original ) (raw )Treasures from the Museum of Aveiro in the History of Ancient Spectacles
Maria do Sameiro Barroso
Cadernos de Cultura: História e Património de Aveiro , 2023
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Optics and Renaissance Art
Charles Falco
Optics in Our Time, 2016
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The origin of spectacles
charles letocha
Survey of Ophthalmology, 1986
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Early use of corrective lenses in Spanish Colonies of the Americas including parts of the future United States: Reference to Viceroy Luis de Velasco (the son)
Maria L. Calvo
2003
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Perception and Optics in the 16th Century: Some features of Della Porta’s Theory of Vision
Fumikazu Saito
Circumscribere: International Journal for the History of Science, 8 (2010): 28-35, 2010
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LOOKING THROUGH LATE MEDIEVAL AND EARLY MODERN GLASS IN PORTUGAL
Inês Coutinho , Teresa Medici
ANNALES du 20e CONGRÈS de l’ASSOCIATION INTERNATIONALE pour l’HISTOIRE du VERRE Fribourg / Romont 7–11 septembre 2015 [ISBN 978-3-86757-024-4], 2017
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Optical instruments and imaging: the use of optics by 15th-century master painters
David Hockney
Optical Design and Testing II, 2005
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Looking through late medieval and early modern glass in Portugal. Annales du 20e Congrès de l'AIHV 2017 (Fribourg / Romont 7-11 septembre 2015)
Bernard GRATUZE , Teresa Medici
Annales du 20e Congrès de l'Association Internationale pour l’Histoire du Verre (Fribourg / Romont 7-11 septembre 2015), 2017
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Perspective as practice: renaissance cultures of optics
Samuel Gessner
Intellectual History Review, 2020
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Introduction. Leonardo da Vinci and Optics
Alessandro Nova , Francesca Fiorani
Leonardo da Vinci and Optics, ed. by Francesca Fiorani & Alessandro Nova, (Studi e Ricerche, 10), Venezia 2013, pp. 9-27
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Por qué los Hombres tienen diversas Maneras de Ojos? Curiosities about the Eyes in Juan de Jarava's Problemas o Preguntas problemáticas (1544
Folke Gernert
Humanities 12.4, 2023
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The Oculist's Eye: Connections between Cataract Couching, Anatomy, and Visual Theory in the Renaissance
Tawrin Baker
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Seeing Renaissance Glass: Art, Optics, and Glass of Early Modern Italy, 1250–1425
Sarah M Dillon
2018
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Spectacles in Late Antiquity: some observations
Charlotte M Roueche
Antiquité Tardive, 2007
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The Quest for Perfect Vision: Chérubin d’Orléans’s optical instruments and the development of theories of binocular perception in late seventeenth-century France
Antoine Gallay
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Leonardo, Optics and Ophthalmology
Dominique Raynaud
F. Fiorani and A. Nova, eds., Leonardo da Vinci and Optics, Venezia, Marsilio, 2013, 255-276, 2013
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O Porto em relevo: fotografia estereoscópica, ca. 1855-1890 / Oporto in relief: stereoscopic photography, ca. 1855-1890 [Short preview version, pp. 49-52]
Nuno Borges de Araújo
Flores, Victor (ed.) - "A Terceira Imagem: A Fotografia Estereoscópica em Portugal / The Third Image: Stereo Photography in Portugal" [Short preview version], 2016
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Claudius Ptolemy (ca. AD 100 – ca. 170) and Giambattista Della Porta (ca. 1535 –1615): Two Contrasting Conceptions of Optics.
Yaakov Zik , Giora Hon
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Frustrated Seeing: Scale, Visibility, and a Fifteenth-Century Portuguese Royal Monument
Jessica Barker
Art History, 2017
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Roman ophthalmology. A glimpse of our distant past
Gerhard Cibis
Survey of ophthalmology
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Painted Spectacles: Evidence of the Mughal Paintings for the Correction of Vision: IDSK Occasional Paper 38
Ranabir Chakravarti
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Optics and Perspective Prior to Alberti / Ottica e prospettiva prima di Leon Battista Alberti / Optique et perspective avant Alberti
Dominique Raynaud
B. Paolozzi Strozzi et M. Bormand, eds, Le Printemps de la Renaissance. La sculpture et les arts à Florence, Paris, musée du Louvre éditions, 2013, 165-171, 2013
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Vision and its instruments: art, science, and technology in early modern Europe
judith collard
Choice Reviews Online, 2015
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A. J. Cruz, L. U. Afonso, 2008. “On the date and contents of a Portuguese medieval technical book on illumination: O livro de como se fazem as cores”, The Medieval History Journal, vol. 11, n. 1, pp. 1-28
Luís U Afonso
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On the date and contents of a Portuguese medieval technical book on illumination: O livro de como se fazem as cores
António João Cruz
2008
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Vision and Its Instruments: Art, Science, and Technology in Early Modern Europe ed. by Payne, Alina
judith collard
Parergon, 2017
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Seeing Through Pictures and Poetry: A History of Lenses (1681)
Kristina Kleutghen
Late Imperial China, 2017
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Sight and Light in the Late Middle Ages (KU Leuven, 12-13 June 2023)
Francesca Galli , Mattia Mantovani , Lukáš Lička
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The analysis of ancient glasses part II: Luxury Roman and early medieval glasses
Julian Henderson
JOM, 1996
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"Frustrated Seeing: Scale, Visibility and a Fifteenth-Century Portuguese Royal Monument", Art History 41.2 (2018): 220–45.
Jessica Barker
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The “Animated Polystereoscope” of Francisco Dalmau. Introducing Stereo Photography in Barcelona Through Optical Shows (1853-1863).
Cèlia Cuenca
International Journal on Stereo & Immersive Media, 2019
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Technologies of Vision: Long 18th Century [Syllabus]
Neşe Devenot
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Mazor A. and Abbou Hershkovits K, "Spectacles in the Muslim World: New Evidence from the Mid-Fourteenth Century," Early Science and Medicine 18-3(2013) 291-305
Keren Abbou Hershkovits
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Optics, ethics, and art in the thirteenth and fourteenth centuries
Richard Newhauser
2018
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Enduring Influence of Elizabethan Ophthalmic Texts of the 1580s: Bailey, Grassus, and Guillemeau
Tamer Hadi
The Open Ophthalmology Journal, 2014
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