original ) (raw )Musical Networks in Bergamo and the Borders of the Venetian Republic, 1580–1630
Jason Rosenholtz-Witt
2020
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Mikhail Lopatin, review on: Antonio Calvia and Maria Sofia Lannutti, eds, Musica e poesia nel trecento italiano (Florence, 2015), published in PMM 26/2, 2017, p. 198-206
Mikhail Lopatin
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Musical Classicisms in Italy before the Madrigal
Tim Shephard
Music and Letters, 2020
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Review: Marcello de Angelis, Melodramma, spettacolo e musica nella Firenze dei Lorena; Robert Lamar Weaver, A Chronology of Music in the Florentine Theater, 1751–1800
John A Rice
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«I raggi della chiarissima casa gambaresca». The Gambaras’ Music Patronage and the Performance Practice in 15th-17th-century Brescia
Livio Ticli , Marcello Mazzetti
Music Patronage in Italy, edited by Galliano Ciliberti, Brepols, 2021
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Music-printing in late sixteenth- and early seventeenth-century Florence: Giorgio Marescotti, Cristofano Marescotti and Zanobi Pignoni
Tim Carter
Early Music History, 1990
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Trovatore amante spia: Otto secoli di cronache intorno al celebre favorito che salvò Re Riccardo . By Davide Daolmi . pp. viii + 381. (Libreria Musicale Italiana, Lucca, 2015). Music and Letters, vol. 98, issue 1, February 2017, pp. 128-130.
Siel Agugliaro
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Music Publishing in Italy, c.1580–c.1625: Some Preliminary Observations
Tim Carter
Royal Musical Association Research Chronicle, 1986
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Printing music in Italy around 1700: Workshop practices at the Silvani firm in Bologna
Huub van der Linden
Papers of the Bibliographical Society of America, 2015
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Music, magic and humanism in late sixteenth-century Venice: Fabio Paolini and the heritage of Vicentino, Zarlino and Ficino
Grantley McDonald
Journal of the Alamire Foundation 4 (2012): 52–78
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The Musical and Theatrical Activities of the Jesuits in the Kingdom of Naples: Accounts from the Gazzetta di Napoli (1675-1768)
Ausilia Magaudda
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The Musical and Theatrical Activities of the Jesuits in the Kindom of Naples: Accounts from the Gazzetta di Napoli (1675-1768)
Danilo Costantini
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Baronial Patronage of Music in Early Modern Rome (book)
Valerio Morucci
Routledge, 2018
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Giovanni Gabrieli and Andrea’s Musical Legacy. Lost Editions, Ghost Editions, Editorial Strategies. – In: Rodolfo Baroncini, David Bryant, Luigi Collarile (eds), Giovanni Gabrieli. Transmission and Reception of a Venetian Musical Tradition. Turnhout: Brepols, 2016, pp. 71–95
Luigi Collarile
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Listening to Music in Early Modern Italy: Some Problems for the Urban Musicologist
Tim Carter
Hearing the City in Early Modern Europe, 2018
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Between Palermo and Naples: Musical activities at the Royal Chapel of Palermo and its relationships with the Royal Chapel of Naples (16th-17th centuries)
Ilaria Grippaudo
2012
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Music-Selling in Late Sixteenth-Century Florence: The Bookshop of Piero di Giuliano Morosi
Tim Carter
Music and Letters , 1989
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Music, Spectacle and Cultural Brokerage in Early Modern Italy, 2 vols.
Janie Cole
Florence: Olschki, 2011
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Giovanni Gabrieli. Transmission and Reception of a Venetian Musical Tradition. Turnhout: Brepols, 2016 (Venetian Music Studies, 1)
Luigi Collarile , Rodolfo Baroncini , David Douglas BRYANT
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Review of Paul Schleuse, Singing Games in Early Modern Italy: The Music Books of Orazio Vecchi (Renaissance Quarterly 69.4 2016)
Evan A MacCarthy
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Review of Music in the Art of Renaissance Italy, 1420-1540 by Tim Shephard, Sanna Raninen, Serenella Sessini, and Laura Ştefănescu
Barbara Swanson
Renaissance and Reformation 45, no. 1, 2022
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Monteverdi a San Marco. Venezia 1613–1643, eds. Marco di Pasquale, Rodolfo Baroncini, Lucca 2020
Bartłomiej Gembicki
Muzyka, 2021
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Review: Frank D'Accone, The Civic Muse: Music and Musicians in Siena during the Middle Ages and Renaissance by Frank A. D'Accone Review by
Blake Wilson
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Linda Borean and Stefania Mason , eds. Il collezionismo d'arte a Venezia: Il Seicento . Venice : Marsilio Editori S.P.A ., 2007 . xii + 424 pp. index. append. illus. bibl. €35. ISBN: 978–88–317–9392–6
Philip Sohm
Renaissance Quarterly, 2010
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‘The function and use of musical sources at the Paduan ‘court’ of Alvise Cornaro in the first half of the Cinquecento’, Journal of the Alamire Foundation II, 2010, 47-61
Laura Moretti
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Remigio Lazzaroni (1828 - 1883) di Pontida e altre personalità musicali in Val San Martino e dintorni
William Limonta
in “Oltre il Giuramento - Racconti per visitare Pontida”, a cura di Fabio Bonaiti e Pierluigi Donadoni, pp. 104-127, 2024
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Studies on Trecento Italian Music in the 21st Century: Some Observations on Present Directions of Research
Maria Caraci Vela
2016
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Revisiting the Music-Printing Market in Seventeenth-Century Italy and the Peculiar Case of Pietro Millioni's Guitar Books
Gideon Brettler
Journal of Musicology, 2022
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Music in the Art of Renaissance Italy 1420-1540
Laura Stefanescu , Tim Shephard , Serenella Sessini , Sanna Raninen
Music in the Art of Renaissance Italy 1420-1540 (London: Harvey Miller), 2020
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Sound and Domestic Space in Fifteenth-and Sixteenth-Century Italy
Flora Dennis
Studies in the Decorative Arts, 2008
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Venetian culture at the turn of the Century: San Marco and the birth of the purely instrumental genre
Hannah Shetler
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Barocco Padano 6: Atti del XIV Convegno internazionale sulla musica italiana nei secoli XVII-XVIII (Brescia, 16-18 luglio 2007). Ed. by Alberto Colzani, Andrea Luppi, and Maurizio Padoan
Michael Eisenberg
Music and Letters, 2012
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Il cardinale Pietro Ottoboni (1667 - 1740), i portoghesi e la musica,
Teresa Chirico
in Conference Rome and Lisbon in the 18th century: music, visual arts and cultural transfers, Panel PerformArt, 28-29/03/2019 Lisboa, Biblioteca Nacional de Portugal
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"Plays, Printing and Publishing, 1485-1500: Florentine Sacre Rappresentazioni," La Bibliofilia, XC (1988): 269-296.
Nerida Newbigin
Olschki
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Musicians in the Mediterranean: Narratives of Movement. Paper title: Instrumental Music and Popular Devotion in the Mid-Adriatic Soundscape of the Renaissance
Francesco Zimei
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