Von Rueden and Skowronek 2018 - Between Common Craft Tradition and Deviation. The Making of Stucco Reliefs in the Eastern, in: J. Becker, J. Jungfleisch, C. von Rüden (eds), Tracing Technoscapes. The Production of Bronze Age Wall Paintings in the Eastern Mediterranean (Leiden: Sidestone) 213-231. (original) (raw)

2002. Common Craftmanship in the Aegean and East Mediterranean Bronze Age: Preliminary Technological Evidence with Emphasis on the Painted Plaster from Tell el-Dab’a, Egypt. Egypt and the Levant 12: 95-107.

Ann Brysbaert

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2004. Technology and Social Agency in Bronze Age Aegean and Eastern Mediterranean Painted Plaster

Ann Brysbaert

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Review Ann Brysbaert, The Power of Technology in the Bronze Age Eastern Mediterranean: The Case of the Painted Plaster. Monographs in Mediterranean Archaeology 12. London/Oakville: Equinox (2008), Bryn Mawr Classical Review 2010.12.27.

Hariclia Brecoulaki

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Transmediterranean Knowledge and Minoan Style Reliefs in Tell el-Dab'a: An Attempt at Paradigm Shift, in: S. Cappel, U. Günkel-Maschek, Diamantis Panagiotopoulos (eds.), Minoan Archaeology. Perspectives for the 21st Century (Louvain, 2015) 355-366.

Constance Von Rüden

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Review of Brysbaert, A. The Power of Technology in the Bronze Age Eastern Mediterranean. The Case of the Painted Plaster. Equinox 2008. In Levant 42(1).

Louise Steel

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2007. Cross-Craft and Cross-Cultural Interactions during the Aegean and Eastern Mediterranean Late Bronze Age. In: Antoniadou S. and A. Pace (eds) Mediterranean Crossroads, Athens: Pierides Foundation, 325-359.

Ann Brysbaert

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2008. Power of Technology in the Bronze Age Eastern Mediterranean. The Case of Painted Plaster.

Ann Brysbaert

2008

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Producing Aegeanness – An Innovation and Its Impact in Middle and Late Bronze Age Syria/Northern Levant. In: Stefan Burmeister and Reinhard Bernbeck (Eds.), The Interplay of People and Technologies. Archaeological Case Studies on Innovation, Berlin: Edition Topoi, 2017, 223-247

Constance Von Rüden

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How to Paint a Landscape. Technical Perspectives on the 'Aegean'-style Landscape Paintings from Tell el-Dab'a

Johannes Becker

in: Johannes Becker, Johannes Jungfleisch, and Constance von Rüden (eds.), Tracing Technoscapes. The Production of Bronze Age Wall Paintings in the Eastern Mediterranean, Leiden, 2018

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Producing Aegeaness – An Innovation and Its Impact in Middle and Late Bronze Age Syria/Northern Levant

Constance Von Rüden

2016

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Painting the wine-dark sea: traveling Aegean fresco artists in the Middle and late Bronze Age Eastern Mediterranean

John Tristan Barnes

2008

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Connecting stucco in the Mediterranean (c. 300 BCE – 1200 CE) - Methodological approaches and the state of research. 16-18 May 2024 Bilkent University and Erimtan Musem, Ankara. Conference programme

Flavia Vanni, Agnieszka Lic, siyana georgieva, Andrea Luigi Corsi, Atefeh Shekofteh, Ana Marija Grbanovic

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Harmanşah, Ömür; 2015. Stone Worlds: Technologies of Rock Carving and Place-Making in Anatolian Landscapes. In The Cambridge Prehistory of the Bronze and Iron Age Mediterranean, edited by A. Bernard Knapp, Peter van Dommelen. Cambridge University Press: 379-394.

Ömür Harmansah

The Cambridge Prehistory of the Bronze and Iron Age Mediterranean, 2015

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“‘Do you see a man skillful in his work? He will stand before kings’: Interpreting Architectural Influences In the Bronze Age Mediterranean”

Louise A Hitchcock

Ancient West and East, 2008

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The Aegean and the East : an investigation into the exchange of artistic motifs between the Aegean, Egypt, and the Near East in the Bronze Age

Janice Crowley

1977

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2010. Practicing identity: a crafty ideal? Mediterranean Archaeology and Archaeometry 10(2): 25-43.

Melissa Vetters, Ann Brysbaert

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"Local Style and Regional Trends in Cypriote Limestone Sculpture: The Athienou School."

Derek Counts

Crossroads and Boundaries: The Archaeology of Past and Present in the Malloura Valley, Cyprus (Boston: American Schools of Oriental Research), 2011.

