original ) (raw )THE CANONICAL REPRESENTATION OF THE HOLY TRINITY IN ORTHODOX ICONOGRAPHY
Cristian Gagu
ICOANA CREDINȚEI, 2023
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The Three-headed Holy Trinity Icons from Croatia – on the Margins of Post-Byzantine Popular Piety. Art readings 2018. - Marginalia. Ed. by I. Gergova and E. Moussakova
Aleksandra Kucekovic
Art Readings, 2018
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The Evolution of Trinity Images to the Medieval Period
Susan Balderstone
Journal of the Australian Early Medieval Association, 2017
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Todorova, R. An Early Fourteenth-century Visual Theology: First ‘Hesychastic’ Mandorlas. Proceedings of the 23rd International Congress of Byzantine Studies, 22-27 August 2016, Belgrade.Thematic Sessions of Free Communications: STUDIES IN BYZANTINE ICONOGRAPHY ‒ PART 2, p. 5
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"A Monument of His Own? An Iconographic Study of the Wall Paintings of the Holy Trinity Parakklesion at the Monastery of St. John Chrysostom, Koutsovendis (Cyprus)", Studies in Iconography 39 (2018), 1-85.
Maria Parani
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THE PAINTING OF SAINT GEORGE IN OMORFOKLISIA, KASTORIA AND THE SCENE OF THE KOIMISIS OF THE VIRGIN MARY
Ioannis Sisiou
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"A Reconsideration of the Communion of the Apostles in Byzantine Art," Studies in Iconography 42 (2021): 1–20.
Vasileios Marinis
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THE EVOLUTION OF CHRISTIAN ICONOGRAPHY IN THE VI-VII CENTURIES
Cristian Gagu
Icoana Credinței, 2024
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Stylistic Analysis of the Holy Icons from Saint George Church in Yenikoy, Istanbul
Ruhiye Onurel
Athens journal of history, 2024
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THE ICONOGRAPHY OF MIRACLES IN CHURCHES IN THE PREFECTURE OF KOZANI DURING THE 18 TH AND 19 TH CENTURY
Maria Tsiapali
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At the Crossroads of Traditions: Orthodox Church Painting in the Reign of the Jagiellons, „Ikonotheka”, 22, 2009.
Aleksandra Sulikowska-Bełczowska
2009
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Byzantine iconography of The Nativity of the Virgin Mary in the light of a homily of St. John Damascene
José María SALVADOR-GONZALEZ
Mirabilia Ars, nº 2 (2015 /1), Institut d'Estudis Medievals, Universitat Autònoma de Barcelona, 2015, p. 200-226, 2015
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Ἄρατε πύλας (psalm 23[24], 7-10). The Iconography of Christ opening Hades’ Doors. Patterns-Models-Drawings, International Conference Art Readings 2019, 5-7 April, Sofia
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The Death of the Virgin Mary (1295) in the Macedonian church of the Panagia Peribleptos in Ohrid. Iconographic interpretation from the perspective of three apocryphal writings
José María SALVADOR-GONZALEZ
Mirabilia. Electronic Journal of Antiquity & Middle Ages, nº 13, julio-diciembre 2011, Institut d’Estudis Medievals, Universitat Autònoma de Barcelona,, p. 237-268. ISSN: 1676-5818, 2011
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Pro or Contra Filioque? Trinitarian Synthronoi Images at the Crossroads of the Catholic West and the Orthodox East (ca. 1300–1500)
Agnes Kriza
Eclecticism at the Edges: Medieval Art and Architecture at the Crossroads of the Latin, Greek, and Slavic Cultural Spheres (c.1300-c.1550), ed. Alice Isabella Sullivan and Maria Alessia Rossi, Berlin, Boston: Walter DeGruyter, 2021. 157-178., 2021
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IMAGE AND IMAGERY: REVISITING THE DEPICTIONS OF THE SEVEN SLAVIC SAINTS
Aneta Serafimova
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(with M. Kappas), Stauroproskynēsis: An Iconographic Theme and Its Context, Deltion of the Christian Archaeological Society 34 (2013) 141-156.
