original ) (raw )“On Reflection and Retrospection in the History of the Modern Portrait Bust,” from a lecture at the National Gallery of Art, Washington, in connection with the exhibition “A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection,” September 17, 1987
Irving Lavin
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“Quattrocento Perspectives on the Historical Value of Sculpture,” in The Art of Sculpture in Fifteenth-Century Italy, ed. Daniel M. Zoli, Amy Bloch (Cambridge: Cambridge University Press, 2020), 416-32.
Joost Keizer
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Review of: A. Markham Schulz, "The History of Venetian Renaissance Sculpture (ca. 1400-1530)", 2 voll., Turnhout, Harvey Miller Publishers, 2017, in «The Burlington Magazine», vol. 162, n. 1402 (May 2020), pp. 456-457.
Caterina Fioravanti
2020
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“On the Sources and Meaning of the Renaissance Portrait Bust”
Irving Lavin
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Co-convenor, ‘Sculpture and the Decorative Arts’ session, with Imogen Hart, Association of Art Historians annual conference, 7-9 April 2016
Claire Jones
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Malcolm Baker
Der Arkadenhof der Universität Wien und die Tradition der Gelehrtenmemoria in Europa, 2018
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Le mythe de l'art antique. Emmanuelle Hénin and Valérie Naas, eds. Collection “Génétique.” Paris: CNRS Éditions, 2018. 486 pp. + 64 color pls. £25
Arthur J . DiFuria
Renaissance Quarterly, 2019
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Irving Lavin
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Eighteenth-century sculpture and its interpretation
Malcolm Baker
2003
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'(Un)richtige Aufnahme': Renaissance Sculpture and the Visual Historiography of Art History
Geraldine A Johnson
Geraldine A. Johnson, "'(Un)richtige Aufnahme': Renaissance Sculpture and the Visual Historiography of Art History," Art History, vol. 36, no. 1 (2013): 12-51, 2013
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Review of ‘Sculpture Victorious: Art in an Age of Invention, 1837–1901’ at the Yale Center for British Art, 11 September to 30 November 2014
Jonathan Shirland
19, 2016
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Drawn from the Antique: Artists & the Classical Ideal. An exhibition at Teylers Museum, Haarlem, 11 March – 31 May 2015 and at the Sir John Soane’s Museum, London, 25 June –26 September 2015
Adriano Aymonino , Anne Varick Lauder
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Quo vadis? Medieval Italian Sculpture Studies in the New Millennium. 3 Sessions in Honor of Dorothy F. Glass
Francesco Gangemi , Alison L Perchuk
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WOMEN AND PORTRAITS IN EARLY MODERN EUROPE GENDER, AGENCY, IDENTITY BY ANDREA PEARSON (ED.)
Larry Silver
The Art Book, 2008
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2016 - Milano on Tomas Macsotay. 2014. The Profession of Sculpture in the Paris Académie. Oxford: Voltaire Foundation
Ronit Milano
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A Retrospective. Selected studies on the history of art from the 12th -16th and 20th centuries: summary
Milena Bartlová
Milena Bartlová, Retrospektiva. Vybrané studie k dějinám umění 12.–16. a 20. století. UMPRUM: Praha 2018, s. 374-376, 2018
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'Pride and Prejudice: Eighteenth-Century Women Sculptors and Their Material Practices', in Women and Material Culture, 1660-1830, ed. by Jennie Batchelor and Cora Kaplan (London, UK ; New York, NY, USA: Palgrave Macmillan, 2007), pp. 86-102.
Marjan Sterckx
2007
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Living Statues and Neoclassical Dress in Late Eighteenth-Century Naples
Amelia Rauser
Art History, 2015
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Les Bronzes Bardedienne: l’oeuvre d’une dynastie de fondeurs by Florence Rionnet
Andrew Eschelbacher
Nineteenth-Century Art Worldwide, 2017
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Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Venice, 1490-1530
A. Victor Coonin
Renaissance Quarterly, 1998
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‘The Statuette’, in Nicholas Lanier, 1588–1666. A Portrait Revealed, ed. Duncan Thomson (Weiss Gallery: London, 2010), pp. 60–69.
Timothy Wilks
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Association of Art Historians 2013 871 Reviews Subject Matters in Early Modern Art Helen Hills Subject as Aporia in Early Modern Art edited by
Helen Hills
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Fashioning the Tudor Court, in M. Hayward and E. Kramer eds., Textiles and Text: Re-establishing the links between archival and object-based research, (London: Archetype, 2007), pp. 93-104 ISBN: 978-1904982265
cinzia sicca
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Italian Sculpture and Sculptors at the French Court, between Charles VIII and François I
Tommaso Mozzati
2011
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Robert A. Maxwell and Kirk Ambrose (eds.), Current Directions in Eleventh- and Twelfth-Century Sculpture Studies
Elizabeth Valdez del Álamo
Medievalia, 2012
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Looking at italian renaissance sculpture
Sarah Blake McHam
Recherche, 1998
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Review of Patricia Lee Rubin, Seen from Behind: Perspectives on the Male Body and Renaissance Art
Sarah Betzer
Burlington Magazine, 2019
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Buildings and Objects: The Rococo and After (Introduction), Journal of Art Historiography, December 2013.
Kristel Smentek
2013
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The Silent Rhetoric of the Body: A History of Monumental Sculpture and Commemorative Art in England, 1720-1770 - By Matthew Craske
Martin Myrone
Journal for Eighteenth-Century Studies, 2010
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“The Origins of the Self-Portrait Bust: Rediscovering Bartolomeo di Jacopo,” Source, XXVI, No. 4 (Summer 2007), pp. 9-15.
Louis Alexander Waldman
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“The tortoise and the hare: ex tempore performance and sculptural practice in eighteenth-century France,” The Journal of Modern Craft vol. 3 (2010) no. 3, pp. 293-308
Tomas Macsotay
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Representation, Replication, Reproduction: The Legacy of Charles V in Sculpted Rulers' Portraits of the Sixteenth and Early Seventeenth Century
Thomas Kaufmann
Austrian History Yearbook, 2012
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Narrative and Material: Paintings on Rare Metal, Stone and Fabric in the Late Sixteenth and Early Seventeenth Centuries
Kayo Hirakawa
2014
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Marjorie Och, review of Mary Rogers, ed., Fashioning Identities in Renaissance Art, introduction by Joanna Woods-Marsden, The Sixteenth Century Journal 32/3 (2001): 786-88.
Marjorie Och
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Jeanette Kohl: Casting Renaissance Florence. The Bust of Giovanni de'Medici and Indexical Portraiture, in: Carvings, Casts and Collectors. The Art of Renaissance Sculpture. Ed. by Peta Motture, Emma Jones, Dimitrios Zikos. Victoria and Albert Museum, London 2013
Dr. Jeanette Kohl
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