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Reviving the Past and Confronting the Present: Crafts in Syria and Egypt, c. 1875-1925

Marcus Milwright

Mariam Rosser-Owen, ed., special issue of the Journal of Modern Crafts 13.1 , 2020

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Ivory, wood, and stone – some suggestions regarding the Egyptianizing votive sculpture from Cyprus

Fanni Faegersten

Crafts and Images in Contact: Studies on Eastern Mediterranean art of the first millennium BCE, 2005

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Preliminary Remarks on the Technical and Iconographical Aspects of the Middle Bronze Age Wall Paintings from Tell el-Burak (Lebanon) in Relation to the Aegean and Egypt

Julia Bertsch

Johannes Becker, Johannes Jungfleisch, and Constance von Rüden (eds.),Tracing Technoscapes - The Production of Bronze Age Wall Paintings in the Eastern Mediterranean, 2018

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“Sculpted with the paint-brush”? On the interrelation of relief art and painting in Minoan Crete and Thera, In A.G. Vlachopoulos (ed.), ΧΡΩΣΤΗΡΕΣ – Paintbrushes. Wall-painting and Vase-painting of the 2nd Mill. BC in Dialogue (Ioannina 2018) 142-151

Fritz Blakolmer

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Wall Painting Techniques in Early Bronze Syria Clues of Parallelism with the Traditions of the Mediterranean and Mesopotamian Regions

Alessandro Di Ludovico

Tracing Technoscapes. The Production of Bronze Age Wall Paintings in the Eastern Mediterranean, 2018

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“Between Tradition and Innovation: the Art of Ilkhanid Stucco Revetments in Iran,” Proceedings of the 12th International Congress on the Archaeology of the Ancient Near East, Bologna, 6-9 April 2021, Volume 2, eds. Nicolo Marchetti et al, (Harrassowitz Verlag), 763-778.

Ana Marija Grbanovic

2023

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A Touch of Luxury from the Western Fringe of the Ancient World: The Aegean Impact on the Qatna Wall Paintings, in: Peter Pfälzner, Michel Al-Maqdissi (eds), Qatna and the Networks of Bronze Age Globalism (Wiesbaden, 2015) 249-264

Constance Von Rüden

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Form and Function of Ashlar in Middle and Late Bronze Age Anatolia. In: M. Devolder, I. Kreimerman (eds.), ASHLAR. Exploring the Materiality of Cut-Stone Masonry in the Eastern Mediterranean Bronze Age, (Aegis 17) Louvain-la Neuve: Presses universitaires de Louvain, 2020, 147–167.

Çiğdem Maner

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Appliquéd Pottery Decoration and Stucco Relief Wall-paintings in Crete and Thera in the Second Millennium B.C.

Mimika Kriga

Chrostires (Χρωστήρες), 2018

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2008. The Bronze Age Painted Plaster from Thebes: a Technological Study. Journal of Archaeological Science 35: 2761-2769.

Ann Brysbaert

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Archaic Greek Sculpture and Its Foreign Influences

Emilie Charron

2016

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ADORNING WITH THE BRUSH AND BURIN: CROSS-CRAFT IN AEGEAN IVORY, FRESCO, AND INLAID METAL

Nancy R Thomas

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WORKSHOPS AND ARTISANS IN THE ANCIENT AEGEAN - Online seminar - February-December 2023

Nikolas Papadimitriou

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Hasaki, E. 2012. Ch. 13: Workshops and Technology. T. J. Smith and D. Plantzos (eds.), A Companion to Greek Art. Oxford, 255–274

Eleni Hasaki

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"Beyond the Stylistic Idiosyncrasies: Notes regarding the Identity and Mobility of Ilkhanid Stucco Craftsmen in Central Iran." In Proceedings of the 11th International Congress on the Archaeology of the Ancient Near East, Volume 2. eds. Lorenz Korn and Anja Heidenreich. pp. 607-619.

Ana Marija Grbanovic

Proceedings of the 11th International Congress on the Archaeology of the Ancient Near East, Volume 2, 2020

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Book Review: 'The Traditional Crafts of Egypt by Menha el-Batraoui (ed.)', Ancient Egypt Magazine (Feb-March 2017)

Anna Garnett

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ASHLAR. Exploring the materiality of cut stone masonry in the eastern Mediterranean Bronze Age

Jan Driessen, Igor Kreimerman, Maud Devolder

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Nikolakopoulou, I. 2019. Objects of memory or objects of status? The case of Cycladic bichrome ware vases in Aegean contexts. In E. Borgna et al. (eds), Μνήμη/ Mneme. Past and Memory in the Aegean Bronze Age, Proceedings of the 17th International Aegean Conference, Aegaeum 43, Leuven, 455-62.

IRENE NIKOLAKOPOULOU

2019

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