original ) (raw )A New Definition of Chinese Ink Painting
James Elkins
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Whither the Methods of the Ancients? Huang Binhong’s 黃賓虹 (1865–1955) Clerical-Scripted Painting [論隸體畫圖] as a Response to the "Harmonious Uniting of Red-and-Green and Ink" [丹青水墨合壁]
Shao-Lan Hertel (何小蘭)
Annegret Bergmann/Jeong-hee Lee-Kalisch (eds.): Transcultural Intertwinements in East Asian Art and Culture, 1920s-1950s. Studies of East Asian Art History vol. 5 / Studien zur Ostasiatischen Kunstgeschichte Bd. 5. Weimar: VDG, Verlagsgruppe arts + science weimar, 2018, 101–127.
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Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses on Chinese Ink Painting
Eva Man
The Journal of Somaesthetics, 2015
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From harmony to intensity: the reconstruction of "body" in Chinese New Ink Art
Siying Duan
Proceedings of A Body of Knowledge - Embodied Cognition and the Arts conference, 2018
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Re-conceptualizing the Meaning of Landscape Painting
Mia Yu
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Concept to Context: The Theoretical Transformation of Ink Painting into China's National Art in the 1920s and 1930s
Kuiyi Shen
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“Review of Yi Gu’s Chinese Ways of Seeing and Open-Air Painting.” China Review International: A Journal of Reviews of Scholarly Literature in Chinese Studies 26, no. 14 (2019): 287-91.
Aida Y Wong
China Review International: A Journal of Reviews of Scholarly Literature in Chinese Studies
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Tao, Chinese Landscape Painting, and 20th Century Art
Lian Duan
Semiotics for Art History, 2019
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From Landscape to Painting: some reflections on the Chinese ink paintings in the Yeap Lam Yang collection
Sze Wee Low
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Theoretical sourses for Abstract Painting in the Ancient Chinese Art Theory before Tang Dynasty
Daniela C . Zhang
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袁旃 的當代中國繪畫 Filtering the Landscape Tradition through Color and Lines: The Contemporary Chinese Painting of Yuan Jai " in "FU The art of Yuan Jai", edited by Iris Shu-ping Huang, Lian Yung-Fei Publisher, Taipei, 2022., p.22-41 (Chinese Version and English Version)
Francesca Dal Lago
Fu, The Art of Yuan Jai , 2022
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Envisioning the World Within or Without Limits: on Representation and Creativity in the Aesthetics of 17th Century China
Polina Lukicheva
Asiatische Studien - Études Asiatiques, 2020
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“Ink Painting in the Sinophone World: Liu Kuo-sung’s Hong Kong Period.” In The Liu Kuo-sung Reader: Selected Texts on and by the Artist, 1950s-Present. Eds. Eugene Y. Wang, Valerie C Doran, Alan C. Yeung (Cambridge: Harvard University Press for Harvard FAS CAMLab, 2024), 125-33.
Aida Y Wong
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Chapter 4: Taoist Calligraphy (from Change and Continuity: the Influences of Taoist Philosophy and Cultural Practices on Contemporary Art Practice)
Bonita Ely
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The Inner Workings of Brush-and-Ink: A Study on Huang Binhong (1865–1955) as Calligrapher, with Special Respect to the Concept of Interior Beauty (neimei).
Shao-Lan Hertel (何小蘭)
Diss. Freie Universität Berlin [online], 2017.
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Paradigm Shift in Chinese Landscape Painting
Lian Duan
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The Matter of Chinese Painting, Case studies of 8th century murals
lucien van valen
2005
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A strange arrangement: constructing contemporary reductive abstract painting through the ancient Chinese garden
Craig Easton
2014
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CH. 6: XU BING'S BOOK FROM THE SKY - TIANSHU from Change and Continuity: the Influences of Taoist Philosophy and Cultural Practices on Contemporary Art Practice
Bonita Ely
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Reproducing Chinese Painting: Revised Histories, Illustration Strategies and the Self-Positioning of Guohua Painters in the 1930s, Ars Orientalis 2018
Juliane Noth
Ars Orientalis, 2018
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Transmedial Landscapes and Modern Chinese Painting
Juliane Noth
Harvard Asia Center, 2022
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"Ink Painting in the Sinophone World: Liu Guosong's Hong Kong Period." Art in Translation 11. 1 (2019): 22-44.
Aida Y Wong
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"Art" chapter in Routledge Handbook of Early Chinese History
Haicheng Wang
Routledge Handbook of Early Chinese History, 2018
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Chinese Thought And Its Relationship to Portraiture: a comparative overview
Lee Wen
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Book Review The Landscape Painting of China revised
Diana Y Chou 周永昭
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Some Remarks on Chinese Painting and Its Influence on the West
Karel Vereycken
Fidelio, 1997
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Blue mountains, empty waters: the evolution of Chinese landscape painting under the influence of Chan Buddhism
Rudi Capra
The Boolean Journal, 2015
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The Arts of China (review)
Amy Ione
Leonardo, 2010
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Ink Unbound: Paintings by Liu Dan
Yang Liu
Minneapolis Institute of Art, 2016
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Beggars Black Bears and Butterflies The Scientific Gaze and Ink Painting in Modern China
Lisa Claypool
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Comparing the Histories of Chinese and Western Landscape Painting in 1935: Historiography, Artistic Practice, and a Special Issue of Guohua Yuekan
Juliane Noth
Pauline Bachmann et al. (eds.): Art/Histories in Transcultural Dynamics: Narratives, Concepts and Practices at Work, 20th and 21st Centuries, Berliner Schriften zur Kunst, Paderborn: Wilhelm Fink Verlag, 2017, 265–290. , 2017
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"Picture Idea" and Its Cultural Dynamics in Northern Song China
Eugene Y Wang
The Art Bulletin, 2007
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Generativities: Western Philosophy, Chinese Painting, and the Yijing
Eric S Nelson
Orbis Idearum, Vol. 1, Issue 1 (2013), pp. 97–104 , 2013
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CROSSING INK RIVER. ZHANG YU AND HIS CONTRIBUTION TO THE MOVEMENT OF EXPERIMENTAL INK AND WASH PAINTING
Daniela C . Zhang
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The Embodiment of Zhuangzi‘s Ecological Wisdom in Chinese Literati Painting (wenrenhua 文人畫) and Its Aesthetics
Loreta Poškaitė
Asian Studies, 2017
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