Death Speaks Russian: Heteroglossia and Dialogical Tonality in Musorgsky’s “Serenade” from Songs and Dances of Death (original) (raw)
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Kirill Ospovat
Slavic Review, 2019
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A History of Russian Music by Francis Maes. University of California Press, Berkeley, CA, U.S.A., 2002. Trans. from the Dutch by Arnold J. Pomerans and Erica Pomerans. 441 pp., illus. Trade. $45.00. ISBN: 0-520-21815-9
stefaan van ryssen
Leonardo, 2003
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Poetic typology of Lеtov's and Mayakovsky's lyrics: from world model to language //Поэтическая типология лирики Летова и Маяковского: от модели мира к языку
Олеся Темиршина
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Five Operas and a Symphony: Word and Music in Russian Culture
Boris Gasparov
Slavic Review, 2007
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"Musical Russianness" and its Practical Application
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BILT Student Journal, 2022
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Real Endings and Russian Death: Musorgsky's 'Pesni i pliaski smerti'
Caryl Emerson
Russian Language Journal 38, 129/30, 1984
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Towards a Lyric Phenomenology: 'The beginnings of truly human poetry' and Zhukovskii's Elegiac Imagination
Alyson Tapp
Slavonic & East European Review, 2019
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Apophaticism of Soviet Culture Philosophical Aspect of Song by M. Matusovsky
Марианна Дударева
Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019), 2019
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On Russian Music (review)
Peter Schmelz
Notes, 2010
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Marina Lupishko
ex tempore: A Journal of Compositional and Theoretical Research in Music 13/2, 2007
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The Listener and the Work as the Dualistic Basis for the Morphological Analysis of Music [Слухач i Твiр як Дуалiстична Основа Морфологiчного Аналiзу Музики]
Valery V. Glivinsky Валерий Викторович Гливинский
2022
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Five Operas and a Symphony: Words and Music in Russian Culture. By Boris Gasparov. pp. xxii + 268. Russian Literature and Throught. (Yale University Press, New Haven and London, 2005, 30. ISBN 0-300-10650-5.)
Pauline Fairclough
Music and Letters, 2006
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Levon Hakobian. Music of the Soviet Age.; Allan B. Ho and Dmitry Feofanov, eds. Shostakovich Reconsidered.; David Haas. Leningrad's Modernists: Studies in Composition and Musical Thought
Stephen Blum
Current Musicology, 1998
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Viliina Silvonen
The Routledge Handbook of Language and Emotion, 2020
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The Listener and the Work as the Dualistic Basis for the Morphological Analysis of Music [Слушатель-произведение как двуединая основа морфологического анализа музыки]
Valery V. Glivinsky Валерий Викторович Гливинский
Paper [Рукопись], 2022
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The Listener and the Work as the Dualistic Basis for the Morphological Analysis of Music [Слушатель и произведение как дуалистическая основа морфологического анализа музыки]
Valery V. Glivinsky Валерий Викторович Гливинский
2022
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A comparative approach to the ballad of „The Hidden Death“: meaning, structure, techniques
Krinka Vidakovic-Petrov
2015
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Jelena Gligorijevic
New Sound, 2007
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Dyche Mullins
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Russian Music since 1917: Reappraisal and Rediscovery. Ed. Patrick Zuk and Marina Frolova-Walker. Oxford, Eng.: Oxford University Press, 2017. xiii, 434 pp. Index. Figures. $115.00, hard bound
david fanning
Slavic Review, 2019
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The Anxiety of a Dedication: Joseph Brodsky's 'Kvintet/Sextet'and Mark Strand
John Givens
Russian Literature, 1995
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Volga-Volga: ''The Story of a Song,'' Vernacular Modernism, and the Realization of Soviet Music
Peter Kupfer
Journal of Musicology, 2013
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Genre-forming function of factic elements of language in Russian and Tatar lyrics
Landysh Yuzmukhametova
Linguistics and Culture Review
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Cvetaeva's Lyricism and Kručenych's Zaum
Catherine Ciepiela
Russian Literature, 2009
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The Language of Speaking about, and Reflecting on Death: An Analysis of L. Tolstoy's Story “The Death of Ivan Ilyich”
Андрей Сергеев
Filosofija - Sociologija (Philosophy - Sociology): Journal of the Lithuaian Academy of Sciences., 2007
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1917 and Beyond: Continuity, Rupture and Memory in Russian Music
Pauline Fairclough
The Slavonic and East European Review, 2019
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"Folk Songs in Soviet Orchestration: Vostokfil'm’s Song of Happiness and the forging of the New Soviet Musician”
Oksana Sarkisova
Studies of Russian and Soviet Cinema (SRCS) 4:3 (2010), pp. 261-281
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Polyphony in Dostoevsky’s Novels and the Multiplicity of Voices in Norwid’s Poetry
Ewangelina Skalińska
"Colloquia Litteraria", 2018
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Transcending the Borders of Countries, Languages, and Disciplines in Russian Émigré Culture, 2018
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All content of Bakhtiniana. Revista de Estudos do Discurso is licensed under a Creative Commons attribution-type CC-BY 4.0 BR Russian Theory and Semiotics of Culture: History and Perspectives / Teoria russa e semiótica da cultura: história e perspectivas
Peeter Torop
Russian Theory and Semiotics of Culture: History and Perspectives, 2019
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“Poetry on the Front Line: Kirill Medvedev and a New Russian Poetic Avant-Garde.” Zeitschrift für Slavische Philologie 70.1 (2014): 89-118.
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“Embodying the Literary Form: Approaches to the Corporeal Aspects of Poetry in the Works of Russian Formalists at the Institute of the Live Word and Beyond,” Zhivoe Slovo: Logos-Golos-Dvizhenie-Zhest: ed. V. Feshchenko, Moscow: Novoe Literaturnoe Obozrenie, 2015, 456-477.
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A Russian Poetics of Trauma: Encounters with Death and the Literary Reclamation of the Individual
K Laurie Vickroy
Journal of Literature and Trauma Studies, 2019
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The Elements of Traditional Slavonian Music in the Pieces of 20th-Century Art Music Composers
Zdravko Drenjančević
Arti Musices, 2020
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In Search of Meaning: Study on relation of language and music in works of Russian scientists
Polina Eismont
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