Sounds from the modem’s peripheries: A survey of the transglobal digital underground (original) (raw)

Keep it Simple, Make it Fast! Crossing Borders of Underground Music Scenes. Book of Abstracts.pdf

Paula Guerra, Keep it simple, make it fast! KISMIF

View PDFchevron_right

Beyond the ground: centers, peripheries, and genre publics in underground commentary

Luigi Monteanni

Musica Stampata, 2023

View PDFchevron_right

Mixing It: Digital Ethnography and Online Research Methods--A Tale of Two Global Digital Music Genres

Christopher P Haworth, Georgina Born

The Routledge Companion to Digital Ethnography, 2016

View PDFchevron_right

Underground Over the Net: Three Cases of Underground Music in Finland in the Age of Platforms w/ Juho Hänninen

Juho Kaitajärvi-Tiekso

Made in Finland. Studies in Popular Music., 2020

View PDFchevron_right

Counterhegemonic Practice in Digital Music Counterhegemonic Practice in Digital Music: How Interfaces and Networks are changing the cultural and political map of underground music

Sebastiano Carghini

View PDFchevron_right

Review: Keep it Simple, Make it Fast! Crossing Borders of Underground Music Scenes, International Conference, University of Porto, Porto, Portugal, 13–17 July 2015

Mike Dines, Alastair Gordon

View PDFchevron_right

Translocality, Network Structure, and Music Worlds: Underground Metal in the United Kingdom

Nick Crossley

Canadian Review Of Sociology/revue Canadienne De Sociologie, 2018

View PDFchevron_right

BOOK OF ABSTRACTS International Conference Keep it Simple, Make it Fast! Underground Music Scenes and DIYCultures

Paula Guerra, Pedro Quintela, Keep it simple, make it fast! KISMIF

View PDFchevron_right

Call for Papers | KISMIF International Conference 2015 | Crossing Borders of Underground Music Scenes

Keep it simple, make it fast! KISMIF, Paula Guerra, Andy Bennett

View PDFchevron_right

The ecology of ‘sacred space’: Indie music’s exploration and construction of sacred space in the context of contemporary digital music

Laura Glitsos

View PDFchevron_right

KISMIF An Approach to Underground Music Scenes Vol.4

Paula Guerra, THIAGO PEREIRA ALBERTO

2019

View PDFchevron_right

“Vaporwave Is (Not) a Critique of Capitalism”: Genre Work in An Online Music Scene

Andrew Whelan

Open Cultural Studies

View PDFchevron_right

Unpacking the ‘digital habitus’ of music fans in Santiago’s indie music scene

Arturo Arriagada

Hracs, B; Seman, M; Virani, T. (Eds) (2016). The Production and Consumption of Music in the Digital Age, pp. 223-236. London: Routledge., 2016

View PDFchevron_right

NOW OPEN KISMIF Conference 2015 Crossing Borders of Underground Music Scenes

Paula Guerra, Pedro Quintela, Keep it simple, make it fast! KISMIF, Andy Bennett

View PDFchevron_right

Napster and beyond: How online music can transform the dynamics of musical production and consumption in DIY subcultures

Jess Reia

View PDFchevron_right

Doing-it-Yourself or Doing the Right Thing: Tensions within Creative Labor in Underground Music Scenes

David Farrow

View PDFchevron_right

Mapping The Kominas' sociomusical transnation: punk, diaspora, and digital media

WF Umi Hsu

Asian Journal of Communicatin, 2013

View PDFchevron_right

"THIS IS NOT RAP" Boundary Works and Symbolic Violence in YouTube-Based Music Subcultures

Massimo Airoldi

View PDFchevron_right

Rauh A 2019 review the cambridge companion to music in digital cultureity

Andreas Rauh

View PDFchevron_right

Talk at Brunel University London: Post-Internet Popular Music: From The Underground To The Mainstream

Michael Waugh

View PDFchevron_right

The Appearance of an Underground Electromusic Subculture in the Cultural Sphere of the City

Terezia Nagy

Acta Ethnographica Hungarica, 2003

View PDFchevron_right

Regulating Dissemination: a comparative digital ethnography of licensed and unlicensed spheres of music circulation

Blake Durham

View PDFchevron_right

Keep it Simple, Make it Fast! An approach to underground music scenes. Volume 1

Paula Guerra

2015

View PDFchevron_right

"Noise in Times of Trouble": Senyawa, the Alkisah Network and the Decentralisation of an Underground Music Community

Luigi Monteanni

IMPAC2022, 2022

View PDFchevron_right

Intersections of Music, Politics, and Digital Media: Bandista

Ela Gezen

Colloquia Germanica 44.4 (2011), published December 2014

View PDFchevron_right

Becoming a Fan: Ethnography, fandom and underground music scenes

Nicola Watchman Smith

2014

View PDFchevron_right

Other Scenes, Other Cities and Other Sounds in the Global South: DIY Music Scenes beyond the Creative City

Paula Guerra

Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik, 2020

View PDFchevron_right

Every Noise at Once: Online Music Discovery Maps and Cosmopolitan Subjectivities (Uncorrected proof)

Matthew Ord

The Bloomsbury Handbook of Popular Music and Class, 2020

View PDFchevron_right

Transnational Sharedness: Social Dynamics of Circulation and Appropriation in "Global" Music Genres

alice aterianus-owanga

Music Research Annual, 2023

View PDFchevron_right

Paving a Path to Essentialize an "Imagined" Community: Inquiring the Contemporary Music Culture in the Digital Age through Virtual Ethnography

Owwei Chow

Asian Musicology, 2024

View PDFchevron_right

Soundcloud, Samplers and Sonic Experimentation- Community in Hip-Hop’s Online Underground

Daniel Gouly

View PDFchevron_right

The Rise of the New Amateurs: Popular Music, Digital Technology and the Fate of Cultural Production

Nick Prior

View PDFchevron_right

On the road to the american underground

Gina Arnold

2015

View PDFchevron_right

“DIY Noise and Compositional Horizons: Indie Musicians and Promoters in the Age of Digital Reproduction.”

Kevin Meehan

View PDFchevron_right

'Music that actually matters'? Post-Internet musicians, retromania and authenticity in online popular musical milieux

Michael Waugh

PhD Thesis (Anglia Ruskin University), 2015

View PDFchevron_right