-Images in Italian Painting (1250-1350): Reality and Reflexivity. Burlington: Ashgate, 2015
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The imitation of coloured marbles in a first style wall painting from the Etruscan-Roman town of Populonia (LI – Italy)
Marco Giamello , Cynthia Mascione
in P. Pensabene, E. Gasperini (eds.), Interdisciplinary Studies on Ancient Stone, Proceedings of the X ASMOSIA Conference (Roma 21-26/05/2012), Roma 2015, pp. 55-62.
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Istoriette di chiaroscuro. Monochromatic Details in Roman Fresco Decoration of the Sixteenth Century
Monica Latella
Chiaroscuro als ästhetisches Prinzip. Kunst und Theorie des Helldunkels 1300–1550, 2018
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“Colored Sculpture or Three-Dimensional Painting? A Note on Renaissance Artistic Terminology (and Filippo della Robbia),” Source, XXIII, no. 4 (2004), pp. 15-18.
Louis Alexander Waldman
2004
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Leonardo, Raphael, and the Theory of Painting
Christian Kleinbub
Leonardo in Dialogue: The Artist Amid His Contemporaries, 2019
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Replication and Restoration: ancient bronze techniques and the construction of the figure in cinquecento painting,
Leatrice G Mendelsohn
From the Parts to the Whole, the Acta of the 13th International Bronze Congress, in the Journal of Roman Archaeology, supplementary series no. 39, ed. by C. Mattusch, Amy Brauer, and Sandra Knudsen, Vol.2, pp.273-285, Portsmouth, Rhode Island, 2002.
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Bert W.Meijer, Il disegno veneziano 1580–1650: ricostruzioni storico‐artistiche. Florence: Leo S. Olschki, 2017. 596 pp. €120. ISBN: 978‐88‐222‐6503‐6 (hb)
Jörg Zutter
Renaissance Studies, 2019
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Inventing Engraving in Vasari's Florence
Sean Roberts
Intellectual History Review, 2014
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A hypothesis on different technological solutions for outdoor and indoor Roman wall paintings
Alessandro Vergara
Archaeological and Anthropological Sciences, 2016
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'The importance of colour on ancient marble sculpture'
Mark Bradley
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Giorgio Vasari and Giovanni Paolo Lomazzo on Baldassare Peruzzi. Reflections on the Reception of His Works in the 16th-Century Literature on Art
angelina milosavljevic
Zbornik Matice srpske za likovne umetnosti 47, 2019
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"Painting together: 'a terrestrial trinity' of painters in the Quadro delle tre mani"
Philip Sohm
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Drawing and Painting in the Italian Renaissance Workshop: part 1
carmen bambach
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Saint Anthony as a Model. Visual and Spiritual Discernment in Painting on Stone
Steffen Zierholz
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“The Necessary Forms for the Needs of Art” Caravaggio’s Use of Drawing (“Le forme occorrenti per il bisogno dell’arte” Il disegno in Caravaggio)
Bruno Zanardi
2015
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A Study on Correggio Wall Paintings: Characterization of Technique and Materials of Abbey Church of S. Giovanni Evangelista in Parma, Italy
ANTONELLA CASOLI
Applied Sciences
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Fra Bartolommeo and frescoes on tiles in fifteenth to sixteenth-century Florence
cristina giannini , Fabio Fratini
2013
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Style and the Aesthetic of Surface in Architecture from Alberti to Michelangelo
Alina Payne
The Aesthetics of Marble: From Late Antiquity to the Present, 2021
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Michelangelo and the Stonecutters
Norman Land
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The Competition between Raphael and Michelangelo and Sebastiano's Role in It, in A Companion to Raphael, ed. by Marcia B. Hall, Cambridge, Cambridge University Press, 2005, pp. 141-164; 353-365
costanza barbieri
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The use of pottery clay for canvas priming in Italian Baroque – An example of technology transfer
Janka Hradilova
Applied Clay Science, 2018
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The State of Research in Italian Painting of the Seventeenth Century
Elizabeth Cropper
Art Bulletin, 1988
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An Integrated and Analytical Approach to Study of Mural Paintings: The Case of “Lo Spagna” in Spoleto
Alessia Daveri
2018
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As the Pioneer of the Painting History: Giotto di Bondone
Ayşe Selcen Yücelen
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