original ) (raw )“"¡Todos Somos Indios!"” Revolutionary Imagination, Alternative Modernity, and Transnational Organizing in the Work of Silko, Tamez and Anzaldúa.” The Journal of Transnational American Studies (May 2012): 1-26.
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Knowledge from the borderlands: Revisiting the paradigmatic mestiza of Gloria Anzaldúa
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Feminism & Psychology, 2011
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Comparative Literature, 2023
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How to Translate a “Wild Tongue”: A New Perspective on Gloria Anzaldúa’s Borderlands/La Frontera: The New Mestiza
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Working the Borderlands, Becoming Mestiza : An Interview with Gloria Anzaldúa
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disClosure: A Journal of Social Theory, 1995
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Indigeneity, Diaspora, and Ethical Turn in Anzaldúa’s Borderlands/La Frontera
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CLCWeb: Comparative Literature and Culture, 2015
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“We are all healers”: Romantic Curanderismo in the Poems of Gloria Anzaldúa’s Borderlands/La Frontera—The New Mestiza
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“When a Lipan Woman Refuses Extinction”: Margo Tamez’s Dissidence against Settler-Colonial Violence at the U.S. | Mexico Border
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The Analysis of Gloria E. Anzaldúa's Borderlands/ La Frontera
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2021
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Working the Borderlands, Becoming \u3cem\u3eMestiza\u3c/em\u3e: An Interview with Gloria Anzaldúa
Kakie Urch
1995
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Stories to Bridge the Borderlands: Anti-Colonial Writing in the Works of Gloria Anzaldúa and Leslie Marmon Silko
Løvetann Ripoll
2020
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Anzaldúa and 'the new mestiza': A Chicana dives into collective identity
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HOW BORDERS COME TO MATTER? THE PHYSICALITY OF THE BORDER IN GLORIA ANZALDÚA’S BORDERLANDS/LA FRONTERA
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“Like a Great River Flowing Restless”: Fugitive Figures across (Central) American Borders in Leslie Marmon Silko’s Almanac of the Dead
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ROCZNIKI HUMANISTYCZNE -Annals of Arts. 72(11):49-63, 2024
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The politics of translating ethnographic ideoscapes the death and life of Aida Hernandez: a border story
Rachael Radhay
2021
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Poetics and Politics of Indigenous-Language Literature in Mexico and Colombia: Forms of Protest and Resistance
Wendy Call
Diálogo, 2019
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Borderlands as a Site of Resistance in Gloria Anzaldúa’s Political Thought
Anna Nasser
2021
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Rethinking Indigenous Politics in the Era of the ‘Indio Permitido’ NACLA Report on the Americas. Sept.-Oct. pp. 16-21
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Conflicting Frameworks: Race and Experimentation in Contemporary Poetry from the U.S.-Mexico Border
Andrzej (AJ) Baginski
Liminalities: A Journal of Performance Studies, 2022
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A Mestiza in the Borderlands: Margarita Cota-Cárdenas’ Puppet
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Céfiro: Enlace hispano cultural y literario, 2006
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Cómo traducir una "lengua salvaje": una nueva perspectiva sobre Borderlands/La Frontera: The New Mestiza de Gloria Anzaldúa
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2022
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Gloria Anzaldúa’s Mexican Genealogy: From Pelados and Pachucos to New Mestizas
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“Post-NAFTA Ecologies: Mechanical Tortoises and Flower-Picking Cholos in Salvador Plascencia’s The People of Paper,” Green Letters: Studies in Ecocriticism, Global and Postcolonial Ecologies special issue 16 (September 2012): 59-76.
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I am my language: The Importance of Language to Borderlands Subjectivity in Gloria Anzaldua's Borderlands/La Frontera: The New Mestiza
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UTSA Journal of Undergraduate Research and Scholarly Works, 2019
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Editor’s Introduction: Re-envisioning Coyolxauhqui, Decolonizing RealityAnzaldúa’s Twenty-First-Century Imperative
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2015
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Native Journeys of Self-Figuration: N. Scott Momaday's The Way to Rainy Mountain and Gloria Anzaldúa's Borderlands/La Frontera
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“From Genealogies to Gynealogies: Comparing Borderlands to its First All-poetry Manuscript,” El Mundo Zurdo 3. Eds. Larissa Mercado-López, Sonia Saldívar-Hull, and Antonia Castañeda. San Francisco: aunt lute, 2013. 39-57.
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