In all the Colors of the Spectrum: Historic and Artistic Representations of the Alliance between the Hafsid Sultan Muley al-Hassan and Carlos V Habsburg (original) (raw)

Burke and Norfolk at Crawford Art Gallery, Cork

Chris Clarke

Photography and Culture, 2013

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“’Designs Always Polychromed or Gilded’: The Aesthetics of Color in the Alhambra,” in Sheila Blair and Jonathan Bloom, eds., And Diverse Are Their Hues: Color in Islamic Art and Culture. (New Haven: Yale University Press, 2011): 53-75.

Olga Bush

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Red Rosettes: Colors of Power and Piety in Rasulid Yemen

Noha Sadek

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‘The “Bute Hafiz” and the development of border decoration in the manuscript studio of the Mughals’, The Burlington Magazine, v. 127, 1985, pp. 855-72

Jeremiah Losty

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Color and Geometry in the Alhambra and What Got Lost in the Alhambresque

Olga Bush

Geometry and Color. Decoding the Arts of Islam in the West from the Mid-19th to the Early 20th Century, edited by Sandra Gianfreda, Francine Giese, Ariane Varela Braga, and Axel Langer, Manazir , 3 , 13-29 , 2021

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Pinnock_Colours and Light in the Royal Palace G of Early Syrian Ebla_7ICAANE.pdf

Frances Pinnock

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Dating the Prince: A Picture in the St Petersburg Mughal Album

Barbara Brend

South Asian Studies, 2008

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Painting Politics in the Alhambra

Ana Echevarria

Medieval Encounters, 14, 2008

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'Painted by the Turcks themselves': Reading Peter Mundy's Ottoman Costume Album in Context

William Kynan-Wilson

The Mercantile Effect: On Art & Exchange in the Islamicate World during the 17th and 18th Centuries, edited by Sussan Babaie and Melanie Gibson, 2017

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"An Italian Renaissance Gate for the Khan: Visual Culture in Early Modern Crimea" Muqarnas Online, Volume 34, Issue 1, pp. 85 – 123

Nicole Kançal-Ferrari

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The Wall Paintings of the North-East Bastion at Ayia Irini, Kea. Lyvia Morgan

Lyvia Morgan

KEA -KYTHNOS: HISTORY AND ARCHAEOLOGY, ed. L.G. Mendoni & a. Mazarakis Ainian, 1998

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On the "Admiral" Heraldic Carpet_At the PMA_Spring, 2015

Bradley Cavallo

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Drawing on Arabian Nights - Exhibition

Emily Christensen, Ambra D'Antone

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Khosrow Hassanzadeh's Haft Khan (Leila Heller Gallery, 2012)

Shiva Balaghi

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The Hall of Mirrors at Versailles: a rare series of prints from the collection of the Duc de Mortemart

Dimitri Ozerkov

Hermitage Magazine, 2019

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From Turquoise to Black & White: Representation of the Sea in the Abdul-Hamid II Albums

Deniz Güzel

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Display for Theme of Color and Geometry in the Art Sultanate Hunt and Sultan Hussein Bayaqra's Party in Garden

Towfiq Rahmani

2019

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R. Hillenbrand, 'The Paintings of Rashid al-Din's 'Universal History' at Edinburgh', University of Edinburgh Journal, vol. 26 (1974), 330-333

Robert Hillenbrand

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A Golden Landscape in an Ultramarine Sea Research into the ‘Spanish Map’ of 1552-53

Joosje Van Bennekom

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In the Steps of the Sultan

Bilal Orfali

2024

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The red of Lina and Oscar

Paulo Castral

Color Culture and Science Cultura e Scienza del Colore, 2021

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Black and the Royal Image

José Luis Colomer

2014

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Significant Red: watercolour and the uses of red pigments in military and architectural conventions

Bénédicte Miyamoto

XVII-XVIII Revue de la Société d’études anglo-américaines des XVIIe et XVIIIe siècles, 2018

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The Color of the Orient: On Ottoman Costume Albums, European Print Culture, and Cross-Cultural Exchange

Elisabeth Fraser

Zanardi and Klich, eds., Visual Typologies from the Early Modern to the Contemporary: Local Practices and Global Contexts (New York: Routledge, 2018).

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Melchior Lorck's Portrait of Sultan Süleyman the Magnificent (1562): A Double-Coded View (2011)

Mikael Bøgh Rasmussen

Reframing the Danish Renaissance. Problems and Prospects in a European Perspective, ed. Michael Andersen, Birgitte Bøggild Johannsen and Hugo Johannsen (PNM - Publications of the National Museum. Studies in Archaeology and History Vol. 16), Copenhagen: University Press of Southern Denmark 2011.

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The Paintings of the Freer Divan of Sultan Ahmad b. Shaykh Uvays and a New Taste for Decorative Design

Ilse Sturkenboom

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The Atelier of Colours

Emanuele Volpe

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(with Bill Manley and Hisham El Leithy) A token of friendship in the Royal Cache Wadi

José-Ramón Pérez-Accino, Bill Manley

Egyptian Archaeology, 62, 18-21., 2023

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The Visual Evidence of the Connection and Association between Shaykh Muhammed and the Court of Sultan Ibrahim Mirza

Bagh-e Nazar Journal

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Sotheby's auction entries- 26 October 2022, lots 43-48

Jaimee Comstock-Skipp

Sotheby's, 2022

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Cross-Cultural Spaces in an Anonymously Painted Portrait of the Ottoman Sultan Mahmud II

Alison Terndrup

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Kenneth Burke at the MoMA: A viewer’s theory

Debra Hawhee

Quarterly Journal of Speech, 2019

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A Journey to Al-Andalus: Part I, The Moorish Stronghold of Granada

Kacper Grass

DailyArt Magazine, 2018

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Malik-2017-Art_History(1).pdf

Amna Malik

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Bill Hickman - Note on a Nineteenth Century Painting of the Sacred Precinct in Mecca

Journal of Ottoman Studies / Osmanlı Araştırmaları Dergisi

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