Lantian Xie (original) (raw)

Conference Program-Art and the City: ( Columbia University Middle Eastern Center, Amman, 11-14 June 2023)

Tijen Tunali

Art and the City

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Biennales in Palestine-Thinking Art and Making Art.pdf

Khaldun Bshara

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Contemporary Art and the Sense of place. The Case of Tunisia, in Archivio Antropologico Mediterraneo on line, Anno XVI (2013), n.15 (1), pp.13-23

Maria Antonietta Trasforini

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Translation, Treason, Transfiguration : The Biennale as an Agent of Political Consciousness -032

Rasha Salti

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Exhibiting and Writing on Art from the Middle East — Some Recent European and North American Exhibitions and their Catalogues. 25 ans de créativité arabe, Paris/Cinisello Balsamo (Milan) : Institut du Monde Arabe/Silvana Editoriale, 2012, 215 pp. b/w and col. ill., $ 32.95 paper Isbn 978883662431...

Silvia Naef

RACAR : Revue d'art canadienne

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Is a Global History of Architecture Displayable? A Historiographical Perspective on the 14th Venice Architecture Biennale and Louvre Abu Dhabi

Esra Akcan

ARTMargins, 2015

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2012 - TEXT FOR 4TH MARRAKECH BIENNALE: Higher Atlas / Au-delà de l'Atlas

Beral Madra

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Art and Capital, Venice Biennale 2007

Amanda Beech

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CFP 5th Conference ART AND THE CITY (Columbia University Global Centers-Amman 11-14 June 2023, Online and In-person)

Tijen Tunali

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Exhibiting and Writing on Art from the Middle East – Some Recent European and North American Exhibitions and their Catalogues.pdf

Silvia Naef

RACAR/Canadian Art Review-Revue d'art canadienne, 2017

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No Spaces without History. Transdisciplinary Approaches to the Gulf Cities between Area Studies, Art History and Media Studies (2022)

Bettina Gräf, Laura Hindelang

Middle East Journal of Culture and Communication, 15.3., pp. 219--239, 2022

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Caribbean Contemporary Poets and Graphic Artists Moored at the Venice Biennale of Architecture 2018

Harry Dunstan

Il Tolomeo, 2018

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"Venice Biennale 2017: Salon des Réfugiés" in Media-N, 2018.

Mina Cheon

Media-N Vol 14 No 1 (2018): CAA Conference Edition 2018 (Reviews and Reports), Journal of New Media Caucus (NMC) Affiliate Society of College Art Association (CAA), 2018

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Drawing the Line: my review of Guggenheim NY's exhibition of Middle Eastern art. July 2016

Shiva Balaghi

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Iara Boubnova. ROAMING IMAGES & Sotirios Bahtsetzis Roaming Images Routes, exhibition catalogue, 2011, Thessaloniki Museum of Contemporary Art.pdf

Iara Boubnova

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Cities, Mobilities, Contemporary Art (2013)

Saloni Mathur

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Interactionism and Circulations of Arab “Futurist” Aesthetics

Joan Grandjean

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Object 18 REVIEW: 2015 Venice Biennale. "All the World's Futures"

Irene Montero Sabín

2016

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© Esra Akcan, “Is a Global History of Architecture Displayable? A Historiographical Perspective on the 14th Venice Architecture Biennale and Louvre Abu Dhabi,” Art Margins, vol.4, no.1 (January 2015): 79-101.

Esra Akcan

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« Defining a Space for New Art Genealogies – North-African and Middle-Eastern Modernities and Critical Legacies », Critique d’art, 51 | 2018, 57-69.

Emilie GOUDAL

Critique d'art, 2018

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Colloque_Zurich_2017_À l’Orientale – Collections, expositions et appropriations de l’art et de l’architecture islamiques durant le long XIXe siècle

Nicolas Schaub

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Reconfiguring Place: Art and the Global Imaginary (2014)

Linda Williams

The SAGE Handbook of Globalization Edited by M. Steger, P. Battersby, J. Siracusa, Sage Publications, London. , 2014

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Postcolonial Palimpsests: Historicizing Biennales And Large-Scale Exhibitions In A Global Age

arshiya lokhandwala

2012

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Fundamentals: Expressing Modern Architecture at Biennale Venice 2014

Karim Kesseiba

Handbook on Emerging Trends in Scientific Research ISBN: 978-969-9952-07-4, 2016

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What are we looking at? Michael Parekowhai at the 2011 Venice Biennale.

Rebecca Hamid

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“From Palestine with Art”: Dreams of Sovereignty and Acts of Resistance at the 2022 Venice Biennale

Rachel Winter, Ph.D.

react/review: a responsive journal for art & architecture, 2023

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No Buildings and an Archive. The US Pavillion in Venice and 9+11 at MoMA. thresholds 41, spring 2013.

Mechtild Widrich

thresholds, 41, Spring 2013, 2013

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When Art and Heritage Collide: Artistic Responses to National Narratives in the UAE _ Middle East Centre.pdf

Melanie J . Sindelar

LSE Middle East Blog, 2018

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Historiography of Venice Biennale

Ekaterina Vinogradova

MODERN ART IN THE CONTEXT OF GLOBALIZATION: SCIENCE, EDUCATION, ART MARKET, 2018

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Fahrelnissa Zeid in the Mega-Museum: Mega-museums and modern artists from the Middle East

Sarah-Neel Smith

Ibraaz

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program - abstracts: Constructions / Identitites: Pavilions, Art, Architecture

Federica Martini

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Learning from Dubai: Discourse on Iconology, Urbanity and Cultural Identity

Jasmine Shahin

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Art History, Boundary Crossing, Making Worlds

Bronwen Wilson

I Tatti Studies, 2019

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Symposium Yemen and Syria: making art today, British Museum_Shubbak Festival 2019

Anahi Alviso-Marino

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"No Shore in Sight: Precarious Journeys and Unbearable Passages in the Moving Image Installations of Candice Breitz and Mohau Modisakeng." South Africa Pavilion Catalogue. 56th Venice Biennale. 2017. pp. 27-43

M. Neelika Jayawardane

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