Tektonikon and Surfacescape: Architecture and the Body in Italian Renaissance Archiecture (original) (raw)

‘Architecture in Rome in the time of Arcangelo Corelli: old models, new models, non-models’, Basler Jahrbuch für Historische Musikpraxis (2015): 13-33

Andrew Hopkins

View PDFchevron_right

Reevaluating Francesco di Giorgio on the Form and Nomenclature of Columns

Eric M Wolf

Reconstructing Francesco di Giorgio Architect , 2011

View PDFchevron_right

ON ARCHITECTURAL DESCRIPTIONS OF GIANNOZZO MANETTI’S DE SECULARIBUS ET PONTIFICALIBUS POMPIS

Ikko Okakita

View PDFchevron_right

Wrapped in Fabric: Florentine Façades, Mediterranean Textiles, and A-Tectonic Ornament in the Renaissance

Alina Payne

Histories of Ornament: From Global to Local, 2016

View PDFchevron_right

"The Dismembered Column as Relic and Tool" in: Renaissance and Baroque Architecture, The Companion to the History of Architecture, Volume I (Wiley Blackwell, 2017), 717-741.

Christopher P . Heuer

View PDFchevron_right

From Social Virtue to Revetted Interior: Giovanni Antonio Dosio and Marble Inlay in Rome, Florence, and Naples

Nick Napoli

Art History, 2008

View PDFchevron_right

“Setting and Structure in Two Roman Wall Decorations of the Early Middle Ages,” Dumbarton Oaks Papers, 41, 1987, 477 492

William Tronzo

View PDFchevron_right

The Continuity of the Antique Compositional Principles in the Architecture of the Eufrasian Basilica

Aleksander Vidmar

Antiguedad Y Cristianismo, 1997

View PDFchevron_right

‘The Pantheon and the Phasing of its Construction’, in The Pantheon in Rome. Contributions, Bern, November 9-12, 2006, ed. Gerd Graβhoff, Michael Heinzelmann, Marcus Wäfler (Bern 2009): 69-87.

Mark Wilson Jones

View PDFchevron_right

"The Tempietto del Clitunno and San Salvatore near Spoleto: Ancient Roman Imperial Columnar Display in Medieval Contexts"

Judson J . Emerick

Tributes to Pierre du Prey, Architecture and the Classical Tradition, from Pliny to Posterity, 2014

View PDFchevron_right

The continuity of the antique compositional principles in the architecture of Eufrasian basilica

Aleksander Vidmar

Antiguedad Y Cristianismo Monografias Historicas Sobre La Antiguedad Tardia, 1997

View PDFchevron_right

Set in stone: monumental altar frames in Renaissance Florence

Donal Cooper, Meghan Callahan

Renaissance Studies, 2010

View PDFchevron_right

“All the other arts at Rome are subordinate facets of architecture.” A discussion.

Callum Hunter

View PDFchevron_right

Materiality, Crafting, and Scale in Renaissance Architecture (2009)

Alina Payne

View PDFchevron_right

Sergio Bettini, "Shaping Light: practice and theory in Renaissance architecture" [2009]

Sergio Bettini

View PDFchevron_right

Style and the Aesthetic of Surface in Architecture from Alberti to Michelangelo

Alina Payne

The Aesthetics of Marble: From Late Antiquity to the Present, 2021

View PDFchevron_right

Review of Aloisio Antinori, ed., Studio d’architettura civile: gli atlanti di architettura moderna e la diffusione dei modelli romani nell’Europa del Settecento (Rome: Edizioni Quasar, 2012), Journal of the Society of Architectural Historians 73 n. 3 (September 2014): 429–31

Sara Galletti

View PDFchevron_right

Bolgia C., 'An Engraved Architectural Drawing at Santa Maria in Aracoeli, Rome’,

Claudia Bolgia

Journal of the Society of Architectural Historians 62 (2003), pp. 436-447

View PDFchevron_right

Star-Shaped Rib Vaulting in the Church of San Domenico, Cagliari.

Federico Maria Giammusso, PhD

Investigating and Writing Architectural History: Subjects, Methodologies and Frontiers. Papers from the Third EAHN International Meeting, 2014

View PDFchevron_right

“A Renaissance without Order: Ornament, Single-sheet Engravings, and the Mutability of Architectural Prints,” Journal of the Society of Architectural Historians (2012)

Michael Waters

Journal of the Society of Architectural Historians, 2012

View PDFchevron_right

Roman Baroque Models and Local Traditional Construction. The Sanctuary of St. Ignatius of Loyola and its dome

Iacopo Benincampi

View PDFchevron_right

Clemente Marconi (ED.), the Oxford Handbook of Greek and Roman Art and Architecture

Xenia Pausan

JOURNAL OF ANCIENT HISTORY AND ARCHAEOLOGY, 2015

View PDFchevron_right

The continuity of the antique compositional principles in the architecture of the Eufrasian basilica EUFRASIAN BASILICA

Aleksander Vidmar

1997

View PDFchevron_right

Columnar Entasis in Vignola’s and Other Renaissance Works

Zuzana Grúňová

Civil and Environmental Engineering

View PDFchevron_right

Geometry and symbols in Sant’Ivo alla Sapienza in Rome

Jessica Romor, Wissam Wahbeh, Emanuela Chiavoni

View PDFchevron_right

'Palazzo Massimo and Baldassare Peruzzi's approach to architectural design', Architectural History 31, 1988, 59-85.

Mark Wilson Jones

View PDFchevron_right

“Bozzetti and Modelli. Notes on Sculptural Procedure from the Early Renaissance through Bernini”

Irving Lavin

View PDFchevron_right

The 'Non-Aedicular Style' and the Roman Church Facade of the Early Eighteenth Century

John Weretka

View PDFchevron_right

Inscribing the Architect: the Depiction of the Attributes of the Architect in Frontispieces to Sixteenth Century Italian Architectural Treatises

Desley Luscombe

View PDFchevron_right

The Drawing of the Orders and the Survey of Classical Architecture – Five easy pieces

Riccardo Migliari

Disegnare idee immagini-Ideas Images

View PDFchevron_right

Practical and Symbolic Geometry in Borromini's San Carlo alle Quattro Fontane, Journal of Society of Architectural Historians, 2013, 555-583

Michael Hill

View PDFchevron_right

Rules, Measurements, Geometries, and Underlying Compositions: Graphical/Interpretational Hypotheses Regarding the Holy House of Loreto

Alessandra Meschini

diségno, 2020

View PDFchevron_right

The View from the Concave Stair: Recent Literature on Renaissance Architecture and Architectural Writing

Charles Burroughs

Renaissance Quarterly, 2000

View PDFchevron_right

Architecture with concave and convex rhythms and its decoration in Hadrian age: the south pavilion of Piazza d’Oro in Hadrian’s Villa

Filippo Fantini

View PDFchevron_right

Remarks on the relationship between architectonic and metalwork decoration in Late Antiquity

Anna Glowa

"Series Byzantina", 2015

View PDFchevron_right