Symptom of the post-political : terrorism in Contemporary German, British and Hollywood Cinema (original) (raw)

The terrorist as ennemi intime in French and Francophone cinema

Florence Martin

Studies in French Cinema

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Studies in French Cinema The terrorist as ennemi intime in French and Francophone cinema

Maria Flood

Studies in French Cinema, 2019

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The Naturalization of “Good” Violence in Recent Films About the War on Terror

Alejandro Botia

2017

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"The Hurt Locker: cinematic addiction, ‘critique’ and the war on terror"

Bruce Bennett

Cultural Politics, vol. 7 no. 2, pp. 165-188, 2011

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Terrorismus im Film. Repräsentationen von Terrorismus im Spiel- und Dokumentarfilm. Teil A: Internationale Arbeitsbibliografie (mit Ludger Kaczmarek)

Sophie G Einwächter

In: Jens Eder und Hans J. Wulff (Hg): Medienwissenschaft / Hamburg: Berichte und Papiere. Hamburg: Universität Hamburg, Institut für Germanistik II. 105. ISSN: 1613-7477.

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Shifting Enemies Face: Representation of Terrorism by Hollywood

Talayeh Ghofrani

5th International Conference in Communication and Media Studies "Think Peace, Talk Peace, Cultivate Peace" , 2018

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Face to Face with the Muslim “Other”: European Cinematic Responses to Al-Qaeda

Elena Caoduro

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Review of Political Theory and Film: From Adorno to Žižek

Matthew Flisfeder

2018

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Chapter 2: Cinema and Terror

Gianni Wise

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Terrorism in Popular Media: How Hollywood Represent Muslim Terrorist

Mundi Rahayu

Social Science Research Network, 2020

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Between Theory and Post-Theory: Slavoj Zizek in Film Studies and Out

Matthew Flisfeder

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Political theory and film: From Adorno to Žižek

Matthew Flisfeder

Contemporary Political Theory

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Tracking an Authority of Ideology: Zizek and Film Theory (2013), Topia: Canadian Journal of Cultural Studies, 29.

Cindy Zeiher

TOPIA: Canadian Journal of Cultural Studies

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Cinematic Terrorism: Deleuze, ISIS and Delirium

Hatem Akil

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Discourses of counter-Islamic-threat-mobilization in post-9/11 documentaries

Yiannis Mylonas

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“The Sum of All Fears” from Novel to Film: Shifting the Discourse of Terrorism

FAIZAL RISDIANTO

World Journal of English Language

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Screening terror: Hollywood, the United States and the construction of danger

Klaus Dodds

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The Symbolic, The Sublime, and Slavoj Žižek's Theory of Film

Matthew Flisfeder

2012

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CHANGING FACE OF NEOLIBERALISM, TERRORISM AND CINEMATIC APPROACHES WITHIN THE CONTEXT OF FOUCAULT: THE ROAD TO GUANTANAMO

BİRGÜL TAŞDELEN

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Warfare on the Conceptual Battlespace: Third Cinemas Transformation of War on Terror Discourse

Kela Caldwell

2016

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Civilian-led counterterrorism and the carceral state in contemporary French film

Fraser McQueen

Modern & Contemporary France, 2023

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Media, War and Postmodernity

Philip Hammond

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FILMS AND DISCOURSE OF TERRORISM A REVIEW OF SELECTED HOLLYWOOD

Ibrahim Uba Yusuf, Mohammed Auwal Umar

Maiduguri Journal of Arts and Social Sciences (MAJASS), 2019

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Evolving Cinematic Perspectives of Terrorism

Samuel W Bettwy

SSRN Electronic Journal, 2014

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Review of Tanya Horeck and Tina Kendall (eds.), The New Extremism in Cinema: From France to Europe

William Brown

2015

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ONE'S TERRORIST IS ANOTHER'S BLOCKBUSTER: POLITICAL TERRORISM IN AMERICAN VERSUS EUROPEAN FILMS

samuel Peleg

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Review of Reframing 9/11: Film, Popular Culture and the “War on Terror” , Continuum. ISBN: 978-1-4411-1905-6.

Jeff Birkenstein

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Representations of Terrorism in post-9/11 American films

Yalí Noriega

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“Are we shootin’ people or what?”: critical reflections of war in popular films / Jamaluddin Aziz, Mohd Nor Shahizan Ali and Fuzirah Hashim

Fuzirah Hashim

2011

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Terror films: The socio-cultural reconstruction of trauma in contemporary Israeli cinema

Tobias Ebbrecht-Hartmann

Images, 2019

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Review of Politics in Popular Movies: Rhetorical Takes on Horror, War, Thriller, and Sci-Fi Films

Lilly Goren

Journal of Political Science Education, 2015

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« Tales of Chaos and Order: Exploring Terrorism’s Melodramatic Use in The Dark Knight (2008) and Skyfall (2012) »

Charles-Antoine Courcoux

in Elena Caoduro, Karen Randell and Karen Ritzenhoff (dir.), Mediating Terrorism in the 21st century, New York, Palgrave Macmillan, 2021, pp. 219-241.

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SMELLING THE APOCALYPSE: KNOWLEDGE AND POPULAR CINEMA

ARUN KUMAR

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Introduction: European Cinema and Post-Democracy

Angelos Koutsourakis

Introduction: European Cinema and Post-democracy , 2020

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Trauma, Conspiracy, Memento: Representations of the Munich Crisis in Czech Cinema

František A. Podhajský

»Truth« and Fiction

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