original ) (raw )Cinematic Precedence: Wagner: music, drama and musical dramaturgy
Edward Primrose
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Wagner's Leitmotif and how it has influenced film music in closing the gap between the audience and the characters on screen for a more immersive experience.
Wei Ping Wee
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American Valkyries: Richard Wagner, DW Griffith, and the Birth of Classical Cinema
Matthew Smith
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Watching Polyphony: Classical Music in the New German Cinema
Barbara Eichner
1969
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"The Dream Organ": Richard Wagner as a Proto-Filmmaker
Hilan Warshaw
Wagner Outside the Ring: Essays on the Operas, Their Performance and Their Connections with Other Arts. Ed. John Louis DiGaetani. Jefferson, North Carolina: McFarland Press, 2009., 2009
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Dean Duncan. Charms that Soothe: Classical Music and the Narrative Film New York: Fordham University Press, 2003 [xiii, 211 p. ISBN: 0823222803. $26.00 (trade paper)] Communication and Media Studies, no. 9. Index
Christine Gengaro
Journal of Film Music, 2010
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Christian Cargnelli Ed. Gustav Machaty: ein Filmregisseur zwischen Prag und Hollywood. Wien: Synema, 2005; and Brigitte Mayr, et al Eds. Carl Mayer, Scenar(t)ist. Wien: Synema, 2003. In: The Historical Journal of Film, Radio and Television. Vol. 26, No. 1, March (2006)
Robert Dassanowsky
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Comparative Review of NAZISPLOITATION: THE NAZI IMAGE IN LOW-BROW CINEMA AND CULTURE and VISCONTI AND THE GERMAN DREAM: ROMANTICISM, WAGNER AND THE NAZI CATASTROPHE IN FILM
Kevin Flanagan
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The Influence of Richard Wagner on 20th century Literature
Dániel Nagy
2018
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"Composing the Past: Music and the Sense of History in Hollywood Spectacles of the 1950s and early 1960s", published in Screening the Past Issue 5, 1998.
Hannu Salmi
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Dieter Borchmeyer, Richard Wagner. Theory and TheaterDie Götter tanzen Cancan. Richard Wagners Liebesrevolten
Hans Vaget
The Germanic Review: Literature, Culture, Theory, 1994
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Modernism after Wagner by Juliet Koss. University of Minnesota Press, Minneapolis, U.S.A., London, U.K., 2009. 416 pp., illus. Trade, paper. ISBN: 978-0-8166-5158-0; ISBN 978-0-8166-5159-7
Joy Calico
Leonardo, 2012
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“In the Mirror of Criticism”: The Film-Music Debate on ‘Reichsfilmblatt’ from 1924 to 1929 (with a Source Catalogue)
Francesco Finocchiaro
Fontes Artis Musicae, 2020
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The Production, Reception and Cultural Transfer of Operetta on Early Sound Film
Derek B Scott
Music - Media - History
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Musical Modernism and German Cinema from 1913 to 1933. Basingstoke, Palgrave Macmillan
Francesco Finocchiaro
2017
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‘How to React in France Against Hitlerian Pseudo-Wagnerism’: The Reception of Richard Wagner in Paris, 1933
Rachel Orzech
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Music and sound as counterpoint? Aesthetic discussions about film music in Germany triggered by the advent of sound film in the late 1920s
Peter Moormann
2009
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Film Quarterly, Interview on The Promise of Cinema: German Film Theory, 1907–1933 (by Regina Longo)
Nicholas Baer
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From the Gesamtkunstwerk to the Music Drama
Sanna Pederson
The Total Work of Art: Foundations, Articulations, Inspirations , 2016
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Review: Guido Heldt. 2013. Music and Levels of Narration in Film: Steps Across the Border. University of Chicago Press. In Notes: Quarterly Journal of the Music Library Association. 72:2..pdf
Paula Musegades
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Romanticism as Modernism: Richard Wagner’s “Artwork of the Future”
Guenter Zoeller
Palgrave Handbooks in German Idealism, 2020
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Book Reviews : 'The Comedy of Chaplin', Dan Kamin and 'Disappearing Tricks', Matthew Solomon
Bruce Bennett
Scope: An Online Journal of Film & TV Studies, no. 24, pp. 42-48, 2012
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Foreword to Unheard Possibilities. Reappraising Classical Film Music Scoring and Analysis
Frank Mehring
2021
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Their Meister's Voice: Nazi Reception of Richard Wagner and His Works in the Völkischer Beobachter
David Dennis
2016
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The Fade Out: Metaphysics and Dialectics in Wagner
Eugene A Clayton Jr
The Fade Out: Metaphysics and Dialectics in Wagner, 2020
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The Silent Opera: The Beginnings of Melodrama in Cinema, in "Film music: practices, theoretical and methodological perspectives. Studies around Cabiria Research Project", Torino, Kaplan, 2014, p. 169-185.
Marco Targa
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Review of Germany Essays on Film, Richard W.McCormick and Alison Guenther-Pal (eds.)
Frances Guerin
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Richard Wagner’s Essays and musical-dramatic output as a source of Thomas Mann’s inspiration.
Gvantsa Ghvinjilia
Revista do Laboratório de Dramaturgia (LADI) da Universidade de Brasília, Ano: 2023, ISSN: 2525-9105, 2024
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"To Rely on Verdi's Harmonies and not on Wagnerian Force." The Reception of Italian Cinema in Switzerland, 1939-45.
Gianni Haver
Schenk I., Tröhler M., Zimmermann Y. (eds.) Film Kino Zuschauer: Filmrezeption = Film Cinema Spectator: Film Reception. Zürcher Filmstudien 24, Schüren, pp. 433-449, 2010
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The Year’s Work in Critical and Cultural Theory, Review of The Promise of Cinema: German Film Theory, 1907–1933 (by Angelos Koutsourakis)
Nicholas Baer
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Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis. An Introduction
David Roche
Miranda, 2021
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Film Music avant la lettre? Disentangling Film from Opera in Italy
Marco Ladd
Opera Quarterly, 2018
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The Labyrinth of the Soul:: Wagner’s Musical Lament
Miguel Ribeiro-Pereira
2016
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Homo Cinematicus: Science, Motion Pictures, and the Making of Modern Germany. By Andreas Killen. Intellectual History of the Modern Age. Edited by Angus Burgin et al.Philadelphia: University of Pennsylvania Press, 2017. Pp. viii+268. $65.00
Mitchell G . Ash
The Journal of Modern History, 2019
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David Neumeyer (with contributions by James Buhler), Meaning and Interpretation of Music in Cinema. Bloomington and Indianapolis: Indiana University Press, 2015. xv + 319 pp. ISBN 978‐0‐253‐01651‐5. £29.99 (pb)
Annette Davison
Music Analysis
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