Beyond the easel: decorative painting by Bonnard, Vuillard, Denis, and Roussel, 1890-1930 (original ) (raw )Decorative Painting and Politics in France, 1890-1914
Katherine Brion
2014
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Impression: Painting Quickly in France 1860-1890 (review)
Margaret MacNamidhe
Nineteenth Century French Studies, 2003
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Crisis and Resolution in Vuillard’s Search for Art Nouveau Unity in Modern Decoration: Sources for ‘The Public Gardens ’
Brooks Beaulieu
2005
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Acquisitions: Twentieth-Century Fine and Applied Arts
pim arts
2019
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OS IMPRESSIONISTAS - Brush The Metropolitan Museum of Art Bulletin v 32 no
Luiz Carlos MB
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Historical paintings
dora puf
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A French Nineteenth-Century Painting in the Lantern Slide Collection of the Freer Gallery of Art
Lavinia Amenduni
RIHA Journal, 2024
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NUDE (APRÈS LE BAIN): An Inter-Disciplinary Technical Study of an Oil Painting on Cardboard by Pierre Bonnard
Victoria Skalleberg
2020
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Art Since 1900 (Bois, Foster, Krauss, Buchloh) - Review
lia yoka
Historein 5, 2005
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Praised and ridiculed: French Painting, 1820-1880
Benjamin Harvey
H-France Review, 2019
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Exhibition review of "Frédéric Bazille and the Birth of Impressionism," National Gallery of Art, Washington DC, April 9-July 9 2017. Nineteenth-Century Art Worldwide (fall 2017)
Corrinne Chong
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Towards an archaeology of modern painting
Andrea Kirsh
Art History, 2002
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"The United States of (French) Painting": Supports-Surfaces and the Test of Time
Hélène Trespeuch
Critique d'art, 2018
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"Ingres chez les Fauves", Art History, Vol.23, No. 4, December 2000, pp. 743-71, issue reprinted as Fingering Ingres, eds. A. Rifkin and S. Siegfried, Oxford, Blackwell, 2001, pp. 93-121.
Roger Benjamin
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190203 BOELE_A Broader View of Art.pdf
Vincent Boele
Treasury! Masterpieces from the Hermitage, 2019
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Limitations and possibilities in painting: tracing the unrepresentable
Viktor Witkowski
2010
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Review of "Watteau à Fragonard, les fêtes galantes" at the Musée Jacquemart-André, Paris for The Burlington Magazine, June 2014
David E Pullins
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The Tricks of the Trade: Georges Braque’s Artisanal Origins
Claire Le Thomas
Cubism and the Trompe l'Oeil Tradition, 2022
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Color, grisaille and pictorial techniques in works by Jean Pucelle
Pascale CHARRON
2013
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Portraits of the Artist as a Young Woman: Painting and the Novel in France and Britain, 1800-1860
Alexandra Wettlaufer
Nineteenth-Century Contexts, 2014
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French Art in Washington
Rosalind Ormiston
The Art Book, 2010
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Drawing: The Invention of a Modern Medium_PDF of the Exhibition Catalogue, HAM, 2017
Ewa Lajer-Burcharth
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Nineteenth Century English Picture Frames I: The Pre-Raphaelites
Lynn Roberts
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“ 'Quelques misérables places à remplir' : Locating Shaped Painting in Eighteenth-Century France," Zeitschrift für Kunstgeschichte, Band 80 (2017): 544-571
David E Pullins
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On line: drawing through the twentieth century
Catherine de Zegher
Choice Reviews Online, 2011
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Drawn Toward the Avant-Garde: Nineteenth- and Twentieth- Century French Drawings from the Royal Museum of Fine Arts, Copenhagen
Cheryl Snay
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French Art in Washington: Feature Reviews
Rosalind Ormiston
The Art Book, 2010
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New acquisition: a miniature portrait of Charles-Henri Delacroix by Henri-François Riesener (p. 19-21)
Marie-Noëlle Grison
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Henry van de Velde, Furniture Designer (1893-1902) : the Material Expression of Thought
Benjamin Zurstrassen
Decorative Arts Society, 2019
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Chapter 4. Wall Paintings in the Château de Germolles: An Interdisciplinary Project for the Rediscovery of a Unique Fourteenth-Century Decoration
Francesca Piqué
Digital Techniques for Documenting and Preserving Cultural Heritage
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Painting Facts, information, pictures Encyclopedia
meoxiaomi meo
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PIERRE FRANCASTEL AND GEORGES DIDI-HUBERMAN: A DIALOGUE BETWEEN THEORISTS TO THINK ABOUT PAINTING WORKS FROM THE GENERAL EXHIBITION OF FINE ARTS OF 1890 (Atena Editora)
Atena Editora
PIERRE FRANCASTEL AND GEORGES DIDI-HUBERMAN: A DIALOGUE BETWEEN THEORISTS TO THINK ABOUT PAINTING WORKS FROM THE GENERAL EXHIBITION OF FINE ARTS OF 1890 (Atena Editora), 2023
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The (un)cut painter's book
Natalie benson
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The Realist Cause: Early 20th Century Paintings from the Permanent Collection - 1901-1930
Mary Beth Alger
Bridgewater Review, 2009
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Notes on the Boucher Exhibitions Marking the Tercentenary of the Artist's Birth
Perrin Stein
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