original ) (raw )Preamble" Common People and the Artist in Republican China: Visual Documents and Historical Narrative"
Christian Henriot
European Journal of East Asian Studies, 2007
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Beggars, Black Bears, and Butterflies: The Scientific Gaze and Ink Painting in Modern China
Lisa Claypool
Cross-Currents: East Asian History and Culture Review, 2015
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Review of Chinese Way of Seeing and Open-Air Painting by Gu Yi
Mia Yinxing Liu
Art Bulletin, 2022
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Review of Craig Clunas, Chinese Painting and Its Audiences. Princeton: Princeton University Press, 2017.
Jun Hu
The Journal of Asian Studies, 2018
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'GAZE UPON ITS DEPTH': On the Uses of Perspectival Painting in the Early-Modern Chinese Village
Hannibal Taubes
East Asian History, 2019
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Whose hobbyhorse now?: A revised Foreword for _Chinese Landscape Painting as Western Art History_
Jennifer Purtle（裴珍妮）
Journal of Contemporary Painting, 2020
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The Transmission of Chinese Idealist Painting to Japan: Notes on the Early Phase (1661–1799). By Joan Stanley-Baker. Ann Arbor, Mich.: Center for Japanese Studies, 1992. xxiv, 191 pp. $18.95
Joan Stanley-Baker
The Journal of Asian Studies, 1994
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Some Remarks on Chinese Painting and Its Influence on the West
Karel Vereycken
Fidelio, 1997
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Reproducing Chinese Painting: Revised Histories, Illustration Strategies and the Self-Positioning of Guohua Painters in the 1930s, Ars Orientalis 2018
Juliane Noth
Ars Orientalis, 2018
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“The Japanese Impact on the Republican Art World: The Construction of Chinese Art History as a Modern Field,” Twentieth Century China, vol. 32, no. 1 (November, 2006), pp. 4-35.
Julia F Andrews , Kuiyi Shen
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Looking at Asian Art. Edited by Katherine R. Tsiang and Martin J. Powers. Chicago: University of Chicago and Art Media Services, 2012. 90 figs., 208 pp. $40.00 (cloth)
Elizabeth C Brotherton
The Journal of Asian Studies, 2013
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"In the Mischievous Role of Naturalist: Classifying the 'Chinese' in Contemporary Art" in Outside In: Chinese x American x Contemporary Art(Princeton: Princeton University Art Museum, P.Y. and Kinmay W. Tang Center for East Asian Art; and New Haven: Yale University Press, 2009), pp. 141-58.
Cary Liu
Jerome Silbergeld with Cary Y. Liu and Dora C. Y. Ching, Outside In: Chinese x American x Contemporary Art , 2009
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New Perspectives about the Origins of Chinese Photography and Western Research in China
Marco Meccarelli.
ARTE DAL MEDITERRANEO AL MAR DELLA CINA Genesi ed incontri di scuole e stili. Scritti in onore di Paola Mortari Vergara Caffarelli , 2015
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Concept to Context: The Theoretical Transformation of Ink Painting into China's National Art in the 1920s and 1930s
Kuiyi Shen
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“A New Life for Literati Painting in the Early Twentieth Century: Eastern Art and Modernity, a Transnational Narrative,” Artibus Asiae 60, no. 2 (2000): 297-326.
Aida Y Wong
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Abstract Painting: The Formation of New Aesthetics in Post-Mao China
Yiqing Li
Modern Chinese Literature and Culture, 2021
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Comparing the Histories of Chinese and Western Landscape Painting in 1935: Historiography, Artistic Practice, and a Special Issue of Guohua Yuekan
Juliane Noth
Pauline Bachmann et al. (eds.): Art/Histories in Transcultural Dynamics: Narratives, Concepts and Practices at Work, 20th and 21st Centuries, Berliner Schriften zur Kunst, Paderborn: Wilhelm Fink Verlag, 2017, 265–290. , 2017
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An Unlikely Prelude to Post-Painting Painting: Hikosaka Naoyoshi and Three Modes of Seeing, 1969-1973
Reiko Tomii
Ends of Painting: Art in the 1960s and 1970s, 2023
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Transmedial Landscapes and Modern Chinese Painting
Juliane Noth
Harvard Asia Center, 2022
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Assignment 1 Depth Analysis Arts of Asia: Writing a Landscape Chinese Ink Painting
Kate Tyrwhitt
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Envisioning the World Within or Without Limits: on Representation and Creativity in the Aesthetics of 17th Century China
Polina Lukicheva
Asiatische Studien - Études Asiatiques, 2020
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Chinese as Subject: Photographic Genres in the Nineteenth Century
Frances Terpak , Sarah E Fraser
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Generativities: Western Philosophy, Chinese Painting, and the Yijing
Eric S Nelson
Orbis Idearum, Vol. 1, Issue 1 (2013), pp. 97–104 , 2013
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Chinese or Western: A Few Observations on Ambiguities of the Painting Styles of Some Twentieth Century Chinese Painters in an Era of Sino-Western Encounters.
Michaela Pejčochová
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"The voice of the 'superfluous' people: painting in China in the 1980s and 1990s"
Francesca Dal Lago
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Chinese Painting Between Modernity and Tradition: Reflections on an Exhibition and a Conference
Charles Haxthausen
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A New Definition of Chinese Ink Painting
James Elkins
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Learning How to See Again: Describing Visuality and Imagining Vision in Eleventh-Century Chinese Painters' Biographies
Ari Daniel Levine
Tsing Hua Journal of Chinese Studies 清華學報, 2021
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"Pastmodern: The Traditions of the Avant-garde in Early East Asian Art." TOCS 87 (2024): 43-57.
J.P. Park
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The Influence of Oriental thought on postwar American Painting and Sculpture.
David Clarke
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“Japanese Oil Paintings in the First Chinese National Art Exhibition of 1929 and the Development of Asian Modernism,” in Joshua Fogel, ed. Role of Japan in the Institutional Development of Modern Chinese Art, Berkeley: University of California Press, 2012, pp. 181-211.
Julia F Andrews
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« Becoming an international artist, remaining a Chinese one: Walasse Ting / 一位中国的国际艺术家: 丁雄泉 » in Bali danqing, ershi shiji zhongguo huajia zhan 巴黎丹青，二十世纪中国画家展 [Hong Kong : Hong Kong museum of arts, 20 juin – 21 septembre 2014]
Mael Bellec
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CONTEMPORARY CHINESE: LOCAL TRADITIONS VERSUS WORLD ART, Su Xinping, sleeping man, departing horse, 1989; Lu Zuogeng, Last dynasty I, 1994; Fang Lijun, 1996 no. 18, 1996; Guo Jian, Trigger happy 9. 1999; Hong Hao, Acupuncture, middle volume, 1992, by Roy Forward, NGA Research Paper No. 13
Roy Forward
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“The Art of Revolutionary Romanticism, 1949-1965,” in Chinese Art in an Age of Revolution: Fu Baoshi (1904-1965), edited by Anita Chung. Cleveland: Cleveland Museum of Art, 2011, pp. 43-56.
Julia F Andrews
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“Pre-Buddhist” Conceptions of Vision and Visuality in China and Their Traces in Early Reflections on Painting
Rafael Suter
Asiatische Studien - Études Asiatiques, 2020
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