Against Portraiture (original) (raw)
"But for the Voice, the Likeness is Alive": Portraits of Erasmus of Rotterdam and Their Reception among Renaissance Humanists
Barbara A Kaminska
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Larry Silver, Word & Image: A Journal of Verbal/Visual Enquiry "The face is familiar: German Renaissance portrait multiples in prints and medals"
Larry Silver
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The Pitfalls of Obviousness. The Self-framing Picture and the 'Teleology' of Painting in a Late Self-portrait by Rembrandt
András Rényi
Acta Historiae Artium Academiae Scientiarum Hungaricae, 2017
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Rembrandt or the Portrait as Encounter by Didier Maleuvre
Richard de Koster
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Refiguring the Real: Picture and Modernity in Word and Image, 1400-1700
Christopher Braider
Princeton University Press eBooks, 2015
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Rembrandt and Rhetoric. The Concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten’s Judgement of His Master
Thijs Weststeijn
The Learned Eye, 2005
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THE HUMANISTIC THEORY OF PAINTING
Jean and Nayla Chemali
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Review of Ernst van de Wetering, et. al. A Corpus of Rembrandt Paintings. Vol. IV. The Self-Portraits, Amsterdam, 2005, in Oud Holland 123 (2010): 172-175
Catherine Scallen
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‘A Portrait of the Artist: Introduction’
Ben Ware
Francis Bacon: Painting, Philosophy, Psychoanalysis (Thames & Hudson), 2019
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The Vanity of Painting
Ahmed JEBRANE
The Vanity of Painting
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Word & Image A Journal of Verbal/Visual Enquiry Artists' writings, 1850–present: introduction
Linda Goddard
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Face Value: Toward a Theory of Eighteenth-Century Portraiture
Bradford K Mudge
Eighteenth-Century Life, 2023
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Introduction: The Challenge of the Image
Sabine Wieber
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On painted portraiture in Seventeenth-Century Rome
Patrizia Cavazzini
Roemisches Jahrbuch der Bibliotheca Hertziana, 2015
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Portrait is a Mirror of the Artist's Soul
Central Asian Studies
CENTRAL ASIAN JOURNAL OF INNOVATIONS ON TOURISM MANAGEMENT AND FINANCE, 2022
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THE SELF PICTURED: Manet, The Mirror, and the Occupation of Realist Painting [1998]
Gregory Galligan, PhD
THE ART BULLETIN [College Art Association], 1998
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"Rembrandt's Nature: The Ethics of Teaching Style in the Dutch Republic," Netherlands Yearbook for the History of Art 68 (2018), pp. 323-47.
Joost Keizer
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The art behind the words. Exploring the gap between criticism and the paintings.
Hans Raben
2021
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Words and Images of Words: The Prayer to Saint Veronica in Petrus Christus’s Portrait of a Young Man
Samuel Mareel
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Alison M. Kettering. Review of "Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture and the Production of Community" by Ann Jensen Adams
Alison Kettering
caa.reviews, 2010
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"Artists' Writings: Word or Image?," Word & Image: A Journal of Verbal / Visual Enquiry 28:4, 2012, 409-418
Linda Goddard
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Portrait of the Artist as a Landscape: An Inquiry into Self-Reflexion
Dario Gamboni
Portrait of the Artist as a Landscape: An Inquiry into Self-Reflexion, Amsterdam: Vossiuspers UvA, 2002 , 2002
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Rembrandt's Religious Paintings as Spiritual Autobiography
Ivan Kauffman
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Natalie Adamson and Linda Goddard, "Artists' Statements: Origins, Intentions, Exegesis," Forum for Modern Language Studies 48, no.4, October 2012, 363-374.
Linda Goddard
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'The Thin End of the Wedge: Self, Soul and Body in Rembrandt's Kenwood Self Portrait'
Richard Read
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Francis Bacon and the practice of painting
Michael Jarvis
Journal of Visual Art Practice, 2009
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Portraiture. Facing the Subject, Manchester UP 1997
Joanna Woodall
1996
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H. Perry Chapman, Rembrandt’s Self-Portraits: A Study in Seventeenth-Century Identity. Princeton, Princeton University Press, 1990, $39.50 (cloth)
Michael Zell
RACAR : Revue d'art canadienne, 1990
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Artistic Thinking – Thinking of the Essence (the Self-portraits of Rembrandt van Rijn)
Paulina Tendera, Wojciech Rubis
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"Communicating (with) the Self in the French Enlightenment: Intellectualism, Naturalism and Embodiment in the Bare-Chested Portrait Bust," Studies in Visual Art and Communication 1, no. 1, 2014.
Ronit Milano
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Nietzsche on Art
Sivan Gangadharan
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Portraits in painting and photography
Cynthia Freeland
Philosophical Studies, 2007
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"Painting as 'Reall Performance' in Rembrandt's Studio", In: The Places of Early Modern Criticism, eds. Gavin Alexander, Emma Gilby, And Alexander Marr (Oxford University Press, 2021), 206-18.
Thijs Weststeijn
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"Passie/Hartstocht:" Painting and Evoking Emotions in Rembrandt’s Studio
Thijs Weststeijn
Claudia Fritzsche, Karin Leonhard, Gregor J. M. Weber (eds.), Ad Fontes! Niederländische Kunst des 17. Jahrhunderts in Quellen, 2013
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Self-Portraits in Enigmatic Contexts
Kofi Sarfo
2018
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