original ) (raw )Of Poetry and Song: Approaches to the Nineteenth-Century Lied. Ed. by Jurgen Thym
Jurgen Thym
Music and Letters, 2011
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The Schubert Lied Revisited
Lawrence Kramer
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Towards a Narratological Analysis of the Romantic Lied: Events, Voice, and Focalization in Nineteenth-Century German Poetry and Music
Andrew H. Weaver
Music & Letters, vol. 95, 2014
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Program notes, 18 March 1944: Elisabeth Schumann--Songs by Franz Schubert & Hugo Wolf
Emanuel Winternitz
Metropolitan Museum of Art: Concerts for Members, 1944
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The Position of Strauss's Krämerspiegel, op. 66, within the German Liederkreis Tradition
Matthew Hoch
Journal of Singing 71, no. 2 (November/December 2014)
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Lieder, Listeners, and Ideology: Schubert’s “Alinde” and Opus 81
David Gramit
Current Musicology, 2017
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Enthusiasm, Contemplation, and Romantic Longing : Reconsidering Schubert's Sectional Songs in the Light of Historical Context
Tobias Lund
2009
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"A Heap of Broken Images"? Reviving Austro-German debates over musical meaning, 1900-1936
Matthew Pritchard
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The Lied in Schubert’s work. Stylistic and interpretive perspectives
Ana Negrea
2021
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"The German Lied and the Songs of Black Volk"
Kira Thurman
Journal of the American Musicological Society, 2014
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Review of David Ferris. Schumann's Eichendorff"Liederkreis" and the Genre of the Romantic Cycle. Oxford and New York: Oxford University Press, 2000. vii, 270 pp
Richard Kramer
Current Musicology, 2002
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‘Absent Subjects and Empty Centres: Eichendorff’s Romantic Phantasmagoria and Schumann’s Liederkreis Op. 39’, 19th-Century Music, 40/3 (Spring 2017)
Benedict Taylor
19th-Century Music, 2017
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Schubert the Progressive: History, Performance Practice, Analysis, and: Schubert's Song Sets (review)
Cynthia Cyrus
2004
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Hildegard von Bingen. Lieder: Faksimile Riesencodex (Hs. 2) der Hessischen Landesbibliothek Wiesbaden, fol. 466–481v. Edited by Lorenz Welker; commentary by Michael Klaper. Elementa musicae 1. Wiesbaden: Ludwig Reichert Verlag, 1998. 44 + [32] pp. ISBN 3 89500 037 X
Annette Kreutziger-Herr
Plainsong & Medieval Music, 2000
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Music and Literature in German Romanticism (review)
Peter Höyng
Goethe Yearbook, 2006
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Franz Schubert, Ihr Bild (1828): A Response to Shenker's Essay in Der Tonwille, Vol. 1
Christopher Wintle
Music Analysis, 2000
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Robert Schumann's Kerner-Liederreihe, Op. 35: Its Compositional Genesis and the Question of Organic Unity
Jane Harrison
2006
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Musical Sensibility of the Balladic in the Lieds of Franz Schubert: Erlkönig, Op. 1
Gabriela Coca
Studia Universitatis Babes-Bolyai-Musica, 2010
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JOHN WARRACK GERMAN OPERA: FROM THE BEGINNINGS TO WAGNER Cambridge: Cambridge University Press, 2001 pp. xvi 447, ISBN 0 521 23532 4
David Buch
Eighteenth Century Music, 2004
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Introduction: Music and German Culture
Carl Niekerk
The German Quarterly, 2018
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Estranging German Lieder: Kurt Schwaen's Settings of Günter Kunert
Heidi Hart
Music & Politics , 2018
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Review: Music, a Connected Art/Die Illusion der Absoluten Musik: A Festschrift for Jürgen Thym on his 80th Birthday
Sarah Waltz
Music & Musical Performance, 2023
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Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany by Alexander Stefaniak
Erinn Elizabeth Knyt
Notes, 2018
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Introduction: why the Lied?
James Parsons
The Cambridge Companion to the Lied, 2004
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Hans Weisse (1892–1940) [English-language paper in Schenker-Traditionen: Eine Wiener Schule der Musiktheorie]
David Carson Berry
Schenker-Traditionen: Eine Wiener Schule der Musiktheorie und ihre internationale Verbreitung [Schenker Traditions: A Viennese School of Music Theory and Its International Dissemination], 2006
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6 Why sing? Lieder and song cycles
Jonathan Dunsby
The Cambridge Companion to Schumann, 2007
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"From Poetry to Music. The Paradigms of Art in German Aesthetics of the 19th Century", «Aesthetica Preprint» (Monographic Issue: "Art and Knowledge in Classical German Philosophy"), No 116 (2021)
Francesco Campana
Aesthetica Preprint, 2021
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Singing in the Age of Anxiety: Lieder Performances in New York and London between the World Wars by Laura Tunbridge
Michelle Meinhart
Notes, 2019
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REVIEW OF Schubert’s Mature Instrumental Music: A Theorist’s Perspective, by David Beach (Eastman Studies in Music; Rochester: University of Rochester Press, 2017)
Eftychia (Effie) Papanikolaou
Journal of Austrian Studies 51, no. 4, 2018
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The Labyrinth of the Soul:: Wagner’s Musical Lament
Miguel Ribeiro-Pereira
2016
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Serving “German music” and “the Great Empire of the Germans”: The German Periodical "Musik im Kriege" (In: Musical History As Seen Through Contemporary Eyes, ed. Benjamin Knysak , Zdravko Blažeković, pp. 125-179)
Antonio Baldassarre
Musical History As Seen Through Contemporary Eyes, 2021
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Culture and History in the Performance of Diegetic Music in German Opera A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Musical Arts in Music by
Geoffrey Pope
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Ignaz Pleyel and Ludwig-Wilhelm Tepper de Ferguson: the Mystery of the “Twelve German Songs”
Olga Baird (Yatsenko)
The Musical Times, 2016
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Lysistrata in Kleindeutschland: The German-American Reception of Schubert's Die Verschworenen (D. 787)
Evan A MacCarthy
Nineteenth-Century Music Review, 2022
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German Opera: From the Beginnings to Wagner (review)
Kevin Amidon
Notes, 2002
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