Staging Crisis: Opera aperta and the 1959 Venice Biennale Commissions (original) (raw)

Futurism in Venice, Crisis and 'la musica dell'avvenire', 1924

2014

Harriet Boyd-Bennett, Opera in Postwar Venice: Cultural Politics and the Avant-Garde

Transposition, 2019

Review of Vivienne Suvini-Hand. Sweet Thunder: Music and Libretti in 1960s Italy. Italian Perspectives 16. London: Legenda, 2006.

Emiliano Ricciardi

Cambridge Opera Journal 20, no. 3 (November, 2008): 299-302, 2008

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La Polifonica Ambrosiana (1947-1980). Musica antica nell’Italia del secondo dopoguerra, edited by Livio Aragona and Claudio Toscani (Lucca: Libreria Musicale Italiana, 2017). Rivista Italiana di Musicologia 54 (2019), 226-231.

Siel Agugliaro

Rivista Italiana di Musicologia, 2019

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Orgoglio nazionale e modernità nei trattati d'orchestrazione italiani del primo Novecento: gli autori

Marica Bottaro

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Orgoglio nazionale e modernità nei trattati d’orchestrazione italiani del primo Novecento

Marica Bottaro

Music, Individuals and Contexts. Dialectical Interaction, edited by Nadia Amendola, Alessandro Cosentino, Giacomo Sciommeri, Università degli Studi di Roma “Tor Vergata”, 27-28 aprile 2017, Roma, UniversItalia, 2019, pp. 309-318. , 2019

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Intersections: Between Music and Theatre in Seicento Italy

Serena Laiena

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Contemporary music in central Italy: an overview of recent decades

Alessandro Mastropietro

2012

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“The Spider Is Alive”: Reassessing Becker’s Theory of Artistic Conventions through Southern Italian Music

Lee Blackstone

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Gianluca Bocchino and Cecilia Nicolò, eds., Jommelliana: Un operista sulla scena capitolina... Lucca: Libreria Musicale Italiana, 2017

Bruno Forment

Eighteenth-Century Music, vol. 16, no. 1, 58-60, 2019

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ITALIAN COMMEDIA MUSICALE: CAPITALIZING ON MEMORY AND NOSTALGIA RAFFAELE FURNO

Raffaele Furno

Forty Years of Italian Popular Culture, 2020

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Between cosmopolitanism and nationhood: Italian opera in the early nineteenth century

Carlotta Sorba

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The New Avant-Garde in Italy: Theoretical Debate and Poetic Practices (review)

Florian Mussgnug

Italian Culture, 2005

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Writing Like Music: Luciano Berio, Umberto Eco and the New Avant-Garde

Florian Mussgnug

Comparative Critical Studies, 2008

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Italian Modernism: Italian Culture between Decadentism and Avant-Garde (review)

Cristina Caracchini

Modernism/modernity, 2006

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Laughter between Two Revolutions: Opera Buffa in Italy, 1831-1848. By Francesco Izzo (review), Music & Letters, 95/4 (2014), 662-4.

Francesca Vella

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‘Review Article: A Passion for Italy’, Cambridge Opera Journal, 23/3 (2011), 191-200.

Francesca Vella

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‘Bridging Divides: Verdi’s Requiem in Post-Unification Italy’, Journal of the Royal Musical Association, 140/2 (2015), 313-42.

Francesca Vella

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A Note from the Guest Editor (introduction to "Opera and the Avant-Garde")

Arman Schwartz

Opera Quarterly 30, 2014

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Theatre and Theatricality in Modern and Contemporary Italian Literature and Media. [Three separate panels, nine presenters]

Stefano Boselli

Midwest Modern Language Association, Chicago, Illinois, 5 November 2010.

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"Preface." [In] Made in Italy: Studies in Popular Music, edited by Franco Fabbri and Goffredo Plastino, xiii-xv. New York and London: Routledge, 2013.

Goffredo Plastino, Franco Fabbri

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In Defense of Marginalized Music: Pirandello from the 1910s through the 1930s, in Pirandello’s visual philosophy: imagination and thought across media , Lisa Sarti and Michael Subialka eds., Fairleigh Dickinson University Press, 2017, pp. 117-136.

daniela bombara

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Jacopo Tomatis: Storia culturale della canzone italiana. Milan: Il Saggiatore, 2019. ISBN 978-8842825463. 816 pages

Alessandro Carrera

ATeM Archiv für Textmusikforschung

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Alexandra Wilson. The Puccini Problem: Opera, Nationalism, and Modernity. Cambridge: Cambridge University Press, 2007. pp. 334

Laura Wittman

Cambridge Opera Journal, 2008

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Avanti a lui tremava tutta Roma: opera, melodrama and the Resistance

Catherine O'Rawe

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"Il giardino di Armida": la Gerusalemme liberata in music, from Giaches de Wert to Domenico Mazzocchi

Kathryn Bosi Monteath

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The Squallor Phenomenon: Social and Political Satire in Italian Music during the First Republic. (2014)

Nicolino Applauso, PhD

'Send in the Clowns!' Humour and Power in Italian Political, Social and Cultural Life. Eds. Andrea Hajek, Daniele Salerno, and Clare Watters. Spec. issue of Incontri: Rivista europea di studi italiani (2014)

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Franco Fabbri & Goffredo Plastino (eds.), Made in Italy: Studies in Popular Music

Rachel Haworth

Volume!, 2017

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Iconic Wave and “Archival Impulse” in 20th Century Italy. Taxonomies of the Collective Imagination in Mario Bellucci’s Iconographic Musical Collection (1920-1966) [Booklet]

Francesco Dragoni

International Conference “Bringing down the Archive Fever: opening and collaborating on photography archives and collections” (20-22 October). Institute of Art History, Zagreb, 2021

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Opera and Beyond: Film Music as an Embodiment of Political and Sociological Criticism in Visconti’s Il Gattopardo

fatma betül ataş

FA49A: Cinema and Audience, Sociological Debate - Fall, 2022

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Parlor Games: Italian Music and Italian Politics in the Parisian Salon

Mary Ann Smart

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On opera and working-class culture, Review of Emilio Jona, et al, Le ciminiere non fanno più fumo: canti e memorie degli operai torinesi

Gavin Williams

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The Living Theatre and the Italian Culture: a Dialogue (1961-1968)