Leonela Fundic
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Pictorial Library of Eastern Church Art, Volumes 6-16. Translated from the German. Recklinghausen: Aurel Bongers. New York: Taplinger Publishing Co., 1967. $2.50 each
Anthony Cutler
Slavic Review, 1970
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Some Aspects of the Development of Christian Orthodox Art in the 16th and 17th Centuries: the Testimony of Church Inscriptions and Artists' Signatures. In: Revue Roumaine d'Histoire de l'Art, 2017-2018, 47-64
Emmanuel Moutafov
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Keshman W., A., "Panagia Ierosolymitissa Icon – An Instance in the Mutuality of Traditions in the Holy Land of the 19th and 20th Centuries", in: Gergova, I. and Moussakova, E. (eds.), Marginalia: Art Readings 2018, Sofia, 2019, pp. 307-320.
Anastasia Keshman W.
Marginalia: Art Readings 2018, 2019
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The Depiction of Saint Constantine in post-Byzantine Monumental Art in Epirus and Macedonia. Iconographical particularities
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The iconographic aspect of "The Dormition of the Virgin Mary" (early 13th century) from the State Tretyakov Gallery, Moscow
Svetlana Tatarchenko
Δελτίον της Χριστιανικής Αρχαιολογικής Εταιρείας [Deltion of the Christian Archaeological Society, Athens]. Μνήμη Cyril Alexander Mango. Περ. Δ´. T. 43 , 2022
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Iconographic Interpretation of the Temple as a Theological Symbol in Images of the Annunciation of the 14th and 15th Centuries
José María SALVADOR-GONZALEZ
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Iconography of the Trinity
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F.Lytari, B.9. The Ascension of Christ / Shestja, in ARTS AND ARTEFACTS OF THE KORÇA REGION(Twelfth Century B.C. to Twentieth Century A.D.) ( ed. Giakoumis K.), 190-193, Tirana 2018
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To picture and to perform: the image of the Eucharistic Liturgy at Markov Manastir (II), Zograf 39 (2015)
Marka Tomić
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Angelina Popovska
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The State of Early Christian Iconography in the Twenty-First Century
Bente Kiilerich
Studies in Iconography, 36, 2015, 99-134.
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Legitimizing the Rublev Trinity: Byzantine iconophile arguments in medieval Russian debates over the representation of the Divine - Byzantinoslavica 74 (2016) 134-152
Agnes Kriza
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EARLY CHRISTIAN ICONOGRAPHY – THE ROLE OF THE CROSS AND VARIANTS OF CROSSES PRESENT IN THE ART WORKS IN MACEDONIA
Snezhana Filipova
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L. Evseeva, A. Lidov. The Russian Mandylion: The Images of Christ ‘Not-Made-by-Hands’ in the Art and Culture of Medieval Rus’ from the Tenth to the Fourteenth Centuries
Alexei Lidov
L. Evseeva, A. Lidov. The Russian Mandylion: The Images of Christ ‘Not-Made-by-Hands’ in the Art and Culture of Medieval Rus’ from the Tenth to the Fourteenth Centuries. In: Recent Studies on the Image of Edessa: Iconography, History and Theology (ed. by Mark Guscin), 2022
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Liturgical Illustrations in the Byzantine Lectionary Cod.587 in the Dionysiou Monastery, Mount Athos
Tomoyuki MASUDA
ORIENT (The Society for Near Eastern Studies in Japan), vol.41, 2006
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The Iconography of Text: The Placement of an Inscription on a Middle Byzantine Reliquary
Brad Hostetler
Eastern Christian Art, 2011
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Via pulchritudinis: a theological itinerary to Christian iconography, Edizioni Sant'Antonio, Chisinau (MDA) 2022 (Isbn 978-613-8-39420-4)
Alessia Brombin
https://www.edizioni-santantonio.com/catalogue/details/it/978-613-8-39420-4/via-pulchritudinis
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THE WALL PAINTINGS FROM THE CHURCH OF HOLY TRINITY (KRUPNIK) IN THE COLLECTION OF THE NATIONAL ARCHAEOLOGICAL MUSEUM
Kristiyan Kovachev
Obscured Balkans, 2024
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